Disability Arts History Australia

Items

• "Back to Back Theatre - Website - Shows, captured 2008"
  Back to Back Theatre 'Shows' page, captured 2008, with list of shows, and links to work from 1999 forward - Professional Productions (including ‘Big Bag’ 1987-88; ‘Stinking Houses’ 1989; ‘The Peg Machine’ 1990; ‘Everything and the Mermaid’ 1990, ‘I Don’t Want to Live in Lara Anymore 1991; ‘Yell Blue Murder’ 1991; ‘Woodenhead’ 1992; ‘The Adventures of Bobbi Dazzler’ 1992; ‘Voices of Desire’ 1993; ‘Freak Show with Circus Oz 1994; Back to Back in Shorts 1995; Road Movie with Melbourne Workers Theatre 1996; Minds Eye with Handspan Visual Theatre 1996; Peter Pan with Arena Theatre Company 1997; Mr September 1997; Boomtown with Snuff Puppets 1998; Mental 1999; Dog Farm 2000; Pornstar 2001; Soft 2002; Cow 2003; Small Metal Objects 2005), and Community Productions (including Ritual with Matthew Flinders Girls Secondary College 1998; Push Push 1999; Drag Racers in Love with Nelson Park School 1999; Arnold 2000 Fishman with Theatre of Speed 2001; Inside the Angel House with Theatre of Speed 2003; Minotaur with Theatre of Speed 2005; DMI with Theatre of Speed 2007; Pod Residences with Night School, Awakenings Festival, Brr Theatre Group, Ants Pantz Arts, Break of Day Players, Theatre of Speed, Arts Action and Amalgamation Festival 2003-2006), and films (including Mullet (1995), White Maggots (1996), Spill (1997), Mark Deans Human Cannonball (1998), Underpants (1999), Backscratch (2000), Porn Star (2002), Rhian Hinkley Theatre of Speed vs. BOZ'n'HOK, vs. HUGE COVILL (2004), D9 (2005), Out of our Minds (2001)).
• "Rawcus Website, captured 2014"
  Rawcus website, captured 2014, reads, in part, "Rawcus is an ensemble of performers with and without disabilities. Collaborating with a core creative team led by Artistic Director Kate Sulan, Rawcus aims to devise new work that expresses the imaginative world of the ensemble. Drawing on dance, theatre and visual art disciplines, the work is crafted with a precision that supports the performers but allows space for their inherent sense of anarchy. A series of moving pictures, Rawcus’ work is sculptural, unexpected, beautiful, funny and tender."
• "Igneous - Mirage"
  Reads, in part "A movement-based performance installation with video art, sound art and a series of mirror-booths. Taking phantom-limb sensation as a “body-mirage”, and inspired by the work of neurologist V. Ramachandran, Mirage plays on perceptual illusion, the construction of hybrid forms, and the real and virtual fusing and separating. It is an interactive labyrinth of perceptual illusion with the performer in a reflective pool amongst multi-dimensional projections. Mirage was created in the context of a fellowship awarded by The Australian Choreographic Centre to James Cunningham and Suzon Fuks."
• "Tutti Arts - Website - Artist Collectives, captured 2023"
  Tutti Arts Website Artist Collectives captured 2023 - includes links to information about Company AT, Sit Down Shut up and Watch, The Sisters of Invention, and artist profiles
• "Rawcus Website, captured 2024"
  Rawcus website, captured 2024, reads, in part "Rawcus is a critically acclaimed long term ensemble of 14 performers with diverse minds, bodies and imaginations. For over 22 years, the company has been creating audacious performances and arts experiences." Links to productions, public program, watch, and archive sections.
• "Queensland Theatre of the Deaf - Kenneth J Donnell - Actor, Director, and Foundation Committee Member - CV"
  CV of Kenneth J Donnell, Foundation Committee Member, Actor, Director, and Artistic Director Queensland Theatre of the Deaf from 1980, dated 1998 - training (including as first profoundly Deaf Australian to be awarded a Churchill Fellowship), awards, shows as actor (An Evening with the Theatre of the Deaf, Snow White & Company, Ondine, The Crane, Jack the Simpleton & his master, Dick Woodington-Lord Mayor of Where?, Treasure Map, Seasons, Christmas Carol, Only an Orphan Girl, The Man from Snowy river, A Stranger at the Inn, Gotze, Wolf Boy), as director (Medieval Mime, Mime Skits for Expo'88', Spring Mime Madness), and as director/author (Follow That Sign, Robert the Bruce, Anonymous Addict, Nara's Journey, Our Eyes are Your Ears, Assimilation, The Devious Black Marble, Fate of The Rose)
• "Accessible Arts and Noise - AART-BOXX 2006 - Program"
  Accessible Arts and Noise - AART-BOXX 2006 Program - reads, in part "AART.BOXX Emerging artists under 25 years"
• "Accessible Arts - Annual Report 1998"
  Accessible Arts - Annual Report 1998 - ACE Magazine, Issue 20, 1999, includes Strategic Plan, 1998 Annual Report, 1998 Accounts, What's on & Info, with Staff, Strategic Plan includes Guiding Principles and Key Directions, Annual Report includes Aims and Objectives, Chairperson Report, Treasurer Report, Executive Officer Report , Consultancy, Regional Networks, Partnerships, Resources, Administrator Report , Financials
• "Accessible Arts - Annual Report 2002"
  Accessible Arts - Annual Report 2002 - Vision Statement, Objectives, Chairperson's Report, Treasurer's Report, Executive Officer's Report, Review Of Operations 2002-2003, Operational Plan 2003-2004, Independent Auditor's Report, Management Committee, Attendance 2002-2003
• "Accessible Arts - Annual Report 2012"
  Accessible Arts - Annual Report 2012 - Introduction, Mission, Overview, Sector Development, Education and Training, Leadership, Connections, Organisational Development, Board and Staff
• "Arts Project Australia - Error And Judgement Exhibition 2012 - Email Promotional Flyer"
  Arts Project Australia - Error And Judgement Exhibition 2012 - Email Promotional Flyer - reads, in part "Error and Judgement takes as its departure point the notion of making an error of judgement and its revelation of erroneous decisions."
