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Art of Difference
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”Hadley, Bree, Paterson, Eddie, & Little, Madeleine (2022) Quick Trust and Slow Time: Relational Innovations in Disability Performing Arts Practice. International Journal of Disability and Social Justice, 2(1), pp. 74-94.” "Despite a range of policies, plans, protocols and funding programmes to support disabled artists and collaborations between mainstream producers and disabled artists, the statistics – at least in our context in Australia – suggest most disability art still occurs outside and alongside an industry that struggles to include these artists. In this article, we draw upon findings from a series of workshops with disabled artists around Australia, conducted as part of the ARC funded Disability in the Performing Arts in Australia: Beyond The Social Model project – known colloquially to its collaborators and participants as ‘The Last Avant Garde’ project (https://lastavantgarde.com.au) – to propose a new approach. We find that while provision of logistical access (ramps, hearing loops, interpreters) and ideological access (stories, characters, discourse and language) is critical, so is methodological access, which embodies disability culture in training, rehearsal and production processes. Disabled artists use crip culture, along with relational space and time to negotiate what happens in disability arts and culture production practices and work through desire, fear, vulnerability and reciprocity to rapidly establish trusting collaborations."
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"Carriageworks (2015) NSW Arts and Disability Partnership Launched at Carriageworks Including $100,000 Support for Two Major New Works. Carriageworks, 30 January 2015" Reads, in part "Sydney, Australia: The NSW Minister for Disability Services, Minister John Ajaka MLC, today launched an extension of the NSW Arts & Disability Partnership, announcing funding of $475,000 for 2015 to support four programs that promote social inclusion through the arts and disability sector. The Partnership includes $100,000 support for Carriageworks to commission two major new works developed by artists with disability in collaboration with NSW arts companies and artists."
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"Sarah Austin, Chris Brophy, Lachlan MacDowell, Edward Paterson, and Winsome Roberts (2015) Beyond Access: The Creative Case for Inclusive Arts. Melbourne: Arts Victoria." Reads, in part "Beyond Access sought to create an evidence base for the creative case for inclusive arts practice to support greater recognition for artists with a disability by transforming and extending notions of what art is and who produces it."
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"Bree Hadley (2022) Disability and the Arts, Creative, and Cultural Industries in Australia. Australian Academy of Humanities" Reads, in part "There are five interrelated factors that support arts workers, arts organisations, and the arts sector at large to develop improved policy, protocol, and training practices."
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"Commonwealth of Australia (2024) Equity: the Arts and Disability Associated Plan" "Equity: the Arts and Disability Associated Plan (the Plan) was released on 14 November 2024. The Plan is a four-year roadmap of activities to build the foundations for equity for artists, arts workers and audiences with disability across Australia, with an $8.1 million investment in actions to drive change."
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"Parkinson's Queensland (2015) Research Study finds Dance has positive benefits for people with Parkinson’s, 4 March 2015, https://webarchive.nla.gov.au/awa/20150311153726/http://parkinsons-qld.org.au/danceforpd/" Parkinson's Queensland -Research Study finds Dance has positive benefits for people with Parkinson’s (2015) - reads, in part "Now, in exciting research findings, Parkinson’s Queensland, in conjunction with Queensland Ballet and research undertaken by QUT and The University of Queensland (UQ) demonstrate that Queensland Ballet’s Dance for Parkinson’s program had positive physical, social, cognitive and emotional benefits for participants affected by Parkinson’s."
- David Gookegen Nanangi Peters
- David Gookegen Nanangi Peters
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"The Arts and Disability" This booklet/brochure provides images, descriptions of the work, and contact details and contact organisations for key organisations in South Australia including: Access2Arts; Bearded Dragon Gallery; Beats Crew; Community Bridging Services (CBS) Inc.; Company AT; Lolly Jar Circus; No Strings Attached Theatre of Disability; Restless Dance Theatre; Sit Down, Shut Up and Watch Film and New Media Festival; Sisters of Invention, Tutti Arts.
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"Juliet London and Des Walsh (1995) Arts & Disability: Report Australia Council: Surry Hills." Juliet London and Des Walsh - Arts & Disability, Australia Council 1995 - Reads, in part "The Australian Bureau of Statistics estimates that 18 per cent of the Australian population has a disability. There is a basic lack of data on participation in the arts by artists with a disability. No figures were available on the number of people with disabilities applying for grants from the Australia Council or from State or Territory arts agencies. The current dearth of statistical information needs to be overcome by systematic and sustained research." -
“Tutti Arts – Electric Winter Exhibition – Catalogue/Program” Tutti Arts – ‘Electric Winter’ Exhibition 2021 Catalogue/Program – reads, in part “Tutti Arts is one of Australia's leading disability arts companies where artists with learning disability create visual art, music, theatre, dance, film, new media and installations for a growing local and international audience. In 2017, Tutti was awarded a prestigious Arts SA Ruby Award for Sustained Contribution to the Arts by an Organisation or Group. Tutti has been operating visual arts and film & new media programs in the Barossa since 2017. In 2021 Tutti Arts Barossa and Chateau Tanunda, an icon of the Barossa since 1890, have come together to celebrate SALA."
