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"Australia Council - Annual Report 1985-86"
Australia Council Annual Report 1985-86 - discusses functions and objectives, structures, process and membership of Council, Council Committees and members, Board Members, Assessment panels, staff lists, organisation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, workshops, tuition and skill development for disabled people in community arts, grant for Theatre of the Deaf Playwright, travel/study grant, Braille Book of the Year award and establishing audio visual gallery accessible to deaf and blind. -
"Australia Council - Annual Report 1984-85"
Australia Council Annual Report 1984-85 - discusses functions and objectives, structures, process and membership of Council, Council Committees and members, Board Members, Assessment panels, staff lists, organisation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including increased artist fees working with minority groups including disabled, fees and costs for artists in Arts Access Society, costs of program for Access Arts (National) cost of playwrights for disabled theatre, and theatre of the Deaf with additional grant support and tours of NSW regional areas for Theatre of the Deaf (NSW). -
"Australia Council - Annual Report 1987-88"
Australia Council Annual Report 1987-88- discusses functions and objectives, structures, process and membership of Council, Council Committees and members, board members, assessment panels, staff lists, organisation chart, main activities of Council and its eight Boards, and how council endorsed a code of practice for arts organisations working with people with disabilities, equal employment opportunities and includes financial statements and lists of grants made including grants for programs, projects, performances and promotion and reading for Royal Blind Society and Brail and Talking Book Library -
"Australian Theatre of the Deaf - Company History"
Australian Theatre of the Deaf Company History, on Arts Access Victoria website, captured 2015 - Includes information on history, from funding from the Australian Elizabethan Theatre Trust and the Australia Council for the Arts to support Nola Colefax, Adam Salzer, David London, and Colin Allen to start the Theatre of the Deaf in the 1970s, to highlights in more recent work in the 1990s and 2000s - for example first Australian Deaf musical “The Sign of the Phantom” (1995); bi-lingual play “Deaf and Gay” at Sydney Mardi Gras Festival (1999); Deaf cabaret show “Dislabelled” at Adelaide Cabaret Festival (2002); production of “There and Back” at Sidetrack Theatre (2005); commissioning and production of “The Cat Lady of Bexley” by Sofya Gollan and directed by Caroline Conlon (2006) -
"Tutti Arts - I Want It All - Program"
Tutti Arts 'I Want It All' 2014 Program - reads, in part "Tutti is Australia's first indusive choir and takes its name from the musical term. ‘'Tutti', means everyone. From its origins in 1997 as a small singing group at Minda, the choir has grown into a vibrant independent multi arts organisation, deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With its strong commitment to access and inclusion, Tutti is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, and community and professional artists together for performances and exhibitions.” -
"Interview with Michelle Ryan"
Michelle Ryan is the artistic director of Restless Dance Theatre and has extensive experience as a dancer and performer. Interview Summary Michelle Ryan, the artistic director of Restless Dance Theatre, shares her journey from being a successful dancer diagnosed with multiple sclerosis at 30 to becoming an advocate for artists with disabilities. Despite her initial hesitations to perform with her disability, a positive experience dancing with a European company reignited her passion and led her to Restless Dance Theatre, where she aims to change perceptions of who can create art. Michelle emphasizes the importance of providing professional opportunities and proper compensation for disabled artists, challenging the notion that disability work is charity or hobbyist. She advocates for representation that is genuine and not tokenistic, ensuring the inclusion of people with disabilities is meaningful and respectful. -
"Incite Arts - Unbroken Land 2020 Episode Five – Rain"
Incite Arts - Unbroken Land 2020 Episode Five 'Rain' -Reads, in part "As part of the Unbroken Land 2020 program, the ‘stArts with D’ Performance Ensemble have created a series of short films, telling their stories about water. From the dramatic storms with thunder and lightning, water flowing from the sky and flooding the rivers, to that good feeling of the rain on your skin…Water everywhere!" -
"Australia Council - Annual Report 2021-22"
Australia Council - Annual Report 2021-22 - reads, in part "Following a review of our 2019–21 arts and disability initiatives, the Council expanded support for sustainable careers and the celebration of the achievements of artists with disability. We have committed investment of almost $1 million over 2022–24 through the National Arts and Disability Awards, Mentoring Initiatives, as well as a new fellowship for d/Deaf and Disabled artists. We will also continue our partnership with Arts Access Australia on the awards." and "Safe in Sound is an exploratory concert series for people with disability and their families and supporters. The group offers real-time, in-person interaction, connection and communication through sound as an alternative to listening to recorded music or watching television." -
"Arts Project Australia - Some Artists From Arts Project 1999 - Program/Catalogue"
Arts Project Australia - Some Artists From Arts Project 1999 - Program/Catalogue -
"A Frame Exhibition And Art Auction 2008"
Except as permitted by copyright law, you may not reproduce or communicate any of the content on this website, including files downloadable from this website, without the permission of the copyright owner. The Australian Copyright Act allows certain uses of content from the internet without the copyright owner’s permission. This includes uses by educational institutions and by Commonwealth and State governments, provided fair compensation is paid to the copyright owner. For more information, see www.copyright.com.au and www.copyright.org.au. -
