Disability Arts History Australia

Items

• "Bree Hadley (2015) Participation, politics and provocations: People with disabilities as non-conciliatory audiences. Participations: journal of audience and reception studies, 12(1), pp. 154-174.”
  "Disability has always had a prominent place on the theatrical stage. Throughout the C19th, C20th and C21st to date, disabled characters have been used to signify corruption, innocence or suffering, and, of course, as salutary examples of how to overcome such suffering. In the past three decades, the work of disability scholars, activists and artists has also provided opportunities for people with disabilities to produce their own plays, performances or installations challenging these stereotypes. Interestingly, though both the body of literature on theatre makers with disabilities and the body of literature on theatre audiences has grown apace over the past decade, there is still surprisingly little written on people with disabilities as theatre audiences. In this article, I draw on observations made during five years of practical, empirical and theoretical research into disability theatre to discuss how people with disabilities work as a distinctive sub-group of spectators, with distinctive spectatorial processes, modalities and preferences, within contemporary theatre audiences. I begin with the factors that make attending theatre difficult for people with disabilities. I note that people with disabilities respond to the challenges they face in attempting to become active audiences of contemporary theatre in three common ways. I then unpack what these spectatorial modalities teach us about people with disabilities as audiences, other marginalised groups as audiences, as well as about audiences, audiencing and the part audiences play in theatre practice more generally."
• "David Throsby and Virginia Hollister (2003) Don't give up your day job: an economic study of professional artists in Australia, Australia Council"
  Australia Council- Don’t give up your day job: An Economic Study of Professional Artists in Australia' (Throsby and Hollister 2003) based on 2002 Survey - The website reads “The 2002 Australia Council artists survey, Don't give up your day job collected information relating to practising professional artists in Australia…..According to Don't give up your day job, about 10 per cent of practising professional artists live with a disability.”
• "Accessible Arts - NSW Arts and Disability Partnership - Promotion Card"
  Accessible Arts - NSW Arts and Disability Partnership - Promotion Card - reads, in part "The NSW Government has committed $1.5 million to increase access to arts and cultural activities for people with a disability."
• "High Beam Festival Program 2002"
  High Beam Festival Program 2002 reads "Welcome to High Beam 2002 Australia's international arts and disability festival, celebrating disability culture from around the globe. In our third biennial festival we explore the significance of the circle. In High Beam Festival 2002, that significance is represented through our international program, 'circular' Wheelie BIG Event, the online community of Tech Arts Express and over 40 companies, performers and community members who span the arts and the globe. High Beam is about showing that living with a disability does not exclude you from creating real, exciting, cutting edge art. High Beam is also about showing what it is like to live with a disability through the medium of art. Get out there and enjoy! We are thrilled to present Australia's own legendary pianist David Helfgott, UK comedian Mat Fraser, the amazing wheelchair dancers from Nepal as well as Belinda Mason - Lovering's Intimate Encounters - a landmark photo-graphic exhibition from Australia."
• "DADAA Art Works Key Findings: Employment in the Arts for People with Disability – Current Status, Barriers and Opportunities (2012)"
  Reads, in part, "This document provides a short overview of the full Art Works report, which captures the results from national research into employment levels, barriers and strategies around employment in the arts for people with disability. The report was produced in response to one of the key focus areas of the National Arts and Disability Strategy, released in 2009."
• "Simon Darcy, S., Hazel Maxwell, Simone Grabowski, Jenny Onyx (2019). Artistic Impact: From Casual and Serious Leisure to Professional Career Development in Disability Arts. Leisure Sciences, 44(4), 514–533. https://doi.org/10.1080/01490400.2019.1613461"
• "The Other Film Festival - Writing on Film and Disability - Online"
  The Other Film Festival Writing on Film and Disability - includes ‘Mind’s Eye” Re-envisioning Mental Health in the Arts’ by Adolfo Aranjues; ‘I know it shouldn’t matter, but do you think I’m pretty’ by Naomi Chainey; ‘The Other Film Festival – Disability, Comedy & Subverting Expectations’ by Alastair Baldwin; ‘Filmdis Q&A with Dominick Evans’ by Jax Jacki Brown
• "NuunaRon Queensland"
  Webpage for First Peoples Disability Network NuunaRon Art Group, with video introducing where Paul Constable Calcott introducing the group, reads in part "NuunaRon is a group for Aboriginal and Torres Strait artists and emerging artists living with disability."