- Jo Caust
- Michael Newbury
- Carriageworks
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"Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2020" Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2020, including reports on work during the year (Let Me Dry Your Eyes, The CHAIN, What Makes You Beautiful), and reflections on the impact of Covid 19 Pandemic -
"Accessible Arts - ACE Arts Creativity Expression - Juliet London - Article: Artwise -1994 - Iss9, Pg22-23" Accessible Arts - ACE Arts Creativity Expression - Juliet London - Article: Artwise -1994 - Iss9, Pg22-23 - reads, in part "Artwise, a Lismore-based artists' initiative catering for the needs of artists with varying intellectual and physical challenges, has changed its name! We have succeeded, after twelve months, in becoming officially incorporated. We are now known as Growth Through Art Artwise the Lismore Inc., although the company sign at the doorway still proudly announces simply Artwise." -
"Accessible Arts - ACE Arts Creativity Expression - Dave King - Article: DADAA - Disability in the Arts/Disadvantage in the Arts- Iss5, Pg3" Accessible Arts - ACE Arts Creativity Expression - Dave King - Article: DADAA - Disability in the Arts/Disadvantage in the Arts- Iss5, Pg3reads, in part "DISABILITY IN THE ARTS/DISADVANTAGED IN THE ARTS AUSTRALIA (DADAA) is a group of artists/art workers who represent the states and territories of Australia. Its members are representatives from those groups who work towards artistic empowerment and filling the creative needs of people with disabilities - that is to name a few, ACCESSIBLE ARTS and ARTS ACCESS. All the current members attended a meeting in July. They all work with people with disabilities and three have disabilities. The inaugural meeting was held in late 1990. This group was formed to facilitate and maintain a responsive external overview of the trends in the arts for those experiencing disadvantage or a disability." -
"Arts Project Australia - Annual Report 2004" Arts Project Australia - Annual Report 2004 - President’s Report, Director’s Report, Studio Manager’s Report, Exhibitions Report, Financials - reads, in part “Arts Project Australia was founded in 1974. It had the express purpose of exhibiting the art work of people with an intellectual disability in a manner that accords therr1 the same dignity and respect as other artists.” -
"Arts Project Australia - Annual Report 2003" Arts Project Australia - Annual Report 2003 - President’s Report, Director’s Report, Studio Manager’s Report, Exhibitions Report, Financials – reads, in part “Arts Project Australia was founded in 1974. It had the express purpose of exhibiting the art work of people with an intellectual disability in a manner that accords them the same dignity and respect as other artists.” -
"Arts Project Australia - Annual Report 2002" Arts Project Australia - Annual Report 2002 - Management Committee, Aims and Objectives, President's Report, Director's Report, Studio Manager's Report, Exhibitions Report, Lifedrawing at RMIT, Financials - reads, in part “Since 1984 the organisation has run a visual arts studio program where people with an intellectual disability have the opportunity to work in a community-based setting, using high quality art materials, and to receive advice and assistance from practising contemporary artists.” -
"DADAA Annual Report 2012-2013" DADAA Annual Report 2012-2013 - information about Vision, Mission and Goals, Chairperson and Executive Director’s Reports, Staff list, Participation, Programs including the Lost Generation Project, Sculptures by the Sea Tactile Tours, StARTSpeak, Fusion Project, Esperance: The Emergence Project, HERE&N0W13, Aging & Disability, Fourth International Arts And Health Conference, Nexus Arts Grant, Regional Development and Consultancy, Partners, and Financials -
"DADAA Program - Cover" DADAA Program 2009 - Cover -
"DADAA No Fixed Address - Promotion Card" DADAA No Fixed Address 2017-2020 promotion card - Coverreads, in part "No Fixed Address was a project developed by DADAA in partnership with and a group of Perth-based contemporary artists and filmmakers. Centred in Fremantle’s East End, an area currently undergoingmass gentrification, is St. Patrick’s Community Support Centre, which for the past 40 years has worked to support those who are experiencing homelessness or at risk of becoming homeless." -
"DADAA Service Directory - Cover" DADAA Service Directory 2005 - Cover -
"DADAA Opportunity and Awareness Report" Opportunity & Awareness Report prepared by Gay McCormick-Saunders for Disability in the Arts, Disadvantage in the Arts (WA) Inc. (DADAA) in 1995, includes information on Disabled artists in database, trainers willing to work with disability groups, accessible workshops, including organisations developing programs, support, resources, and funding required, and recommendations.