• "Arts Project Australia - Error And Judgement Exhibition 2012 - Program"
  Arts Project Australia - Error And Judgement Exhibition 2012 - Program - reads, in part “Error and Judgement embeds a pun on the notion of making an error of judgement, wherein a decision or behaviour is consequently regarded as, and acknowledged as, being erroneous.”
• "DADAA Annual Report 2019-2020"
  DADAA Annual Report 2019-2020 – Chair’s and Executive Director’s Reports, People, Partners, Art Services, New Gallery, Projects including ‘No Fixed Address’, NDIS, Covid19 and digital transitions, Financials
• "DADAA Annual Report 2020-2021"
  DADAA Annual Report 2020-2021– Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including The Other Film Festival WA, Digital Capacity Building, Financials
• "DADAA Annual Report 2021-2022"
  DADAA Annual Report 2021-2022 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including The Other Film Festival WA, Creative Development 4:48 Psychosis Creative Development, Digital Project, Exhibitions, Financials
• "DADAA Annual Report 2022-2023"
  DADAA Annual Report 2022-2023 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including 4:48 Psychosis, Digital Art for Life, Exhibitions, Financials
• "DADAA No Fixed Address - Promotion Card"
  DADAA No Fixed Address 2017-2020 promotion card - Coverreads, in part "No Fixed Address was a project developed by DADAA in partnership with and a group of Perth-based contemporary artists and filmmakers. Centred in Fremantle’s East End, an area currently undergoingmass gentrification, is St. Patrick’s Community Support Centre, which for the past 40 years has worked to support those who are experiencing homelessness or at risk of becoming homeless."
• "InCite Arts - Lowdown NT Column Entry on ‘Community Mosaic Bench Project’”
  InCite Arts and Arts Access Central Australia announcement about Community Mosaic Bench Project, in Lowdown NT Column Entry. Entry reads, in part, “The project involved 2 curved concrete seating benches being covered with mosaic flowers, local fauna e.g., witchetty grubs, parrots, hawks and other flora and fauna representing Central Australia”
• "Queensland Theatre of the Deaf - Productions and Open Drama Competitions Since 1975 - Reported 1998"
  Queensland Theatre of the Deaf productions and open drama competitions, 1975 to 1997
• "Second Echo Ensemble - Annual Report 2022"
  Second Echo Ensemble Annual Report 2022 - Co-Chair’s and Creative Directors Reports, including work (OUTSIDE Boy, The Beauty Project , The Bridge, The Stare); Mission and Vision, People, Data and Statistics, Audited Accounts
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2018"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2018, including reports on work during the year (Contested Land, By My Hand, Let Me Dry Your Eyes, The Beauty Project)
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2020"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2020, including reports on work during the year (Let Me Dry Your Eyes, The CHAIN, What Makes You Beautiful), and reflections on the impact of Covid 19 Pandemic
• "Sprung!! Integrated Dance Theatre - Pop Icons"
  Page reads, in part "Find your pose and make it pop! Join artists Sarah Lewis and Tora Crockford for a 4-day costume making and pose creating workshop. Exploring pop and celebrity culture, you will get to design, make and wear an iconic outfit ready for the dance floor and runway."
• "Tutti Arts - Banjobe Hunt - Specimens Exhibition - Promotional Card & Flyer"
  Tutti Arts - Banjobe Hunt 'Specimens' Exhibition 2020 Promotional Card & Flyer - reads, in part "Specimens will see Banjobe Hunt of Tutti Arts present delicate tableaus in pen and ink, highlighting the gentle forms found in nature. Drawing inspiration from both his homeland of Australia and his birthplace of Thailand, Banjobe will examine the natural world and invite it into the gallery space."
• "Tutti Arts - Eye Music - Press Release"
  Tutti Arts 'Eye Music' 2014 Press Release - reads, in part “The Tutti Production EYE MUSIC is an inspirational piece of music theatre about Jem Hartgen who accessed the services of Novita for many years, and who was also a member of the Tutti Performing Arts Program and the renowned Tutti Choir”