• "The Other Film Festival - Writing on Film and Disability"
  The Other Film Festival Writing on Film and Disability - includes Mind’s Eye” Re-envisioning Mental Health in the Arts’ by Adolfo Aranjues; ‘I know it shouldn’t matter, but do you think I’m pretty’ by Naomi Chainey; ‘The Other Film Festival – Disability, Comedy & Subverting Expectations’ by Alastair Baldwin; ‘Filmdis Q&A with Dominick Evans’ by Jax Jacki Brown
• "Interview with Jodee Mundy OAM"
  Jodee Mundy OAM is a Disabled creative director, performer, writer, activist, creative producer, executive producer, commissioner, interpreter, film, festival maker and cultural leader. Interview Summary Jodee Mundy OAM, is an artist and festival director who identifies as Coda (child of Deaf adults) and lives with chronic illness reflects on the historical and ongoing challenges faced by Deaf and Disabled artists in Australia. Her work is deeply political, aiming to tell untold stories and bring visibility to marginalized communities. Despite significant achievements, Jodee stresses the need for structural support and inclusivity within the industry, especially given the limitations of hybrid access models post-pandemic. Jodee's personal journey, including her recent incurable cancer diagnosis, shapes her advocacy for a culture of care and well-being in the arts. Jodee leads Alter State, Australia’s Disability- led arts festival presented by Arts Centre Melbourne and Arts Access Victoria.
• "NuunaRon Art Group - ‘Elder Journey’ Artwork Story by Paula Wootton"
  First Peoples Disability Network NuunaRon Art Group - ‘Elder Journey’ Artwork Story by Paula Wootton - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘My Healing Journey’ Artwork Story by Eve Kitchener"
  First Peoples Disability Network NuunaRon Art Group - ‘My Healing Journey’ Artwork Story by Eve Kitchener - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Seven Spirits’ Artwork Story by Paul Constable-Calcott"
  First Peoples Disability Network NunnaRon Art Group - ‘Seven Spirits’ Artwork Story by Paul Constable-Calcott - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "A Creative Leap: Beyond Disability"
  A Creative Leap: Beyond Disability provides “ … six examples of how others are creating access for people with a disability to participate in artistic activity and develop their creative potential,” including Club Contagious Music Club, Malee Music Program, Karrarendi Visual Art Workshops, Southern Youth Theatre Ensemble, Restless Dance Theatre
• Sarah Austin
• “Australia Council - Disability Action Plan 2017–19”
  The website reads “Our current Disability Action Plan 2017–19 sets out actions in detail, building on the achievements of our previous DAP and stretching us further across our three goals of accessibility, leadership and arts practice.”
• "NuunaRon Art Group - ‘Wisdom of the Ancestors’ Artwork Story by Robyn Lennox"
  First Peoples Disability Network NuunaRon Art Group - ‘Wisdom of the Ancestors’ Artwork Story by Robyn Lennox - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Returning Home’ Artwork Story by Rebecca Jones"
  First Peoples Disability Network NuunaRon Art Group - ‘Returning Home’ Artwork Story by Rebecca Jones - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Uncle Ron’ Artwork Story by Joshua Lennox"
  First Peoples Disability Network NuunaRon Art Group - ‘Uncle Ron’ Artwork Story by Joshua Lennox - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Sharing My Stories Far From Home’ Artwork Story by Jahrim Riley"
  First Peoples Disability Network NuunaRon Art Group -‘Sharing My Stories Far From Home’ Artwork Story by Jahrim Riley - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Freedom’ Artwork Story by David Gookegen Nanangi Peters"
  First Peoples Disability Network NuunaRon Art Group - ‘Freedom’ Artwork Story by David Gookegen Nanangi Peters - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Rising Son’ Artwork Story by Allison Clarey"
  First Peoples Disability Network NuunaRon Art Group - ‘Rising Son’ Artwork Story by Allison Clarey - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon - Two Spirit Yarning by Paul Constable Calcott"
  First Peoples Disability Network NuunaRon Art Group - 'Two Spirit Yarning' by Paul Constable Calcott
• Lynn Buchanan
• "Interview with Digby Webster"
  Digby Webster is a visual artist working with the mediums of oil pastels and acrylics and is also a performer, designer and co-founding member of past performance ensemble Ruckus Ensemble. Interview Summary Digby Webster is an artist with a wide range of creative talents, including theater, dance, animation, and mural painting. He has worked on various projects, including an animated short film called "Blockhead and Sparklehorse," and has had his artwork displayed in places like the Sydney Olympic Park and Vivid Sydney. Digby does not define himself by his disability and takes pride in the various creative endeavors he's involved in, aiming to have his art reach people in meaningful ways outside traditional galleries. In the future, he is interested in exploring fashion, designing artwork for clothing, and he hopes to see more people wearing his art.