Disability Arts History Australia

Items

• “Arts Access Victoria – Inclusive Arts Studio - Art About - Promotional Flyer"
• “Arts Access Victoria – Way Out West - Art Matters -Promotional Card"
• "The Other Film Festival Program 2004"
  The Other Film Festival Program 2004 - Australian work screened includes CALLAHAN: HE WON'T GET FAR ON FOOT D: Liz O'dea Documentary, 26 Min, Aust, 2001; D-TUNE: MOTIF 1 D: Katherine Chinnick & Tony Nirta, Animation, 5 Min, Aust, 2004; PART ANIMAL, PART MACHINE D: Warren Macdonald, Documentary, 20 Min, Aust, 2003; THE WORLD REALLY IS W… D: Kim Miles, Experimental, 6 Min, Aust, 2003; THE COMPANY YOU KEEP D: Lucy Paplinska, Documentary, 28 Min, Aust, 2003; UNTOLD DESIRES D: Sarah Barton, Documentary, 52 Min, Aust, 1994; BIRD from Art Day South Program, Fiction, 6 Min, Aust, 2001. Australian work screend in the ‘The Other Program’, described as “Screening films by Australia’s new, emerging and independent filmmakers and featuring Q&A sessions,” Australian work screened includes THE ABILITY TREK from Guiness Entertainment, 8TH OF MAY from Winfred Kwan Weng Fook, JAM from Lee Galea, WHEEL LOVE from Emma Butler, THE DANCE from Bee Williamson, THEATRE OF HOPE from City of Port Phillip, 12 WAYS TO OPEN A DOOR from Theatre of Speed/ Back to Back Theatre, A DAY IN THE LIFE from No Strings Attached, EXIT Q from Phil Heuzenroeder, THE JOB from David King, IN THEORY from Remo Camerot, THE TOY TUB from Telen Rodwell, THE GOODLOOKING FILM from Art Day South, STAR STREET from The Geelong Arts Alliance, FUTURE FILMS from Yum Productions, BLACK DANCE and MILES TO GO from Tony Sarre, THROUGH MY EYES from Lisa Warne, EACH NEW MORNING from Alycia Johnston, TEAMHANDCYCLE, A FISTFUL OF HEART, and SIZE 9(RIGHT) from Bernzerk Productions.
• “Arts Access Victoria – Sharing knowledge (early – mid 1990s)”
  In 1990 AAV hosted the Participate conference. From this the DADAA (Disability in the Arts, Disadvantage in the Arts, Renamed Arts Access Australia in 2003) network was born. AAV created a guidebook on creating art projects in hospitals while programs and exhibitions “Stormy Weather”, “FEELEN BOORDUP” were gaining recognition with location and purchase of artwork.
• “Arts Access Victoria – How it all began! (1974-1979)”
  Arts Access Victoria – How it all began! (1974-1979) started in Melbourne in 1974 by Judy Morton with funding from the Australia Council for the Arts with art and theatre workshops in institutions but intermittent funding meant AAV stopped at times but state government funding in 1979 allowed long term planning.
• "Australian Theatre of the Deaf - Past Shows 1999-2012, captured 2015"
  Australian Theatre of the Deaf Past Shows 1999-2012, captured 2015 - includes links to information on ‘Silent Monologues’ Gasworks Art Park (2012), ‘The Wild Boys’ Parade Playhouse (2008), ‘The Cat Lady of Bexley’ Sidetrack Theatre (2006), 'Deafening Applause' Redfern Town Hall (2005), ‘Friction’ Darlinghurst Theatre (2004), ‘There & Back’ Sidetrack Studio Theatre (2005, 2004), ‘Interpretation’ Performance Space (2003), ‘Dislabelled’ National Tour (2004) Adelaide Caberet Festival (2002) Paralympics Arts Festival Seymour Centre (2000), ‘Smiling Prisoner’ (2000) Performance Space (2000), ‘Language of One’ Mardi Gras Festival Newtown Theatre (1999)
• "Igneous - Mirage"
  Reads, in part "A movement-based performance installation with video art, sound art and a series of mirror-booths. Taking phantom-limb sensation as a “body-mirage”, and inspired by the work of neurologist V. Ramachandran, Mirage plays on perceptual illusion, the construction of hybrid forms, and the real and virtual fusing and separating. It is an interactive labyrinth of perceptual illusion with the performer in a reflective pool amongst multi-dimensional projections. Mirage was created in the context of a fellowship awarded by The Australian Choreographic Centre to James Cunningham and Suzon Fuks."
• "Arts Access Victoria - Creating change, captured 2024"
  Arts Access Victoria - Creating change, captured 2024 - Information about AAV programs, training, consultation, resources
• "Rawcus - Sideshow - Program"
  Information about Rawcus work ‘Sideshow, at Art House, reads, in part “Be taken to a world of wheelchair trapeze, of a half bird/half woman and altered realities in Sideshow, a production of intriguing physical theatre by Rawcus, the award-winning company of performers with and without disabilities.”
