Disability Arts History Australia

Items

• “Arts Access Victoria - Arts Access Society Inc.- EASE Entertainment Access Service Newsletter October 1990”
  Arts Access Victoria EASE Entertainment Access Service Newsletter October 1990 - Venue notes for the CUB Malthouse Theatre, new location for Playbox Theatre, Free events such as play readings at the Victorian Arts Centre
• "Tutti Arts - Christmas Concert: It All Starts Now - Promotional Card"
  Tutti Arts 'Christmas Concert- It All Starts Now' 2013 Promotional Card
• "Tutti Arts - Christmas Concert: It All Starts Now - Promotional Poster"
  Tutti Arts 'Christmas Concert- It All Starts Now' 2013 Promotional Poster
• "Interview with Jeremy Hawkes"
  Jeremy Hawkes is a multidisciplinary artist working in sculpture, drawing, painting and photography as well as being a writer, educator and disability arts leader. Interview Summary Jeremy Hawkes, a visual artist, opened up about his life and identity during his interview. After a debilitating workplace accident, he had to reimagine his sculptural practice due to his acquired disability and ventured into drawing, which helped him cope with multiple operations and diagnoses. Jeremy's art explores themes of identity and the interconnectedness between the macro and the micro, drawing inspiration from neurobiology and medical imagery. Despite his struggles, Jeremy commits to his studio daily, aims for success without fear, and advocates for greater visibility and opportunities for artists with disabilities.
• "Access2Arts Artist Profiles as first added to website in 2017"
  Access to Arts Artist Profiles as first added to website in 2017
• "Interview with Paul Constable Calcott"
  Uncle Paul Constable Calcott is a proud Wiradjuri man and artist living with a disability on Gubbi Gubbi country….. Uncle Paul uses his art to share stories of his journey as an aboriginal gay man living with a disability in urban Australia. Interview Summary Uncle Paul Calcott is a proud Wiradjuri elder and disability advocate who contracted polio as a child. During the interview, Uncle Paul discusses becoming an artist later in life through the encouragement of his husband and influenced by the storytelling of his culture. He embraces his identity as an Aboriginal, gay man living with disability. He talks about his artwork aiming to celebrate the achievements and contributions of people with disabilities, using traditional symbols to tell new stories, particularly about disability within Indigenous communities. Although there has been increased visibility and acknowledgment of disability arts in Australia, Paul notes that there's still a long way to go in terms of policy, funding, and public recognition. Uncle Paul says art can reflect political and social issues, and he proudly identifies as an artist with a disability and believes in the significance of diverse stories being told through the arts.
• "Indelability Arts - Business Plan 2020-22"
  Indelability Arts Business Plan 2020-2022 provides information about Indelability Arts Mission “To provide creative, innovative opportunities for Queensland artists,” Board, Artistic Directors, Company Development, Program, and Marketing Staff, Associate Artists and Ensemble, Performance and Workshop programs, Funding, Goals, and Point of Difference – stated as “indelabilityarts pushes boundaries and expectations with its artists and audiences to think outside the box of what is attainable”
• "Interview with Jess Cochran"
  Jess Cochran (they/them) is an actor, model, writer and disability advocate. Interview Summary: Jess Cochran is a queer, non-binary, neurodivergent, performing artist, advocate, writer, and consumer consultant with a background in both physical and psychosocial disabilities. Their journey into the performing arts began accidentally with a role in the Awards winning Melbourne Fringe Festival production, Qualia, which opened doors to more local and international Awards-winning work in film and stage. Jess identifies proudly with their disabilities and considers their art both a personal expression and a political act aimed at highlighting the issues faced by the disability community. Jess’s work spans across writing, modelling, and various performance arts, and they wish to see an increase of disability arts representation in mainstream media with authentic casting, opportunities and improved accessibility for disabled performers. Jess is also passionate about highlighting intersectionality in disability arts.