"Let Me See - review by Keiran Finnane 2015, captured 2016"
Describes InCite Arts ‘Starts with D Performance Ensemble’ members Tiffany Malthouse, Matt Woodham, Brandon Williams, Martin Armstead and director Kat Worth’s production of ‘ Meet You at the Edge’, as part of ‘Let Me See’ produced by Red Hot Arts Central Australia at Araluen Centre for the Arts, including film, use of audio description, writing, and choreography -
"Access Arts - Members Profiles 2009"
Access Arts member profiles, captured 2009 -
"Access Arts News June 2002"
Access Arts Newsletter, 2002 - Member profiles, touring, performing arts workshops, Brisbane Outsider Artists (BOA) activities, regional activities -
"Arts Project Australia - Video Doctor Exhibition 2013 - Promotional Card"
Arts Project Australia - Video Doctor Exhibition 2013 - Promotional Card - reads, in part "Working in collaboration with Arts Project Australia and Electronic Arts Intermix New York, Video Doctor brings together works by international and Australian artists. The title of the exhibition takes its cue from early VHS or Beta Max head cleaning tapes. Just as the 'doctor' would revive the clarity of the picture, the idea of revival is a key theme shared by the artists invited to be part of the project." -
"Tutti Arts - Annual Giving Promotional Flyer"
Tutti Arts - Annual Giving Promotional Flyer2016 - Reads, in part, “Please help support disabled artists develop their artistic talents, earn income and feel pride like The Sisters of Invention. With your assistance, Tutti can provide more opportunities for artists to create, develop and exhibit their own work. It costs over $1 million a year to run our diverse art form programs. The possibilities of how your donation will help are endless.” -
"Tutti Arts - Annual Report 2011"
Tutti Arts Annual Report 2011 - includes Values, Artistic Director’s and President’s Report, Partnerships, Collaborations, and Programs, including Dance, Choral, Film and Outreach Programs, productions of ‘One’ and ‘Magic Flute,’ Financials, Artists and Staff -
"Tutti Ensemble - Membership Form/Flyer"
Tutti Ensemble Membership Flyer - reads, in part "At the heart of Tutti's work is the mission to develop a pioneering approach to integrated methods of performing arts and choral training. Together, the Tutti Choir and Tutti Arts perform to thousands of people every year. Hundreds of people of all ages and abilities from all walks of life regularly participate in Tutti's local and regional choral workshops." -
"Tutti Arts - Rebellious Passion Exhibition - Promotional Card"
Tutti Arts - 'Rebellious Passion' Exhibition Promotional Card - reads, in part "Tutti Arts opens for its first studio exhibition at the Tutti Arts Centre at Brighton. Rebellious Passion is an eclectic exhibition that showcases the work of 40 disabled artists. Visitors can experience the everyday magic of the artists at work while viewing their extraordinary work on the walls." -
"Incite Arts - Creating Accessible and Inclusive Events"
Information about InCite Arts, the stArts with D performing arts ensemble, Unbroken Land platform for collective community storytelling, and Southern Ngaliya Intergenerational Warlpiri Women’s song and dance programs, and how InCite Arts creates accessible, inclusive, disability-led and community-engaged programs -
"Tutti Arts - The History of Autism - Promotional Card"
Tutti Arts 'History of Autism' 2014 Promotional Card - reads, in part "In the Adelaide Fringe this year, Company@ Autistic Theatre, Australia's only theatre company for people on the autism spectrum, is presenting an exciting original work, History of Autism. Developed with actors on the autism spectrum, History of Autism was first performed at the 2013 Asia Pacific Autism Conference to standing ovations, drawing audience comments like "truly dynamic and highly entertaining" and "Chockablock full of endearing characters". Company@ is dedicated to presenting high quality authentic theatre which entertains and informs audiences and raises awareness about autism. Company@ works in partnership with renowned multi arts organisation Tutti Ensemble Inc. and is also proudly supported by Autism SA." -
“Arts Access Victoria – On Tour (mid – late 1990s)”
Arts Access Victoria – Sharing knowledge (early – mid 1990s) – growth in programs, training, consultancy and developed the first AAV website. Weave Movement Theatre and Club Wild (Wild at Heart) emerged and toured exhibition of “BodySuits” created new artist commissions and opportunities. -
“Restless in Alice – An update on Incite Arts’ collaboration with Restless Dance Theatre 2015, captured 2016”
News article reads, in part, "Restless Dance Theatre’s Artistic Director Michelle Ryan is visiting Alice Springs next week to work with InCite Arts and the ‘stArts with D’ Performance Ensemble. Adelaide based Restless Dance Theatre is Australia’s leading dance company working with young disabled and non-disabled people to create dance theatre and run workshop programs." -
"Access Arts Newsletter 1999"
Access Arts Newsletter, 1999 - Executive Director, Program Manager, Regional Indigenous Project Officer reports, information about workshops and conferences -
"Tutti Arts - Emily Steel - Impersonal Space - Program"
Tutti Arts - Emily Steel 'Impersonal Space' 2019 Program - reads, in part "When I started work with Company AT, I thought I was investigating a very different sort of mind to my own. The idea for Impersonal Space, about a little girl with Einstein and Newton as her imaginary friends, came from Julian Jaensch. The methods we found for representing an Autistic mind, showing a largely neurotypical audience how the world can look through Autistic eyes, came from workshops with the company. But, to my surprise, I ended up putting quite a lot of myself in this play." -
“Arts Access Victoria - Arts Access Society Inc. - Access Newsletter December 1986”