Disability Arts History Australia

Items

• "Katie Ellis, Gerard Goggin (2015). Disability media participation: Opportunities, obstacles and politics. Media International Australia, 154 (1), pp. 78-88."
  This article discusses participatory media from a critical disability perspective. It discusses the relative absence of explicit discussion and research on disability in the literatures on community, citizen and alternative media. By contrast, disability has emerged as an important element of participatory cultures and digital technologies. To explore disability participatory cultures, the article offers analysis of case studies, including disability blogs, ABC's Ramp Up website and crowd-funding platforms (such as Kickstarter).
• "Katie Ellis, Tama Leaver, Mike Kent, M, eds. (2023). Gaming Disability: Disability Perspectives on Contemporary Video Games. London and New York: Routledge."
  This book explores the opportunities and challenges people with disabilities experience in the context of digital games from the perspective of three related areas: representation, access and inclusion, and community. Drawing on key concerns in disability media studies, the book brings together scholars from disability studies and game studies, alongside game developers, educators, and disability rights activists, to reflect upon the increasing visibility of disabled characters in digital games.
• "Radha O'Meara, Laura Dunstan, Anna Debinski, Catherine Ryan (2023). Disability and Screen Work in Australia: Report for Industry 2023. In Disability and Screen Work in Australia: Report for Industry. Melbourne Disability Institute, University of Melbourne."
  Disability is a key vector of inequality in Australian society. The screen industry has the potential to create meaningful change, in our workplaces and working practices, for our colleagues and our audiences. We need to pay more attention to disability and take more action to include disabled people in our industry. Disability equity, inclusion and accessibility training tailored to the screen industry can make a significant impact. Consultation, innovation and funding can transform industrial structures to create a more inclusive and sustainable industry for all screen workers. We must normalise talking about and providing access requirements to support disabled workers. The findings of this research reflect the need to build greater understanding, transparency and accountability in order to fully include disabled workers in the Australian screen industry.
• "Bree Hadley (2007) Review - Mirage, by Igneous, Australian Stage Online"
  Reads, in part "In Mirage, a performance installation by Brisbane-based multimedia company Igneous, dancer James Cunningham uses a combination of dance and data projection to draw the audience into a strange new perceptual space, in which body parts can be transposed, twinned and mirrored, providing new capacity for movement in the face of challenges to a body’s conventional structure and integrity. The work, like Cunningham’s previous collaboration with multimedia artist Suzon Fuks on The Body in Question (1999), is based on Cunningham’s experience after a motorcycle accident in 1992 left him paralysed in his left arm. Both works touch on the perceptions and realities of the human body as it reacts, recovers and rediscovers its potentialities in the wake of injury"
• "Katie Ellis (2008) Disabling Diversity: The Social Construction of Disability in 1990s Australian National Cinema"
  Reads, in part "This book critically examines numerous 1990s Australian films with reference to socio-political influences to approach disability as a problem with society rather than as one within a damaged body."
• "Austin - IMBD"
  Austin' Internet Movie Database (IMDB) entry - reads, in part "When author Julian's offensive post goes viral, his career seems over until his neuro divergent son Austin suddenly arrives. Embracing Austin may be Julian's path to redemption if he and wife Ingrid can move past his mistakes."
• "Tutti Ensemble - Membership Form/Flyer"
  Tutti Ensemble Membership Flyer - reads, in part "At the heart of Tutti's work is the mission to develop a pioneering approach to integrated methods of performing arts and choral training. Together, the Tutti Choir and Tutti Arts perform to thousands of people every year. Hundreds of people of all ages and abilities from all walks of life regularly participate in Tutti's local and regional choral workshops."
• "Back to Back Theatre - Information Pack"
• "DADAA Annual Report 2013-2014"
  DADAA Annual Report 2013-2014 - information about Vision, Mission and Goals, Chairperson and Executive Director’s Reports, Staff list, Staff training and development, Capital works, Participation, Programs including Sculptures by the Sea Tactile Tours, StARTSpeak, Art Link Be Active Program for Children and Young People, Esperance: The Emergence Project, HERE&N0W13, Aging & Disability, Regional Arts Australia Summit, Nexus Arts Grant, Regional Development and Consultancy, Partners, and Financials
• "DADAA No Fixed Address - Promotion Card"
  DADAA No Fixed Address 2017-2020 promotion card - Coverreads, in part "No Fixed Address was a project developed by DADAA in partnership with and a group of Perth-based contemporary artists and filmmakers. Centred in Fremantle’s East End, an area currently undergoingmass gentrification, is St. Patrick’s Community Support Centre, which for the past 40 years has worked to support those who are experiencing homelessness or at risk of becoming homeless."
• "Accessible Arts - Annual Report 1988"
  Accessible Arts - Annual Report 1988 - includes Part 1 Artistic Report (Summary of year's activities and evaluation); Part 2 Report on Riverina Project; Part 3 Report on RBS Project; Part 4 Report on Restructuring of Project; Part 5 Report on Melbourne Trip
• “Arts Access Victoria – Arts Access Society Annual Report 1981-82”
• “Arts Access Victoria – Arts Access Society Annual Report 1982-83”
• “Arts Access Victoria – Arts Access Society Annual Report 1984”
• “Arts Access Victoria – Arts Access Society Annual Report 1985”
• “Arts Access Victoria – Arts Access Society Annual Report 1986”
• “Arts Access Victoria – Arts Access Society Annual Report 1987”
• “Arts Access Victoria – Arts Access Society Annual Report 1988”
• “Arts Access Victoria – Arts Access Society Annual Report 1989”
• “Arts Access Victoria – Arts Access Society Annual Report 1990”
• “Arts Access Victoria – Arts Access Society Annual Report 1991”
• “Arts Access Victoria – Annual Report 1993”
• “Arts Access Victoria – Annual Report 1994”
• “Arts Access Victoria – Annual Report 1995”
• “Arts Access Victoria – Annual Report 1996”