Disability Arts History Australia

Items

• "DADAA Find A Program Webpage, captured 2023"
  DADAA Find A Program Webpage, captured 2023 – includes information about Visual Art, Digital Art, Dance and Performance, Music, Children and Young Adult, and Mentorship programs
• "Arts Project Australia - Publications, captured 2022"
  Arts Project Australia - Publications - Includes information about SINCERELY YOURS ZINE 2022, ART ET AL. BROADSHEET ISSUE 1 2021 (inclusive, curated international art platform that commissions and presents collaborations between artists from supported studios, artist peers and arts professionals), ANTIDOTE 2021, REACHING POTENTIAL (REPORT 2021 (including exhibition essay by Dr Marion Piper Words Make Worlds), A SENSE OF PLACE 2003 (including The Significance of Space, The Meaning of Place by Dr Cheryl Daye and Kitty Ginter), VALERIO CICCONE: PERIPHERAL OBSERVER 2012 (including Peripheral Observer catalogue essay ‘This is me – some thoughts on the art of Valerio Ciccone’ by curator Glenn Barkley pp. 8-10), VIDEO DOCTOR 2013 (including essay by Geoff Newton), SO FAR… eight artists / eight stories 2014, IT TAKES MORE THAN 140 CHARACTERS TO WRITE A NOVEL (2015 (Including exhibition essay by curator Dr Vincent Alessi), AUTO BODY WORKS 2018, FEM-aFFINITY 2019 (including FEM-aFFINITY catalogue essay If Collaboration is the Method, Activism is the Intention by curator Dr Catherine Bell pp. 19-24), POP UP STALL: The Festival of the Photocopier Zine Fair
• "Arts Project Australia - Manifesto, captured 2022"
  Arts Project Australia - Manifesto - reads, in part "Fuelled by an unwavering belief in our artists, we’re buoyed by the creativity and authenticity that exists in our space and heartened by those who delight in sharing it. We believe that art is serious, but making it can be fun. The individual creativity triumphs over conformity and divergent voices make life much more interesting. That art is about revealing ourselves and creating meaningful connections – between artists, staff artists and art lovers. Our experience will always be shared, our knowledge passed on and our studio, bound by creativity, integrity and generosity in equal measure."
• “Research project ‘Disability and the Performing Arts in Australia: The Last Avant Garde’ investigates the creative and aesthetic strategies of the Australian disability arts sector”
  A research project beginning in 2016, ‘Disability and the Performing Arts in Australia: The Last Avant Garde,’ investigated the creative and aesthetic strategies of the Australian disability arts sector. The project sought to map “disability arts practice across the nation” by examining “the role of artistic experimentation,” “co-design[ing] accessible strategies,” and raising “critical recognition, employment and funding opportunities for artists.” The project team describes themselves as a collective “of deaf and disabled and non-disabled researcher artists, performers, writers, arts managers and theatre makers.” The work was the result of a collaboration between Arts Access Victoria, University of Melbourne, and University of Sydney. The Australia Research Council provided funding for the research.
• “The National Disability Insurance Scheme (NDIS) is launched”
  Following the spike in interest in the mid to late 2000s, significant steps were made towards the development of the National Disability Insurance Scheme (NDIS). It came about as the result of discussions about alternatives of disability support arrangements from 2007 to 2011. This included National Disability Strategy 2010–2020. A trial phrase of the NDIS was launched in 2013, and the scheme was rolled out across the country from July 2016. The 2022 change of government, which saw the Labor party voted in for the first time in nine years, reflected voter concern for climate change and social policies. The new prime minister Anthony Albanese ordered an independent review of the NDIS. The NDIS Review report was published in 2023 and had a number of recommendations, including affording funding based on functional impairment rather than diagnosis, increasing support for children, a requirement that all providers be registered, and state governments providing supports through other services for people who do not meet NDIS criteria.