• "Interview with Graham Wilfred Junior"
  Graham Wilfred Junior is a Yolngu man and artist with Incite Arts were he works with different mediums including filmmaking, writing, performing, digital art, music and painting. Interview Summary Graham, an emerging artist with spina bifida whose father inspired his passion for art, has pursued various art forms including painting, music, and digital art, and is venturing into theatre and filmmaking. His digital artwork, through the creation of the emoji app, helps teach the Arrente language, a part of his cultural heritage, and he seeks to expand his impact through acting and creating films. Graham's motivation is to both celebrate and inspire people with disabilities, aiming for recognition as an artist rather than focusing solely on his disability. Graham shares his journey with Incite Arts, highlighting his involvement in music workshops, acting classes, and script development, emphasizing the importance of representation and empowerment for individuals with disabilities, ultimately aiming to document his experiences and create impactful performances that leave a legacy to encourage others to pick up where he leaves off, ensuring the continuity of artistic expression within his community.
• "Arts Project Australia - Repeat Restate Reiterate - Email - Promotional Flyer"
  Arts Project Australia - Repeat Restate Reiterate Exhibition 2013 - Email - Promotional Flyer - reads, in part "Whilst sounding like a mantra, Repeat. Restate ... Rejterate contains a pause. Repetition has long been employed as a powerful tool across all art forms to convey emphasis and exaggeration but equally and importantly as a means of exploration. Used to create mood, patterns and rhythm or to expose subtle nuances and insights, repetition has long been used by artists to firmly convey an idea or conversely to reinvestigate an idea in search of a seemingly elusive answer. Repeat. Restate ... Reiterate searches for the inspiration, and pays homage to the dedication of practice, that drives artists to keep investigating an idea and in turn, revealing it anew. Do I have to repeat myself? The answer, it would seem, is yes."
• "Arts Project Australia - Annual Report 2001"
  Arts Project Australia - Annual Report 2001 - Management Committee, Aims and Objectives, President's Report, Director's Report, Exhibitions Program, Studio Report, Financials - reads, in part "Since 1984 the organisation has run a visual arts studio program where people with an intellectual disability have the opportunity to work in a community based setting, using high quality art materials, and to receive advice and assistance from practising contemporary artists."
• "Tutti Arts - Six Swans - Program"
  Tutti Arts ‘Six Swans’ 2015 Program – reads, in part “Six Swans is the first collaboration of its kind and we are thrilled to be working together on this production. Tutti is one of Australia's leading disability arts organisations- working to promote the work of disabled artists to the world, and UniSA is at the forefront of providing flexible, compelling industry-relevant learning experiences for students. Productions of this nature are immensely valuable because they break down barriers, enrich the lives of all participants, and create opportunities for graduating and emerging artists involved.”
• "Arts Project Australia - Annual Report 2003"
  Arts Project Australia - Annual Report 2003 - President’s Report, Director’s Report, Studio Manager’s Report, Exhibitions Report, Financials – reads, in part “Arts Project Australia was founded in 1974. It had the express purpose of exhibiting the art work of people with an intellectual disability in a manner that accords them the same dignity and respect as other artists.”
• "Tutti Arts - The Shadow In Us Exhibition - Catalogue/Program"
  Tutti Arts 'Their Shadows In Us' Exhibition 2013 Catalogue/Program - reads, in part "Tutti artists came to me in late 2009 (around the time of the planned redevelopment at Minda's Brighton site) with questions about the older Minda residents, who had come to Minda as children. Tutti artists were keen to interview and draw or photograph people, perhaps even make a movie, before everything changed."
• "Arts Project Australia - Tell em I'm dead Exhibition 2016 - Promotional Card"
  Arts Project Australia - Tell em I'm dead Exhibition 2016 - Promotional Card - reads, in part "Tell 'em I'm dead is a group exhibition that will explore post­apocalyptic themes by various emerging and established Arts Project artists. The exhibition will evoke a decaying landscape filled with ferocious monsters, deadly viruses, zombies and skeletons - common subjects for a selection of artists that work in the Arts Project Australia studio. "
• "Arts Project Australia - I heart rock Exhibition 2016 - Promotional Card"
  Arts Project Australia - I heart rock Exhibition 2016 - Promotional Card - reads, in part "Featuring a selection of artists from the Arts Project Australia studio alongside external contemporary artists, i heart rock (rock is the total work of art) is a playful exploration of fandom, nostalgia and homage through art devoted to and about rock music."