• "Rawcus - Productions and Awards"
  Rawcus promotional document, with information on award and commendations, including Melbourne Fringe Festival ‘Best Performance’ Award for ‘The Heart of Another is a Dark Forrest’ (2008), Green Room Nominations for ‘Hunger’ (2007), Most Outstanding Production for ‘Not Dead Yet’ (2005), and a Department of Human Services Art and Culture Inclusion Award
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2018"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2018, including reports on work during the year (Contested Land, By My Hand, Let Me Dry Your Eyes, The Beauty Project)
• "Incite Arts Annual Report 2015"
  Incite Arts Annual Report 2015 - Chairperson, Artistic Director and Community Cultural Development Manager Messages, Partnerships, Projects (Alice Springs Skate Park Aerosol Art Project, ‘Your Voice Strong Voice’ Music Video & Mural Art, ‘Unbroken Land’, ‘Let Me See: Arts & Technology’, SPRUNG Youth Dance, Partnership with Warlpiri Youth Development Aboriginal Corporation. ‘Red Sand Culture’ Music & Dance Mentoring, ‘Southern Ngalia’ Cultural Dance, ‘stArts with D’ Performance, ‘SELFIES ’ Writer in Residence, Restless Dance Theatre Residence, Partnerships with Schools)
• "Arts Project Australia - ENews - 20160908"
  Arts Project Australia - ENews - 20160908
• "Arts Project Australia - CollectorsCorner - Enews - 20170817_Iss3"
  Arts Project Australia - CollectorsCorner - Enews - 20170817_Iss3
• "Arts Project Australia - ENews - 20140205"
  Arts Project Australia - ENews - 20140205
• "Arts Project Australia - ENews - 20120829"
  Arts Project Australia - ENews - 20120829
• "Arts Project Australia - I heart rock Exhibition 2016 - Promotional Card"
  Arts Project Australia - I heart rock Exhibition 2016 - Promotional Card - reads, in part "Featuring a selection of artists from the Arts Project Australia studio alongside external contemporary artists, i heart rock (rock is the total work of art) is a playful exploration of fandom, nostalgia and homage through art devoted to and about rock music."
• "Arts Project Australia - Fully Booked Exhibition 2010 - Promotional Card"
  Arts Project Australia - Fully Booked Exhibition 2010 - Promotional Card - reads, in part "A unique insight into collecting, Fully Booked reflects upon the inclusive philosophy of art patrons who support a broad spectrum of cutting edge, contemporary artists. Showcasing new commissions by Lou Hubbard ('Dog, Dogged', a digital video work) and skateboard art from Arts Project Australia artists."
• "High Beam Festival Program 2002"
  High Beam Festival Program 2002 reads "Welcome to High Beam 2002 Australia's international arts and disability festival, celebrating disability culture from around the globe. In our third biennial festival we explore the significance of the circle. In High Beam Festival 2002, that significance is represented through our international program, 'circular' Wheelie BIG Event, the online community of Tech Arts Express and over 40 companies, performers and community members who span the arts and the globe. High Beam is about showing that living with a disability does not exclude you from creating real, exciting, cutting edge art. High Beam is also about showing what it is like to live with a disability through the medium of art. Get out there and enjoy! We are thrilled to present Australia's own legendary pianist David Helfgott, UK comedian Mat Fraser, the amazing wheelchair dancers from Nepal as well as Belinda Mason - Lovering's Intimate Encounters - a landmark photo-graphic exhibition from Australia."
• "High Beam Festival Program 2004"
  High Beam Festival Program 2004 reads "Welcome to evolve High Beam 2004 – A stimulating and inspiring seven-day cultural experience for people with a disability, families, friends and support workers, artists with a disability, professionals working in the disability sector, art workers and others."
• "A Frame Exhibition"
  Promotion Card for Arts Access SA A Frame “Exhibition Opening, Artwork Auction and Inaugural High Beam Visual Art Awards”
• "The Arts and Disability No Date #2"
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• "Tutti Arts - Standing Up Standing Out - Promotional Card"
  Tutti Arts 'Standing Up Standing Out' Exhibition 2018 Promotional Card - reads, in part "Standing Up, Standing Out will see Tutti Arts visuals artists come tog.ether with the Sikh community to engage in cultural discourse. Artists will embellish turban cloth with their art, engaging in a mutual exchange of sacred objects, turbans and_ art. Gracing the gallery •n their unwrapped state, these turbans will be accompanied by a series of photographic works that capture this dewtoping relationship. Reflecting the different styles of the artists, the works willl be bold and colourful with details and textures that invite the viewer to take a closer look."
• "Tutti Arts - Paul Hoban & Scott Pyle - Orange Wrappers - Program"
  Tutti Arts 'Paul Hoban & Scott Pyle - Orange Wrappers' 2013 Program - reads, in part "Orange Wrappers is an experiment in co-production between so-called outsider art and so-called avant-garde practice. It comprises collaborative works produced by Scott Pyle and me as practicing South Australian artists. Our exhibition entertains the idea that collaboration fruitfully avoids individual authority and object autonomy as ideals for art making"
• "Tutti Arts - Touchy Subjects Exhibition - Promotional Card"
  Tutti Arts 'Touchy Subjects' Exhibition Promotional Card - reads, in part "Touchy Subjects breaks the rules about touching art! These multi-sensory works go beyond the visual realm, enticing you to experience them in different ways. Made by Tutti Artists, this studio exhibition is about making art more inventive and accessible for people with different levels of sensory perception."