• "Bree Hadley, Eddie Paterson, Madeleine Little, Kath Duncan (2024) How Disability Performance Travels in Australia: The Reality Under the Rhetoric. In Czymoch, Christiane, Maguire Rossier, Kate, & Schmidt, Yvonne (Eds.) How Does Disability Performance Travel?: Access, Art, and Internationalization. Routledge, Abingdon, Oxon, pp. 62-76.”
  "The last three decades has witnessed the development of a distinct narrative about how disability performance has become a much celebrated component of the Australian theatre landscape. A central aspect of this narrative is the critical importance of festivals, events, and other industry initiatives that allow disabled performers to travel - both conceptually and corporeally - to meet and be mentored by other artists, and to present their work to new and more mainstream audiences, in new spaces and places, around the country, and around the world. In this chapter, we draw on historical data, collected as part of an AusStage ARC LIEF project designed to database information about disability drama, theatre, performance, and dance over the past 100 years, as well as the Last Avant Garde ARC Linkage project on disability performance in Australia, to unpack areas where the reality seems to challenge some of the dominant rhetoric."
• "Bree Hadley, Janice Rieger, Eddie Paterson (2024) Reinhabiting, Reimagining, and Recreating Ableist Spaces: Embodied Criticality In Art. In Ellis, Katie, Kent, Mike, & Cousins, Kim (Eds.) The Routledge International Handbook of Critical Disability Studies. Routledge, pp. 48-58."
  "In this chapter we bring critical disability studies into dialogue with disability artworks that resituate critiques of inaccessibility and exclusion as complicated encounters with space, lived experience and embodiment. Drawing on Irit Rogoff’s (2003, 2006) notions of embodied criticality, and the pioneering work of performance studies scholar Petra Kuppers (2003, 2014), we argue for an embodied, embedded and creative form of critical disability studies – enacted through art. We examine two recent performance and installation works in hotels: Welcome Inn (2019) by British artist Christopher Samuel, and Intimate Space (2017) by Australian performance company Restless Dance Theatre."
• "Bree Hadley, Janice Rieger (2021) Co-designing choice: objectivity, aesthetics and agency in audio-description. Museum Management and Curatorship, 36(2), pp. 189-203.”
  "The ‘Vis-ability’ exhibition, presented at the QUT Art Museum in 2019 was an exhibition curated with clear social inclusion goals from the outset. Through it, the museum sought to develop innovative, cost effective, and readily replicable techniques to allow blind and low vision visitors and artists to engage with the institution and its collections. The results affirm the benefits of offering blind and low vision visitors a spectrum of engagement choices, and also affirm that blind and low vision artists and visitors have capacity to make a critical contribution in co-designing that spectrum of choices. This exhibition and its use of multisensorial elements offers a useful prompt to museums to engage this community more fully in co-designing inclusion in the future."
• "NuunaRon Queensland"
  Webpage for First Peoples Disability Network NuunaRon Art Group, with video introducing where Paul Constable Calcott introducing the group, reads in part "NuunaRon is a group for Aboriginal and Torres Strait artists and emerging artists living with disability."