• "Back to Back Theatre - Website - BriefHistory, captured 2008"
  Back to Back Theatre 'Brief History' page, with PDF document of history captured 2008 - reads, in part "Back to Back Theatre evolved out a community arts project that began in Geelong in 1987. The project included disability service providers Corilong and Karingal, the Geelong Children's and Youth Support Services (CYSS) and Deakin University's Performing Arts Course (attached to the Mill Theatre) Individual artists and other members of the Geelong community were also involved." Includes list of Professional Productions (including ‘Big Bag’ 1987-88; ‘Stinking Houses’ 1989; ‘The Peg Machine’ 1990; ‘Everything and the Mermaid’ 1990, ‘I Don’t Want to Live in Lara Anymore 1991; ‘Yell Blue Murder’ 1991; ‘Woodenhead’ 1992; ‘The Adventures of Bobbi Dazzler’ 1992; ‘Voices of Desire’ 1993; ‘Freak Show with Circus Oz 1994; Back to Back in Shorts 1995; Road Movie with Melbourne Workers Theatre 1996; Minds Eye with Handspan Visual Theatre 1996; Peter Pan with Arena Theatre Company 1997; Mr September 1997; Boomtown with Snuff Puppets 1998; Mental 1999; Dog Farm 2000; Pornstar 2001; Soft 2002; Cow 2003; Small Metal Objects 2005), and Community Productions (including Ritual with Matthew Flinders Girls Secondary College 1998; Push Push 1999; Drag Racers in Love with Nelson Park School 1999; Arnold 2000 Fishman with Theatre of Speed 2001; Inside the Angel House with Theatre of Speed 2003; Minotaur with Theatre of Speed 2005; DMI with Theatre of Speed 2007; Pod Residences with Night School, Awakenings Festival, Brr Theatre Group, Ants Pantz Arts, Break of Day Players, Theatre of Speed, Arts Action and Amalgamation Festival 2003-2006), and films (including Mullet (1995), White Maggots (1996), Spill (1997), Mark Deans Human Cannonball (1998), Underpants (1999), Backscratch (2000), Porn Star (2002), Rhian Hinkley Theatre of Speed vs. BOZ'n'HOK, vs. HUGE COVILL (2004), D9 (2005), Out of our Minds (2001)).
• “Arts Access Victoria – The Present and the Future (2020 – present)”
  Arts Access Victoria – The Present and the Future (2020 – present)- increased technology and digital literacy training and online programs and projects including Alter State Festival and celebrated 50 years in 2024
• "Tutti Ensemble - Partnerships in Healthy Communities Program - 2006 Program Review"
  Tutti Ensemble 'Partnerships in Healthy Communities Program'-2006 Program Review - reads, in part "2006 was an exceptionally productive and exciting year for the Tutti Ensemble. The Funds from the Arts SA Partnerships in Healthy Communities Program alowed us to appoint a Development Manager enabling the organisation to extend its range of programs and contribute to its ongoing financial viability by attracting corporate sponsorship, managing several very successful fund raising events and identifying performance opportunities for the ensemble."
• "Arts Project Australia - Fully Booked Exhibition 2010 - Promotional Card"
  Arts Project Australia - Fully Booked Exhibition 2010 - Promotional Card - reads, in part "A unique insight into collecting, Fully Booked reflects upon the inclusive philosophy of art patrons who support a broad spectrum of cutting edge, contemporary artists. Showcasing new commissions by Lou Hubbard ('Dog, Dogged', a digital video work) and skateboard art from Arts Project Australia artists."
• "Tutti Ensemble - History"
  Tutti Ensemble History - reads, in part "Tutti ~nsemble is a fully integrated choir including people with disabilities and members of the wider community in Adelaide. It has become known for its nonstereotypical music-theatre productions for the main stage and community events."
• "Australia Council - Annual Report 1992-93"
  Australia Council Annual Report 1992-93- discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, projects, writers fees and expenses and resource development
• "Arts Project Australia - Pictures Of You Exhibition 2009 - Promotional Card"
  Arts Project Australia - Pictures Of You Exhibition 2009 - Promotional Card - reads, in part "This exhibition presents a 'window into the artists' world' in this inspiring exhibition of imaginative portraits by our studio artists."
• “Arts Access Victoria - Access Newsletter Autumn 2000”
• “Arts Access Victoria - Access Newsletter Spring 2000”