• "NuunaRon - Min Min Lights by Josh Lennox"
  First Peoples Disability Network NuunaRon Art Group - 'Min Min Lights' by Josh Lennox
• "NuunaRon - Rainbow Serpents by Eve Kitchener"
  First Peoples Disability Network NuunaRon Art Group - 'Rainbow Serpents' by Eve Kitchener
• "NuunaRon - Totums by Paula Wotton"
  First Peoples Disability Network NuunaRon Art Group - 'Totums' by Paula Wotton
• "NuunaRon - Wiradjuri Country by Eve Kitchener"
  First Peoples Disability Network NuunaRon Art Group - 'Wiradjuri Country' by Eve Kitchener
• "NuunaRon - Pleasant Dreams by Josh Lennox"
  First Peoples Disability Network NuunaRon Art Group - 'Pleasant Dreams' by Josh Lennox
• "NuunaRon - Untitled by Aunty Robyn Lennox"
  First Peoples Disability Network NuunaRon Art Group - Untitled by Aunty Robyn Lennox
• "NuunaRon - Family Lines by Aunty Robyn Lennox"
  First Peoples Disability Network NuunaRon Art Group - 'Family Lines' by Aunty Robyn Lennox
• "NuunaRon - Dreaming by Aunty Alice Bonny"
  First Peoples Disability Network NuunaRon Art Group - 'Dreaming' by Aunty Alice Bonny
• "NuunaRon - Dragonfly by Bec Jones"
  First Peoples Disability Network NuunaRon Art Group - 'Dragonfly' by Bec Jones
• "NuunaRon - Elders Gathering by Paul Constable Calcott"
  First Peoples Disability Network NuunaRon Art Group - 'Elders Gathering' by Paul Constable Calcott
• "NuunaRon - Songlines by Paul Constable Calcott"
  First Peoples Disability Network NuunaRon Art Group - 'Songlines' by Paul Constable Calcott
• "NuunaRon - Mamalanha by Paul Constable Calcott"
  First Peoples Disability Network NuunaRon Art Group - 'Mamalanha' by Paul Constable Calcott
• "NuunaRon - Yindyamarra by Paul Constable Calcott"
  First Peoples Disability Network NuunaRon Art Group - 'Yindyamarra' by Paul Constable Calcott
• "A Frame Exhibition And Art Auction"
  Promotion Card for Arts Access SA A Frame “Exhibition and Online Art Auction"
• "Accessible Arts - Avenues into Creativity for People with Disability 1986- Report"
  Accessible Arts - Avenues into Creativity for People with Disability 1986- Report - PANEL ON 'WHY THE ARTS - Joan Hume: Why the Arts? An overview of the Need; - Lydia Fegan: Citizen Advocacy INFORMATION EXCHANGE - Who's Who - What's Happening SPECIFIC PROJECTS - Jo Caust: Arts Access Society Melbourne; - Angelika Pechloff: Good Time Junk Machine; - Laura Hastings-Smith: Adolescent Medical Unit Children's Hospital, Camperdown ON ART - Pam Fairburn: Cromehurst Special School OPEN SESSION: COMMUNITY GROUPS- Rozelle Arts and Drama Group: Sue MacDonald; - Art Reach: Melissa Lee VIDEOS - Linda Dyer: Activities Research Department, RNSH- Arts with the Aged: Jana Cattanach; The Ward Game- Laura Hastings-Smith: Adolescent Medical Unit; Children's Hospital, Camperdown; ENTERTAINMENT: 'Finger Ballet' - Chin Yu; PUTTING IDEAS INTO ACTION - Jana Cattanach: Artist in Residence, Tweed Shire Council; - Margot Currey: Community Artist/Sculptor; - Nan Bosler: Co-ordinator of the Narrabeen Community Learning Centre & Northern Beaches Creative Leisure Movement; ACCESS: OBSTACLES AND SOLUTIONS! - Ellen Bynum: Accessibility Consultant; - Lis Pack: Royal Blind Society; - Wendy Miners: Recreation Project Officer, AAMR; INTEREST GROUPS - Drama & Movement - Alison Lee; - Computer Art - Duncan Wallace; - Music - John Broomhall, Wollongong; - Silkscreen - Nina Angelo; - Craft - Branka Kringas
• “Arts Access Victoria – Annual Report 1998-99”
  Arts Access Annual Report 1998-1999 - Mission Statement, Chair’s message, Founder’s Message, Executive Director's Report, Artistic Program – Art Day South and Art Day West with projects – “Inside Out, Outside In” exhibition, “Through the Glass” documentary, “Good Dancer, Nice Dress” documentary, “Body Suits” Exhibition, “Dream Boxes” and performance of “Sweet Revenge”, EASE. Training and Professional Development, Public Relations, DADAA, Board, Staff and Volunteers, Financial Reports, Acknowledgements.