Disability Arts History Australia

Items

• "InCite Arts - Programs, and 2012, 2013, 2014 Annual Reports"
  InCite Arts programs, and 2012, 2013, 2014 Annual Reports, captured 2018 - ‘Red Sand Culture’ youth focused music and dance mentoring program, ‘SPRUNG Youth Dance’, ‘Southern Ngalia’ intergenerational Warlpiri Women’s song and dance program, ‘stArts with D’ Performance Ensemble
• "Crossroad Arts Website 2021"
  Crossroad Arts Website, captured 2021. Includes home, employment, about us, programs, blog, partners, videos, outreach, contact us, and support us links, and information about “what we do,” “how we do it,” who we work with,” and “why we do it,” with the latter stating “We want to challenge the traditional spaces where art making takes place; and to challenge the notion of who participates in that process and how they participate.”
• "Crossroad Arts About 2021"
  Crossroad Arts About page, Crossroads Arts website, captured 2021. Includes information about Crossroad Arts Vision, Mission, and Values, across “Artistic Development,” “Community Development,” and “Outreach” pillars, and an Auslan Described and Captioned “Community Voices” video about the company’s work (Crossroad Arts Vimeo available here https://vimeo.com/crossroadarts?msockid=07261a89129e61112e290e3e137360f5 as at 2024). Includes link to information about past projects 2015-2020, and images of past projects 1996-2020.
• "Rawcus Reviews and Articles, captured 2024"
  Rawcus Reviews and Articles, captured 2024 - links to reviews and articles about Rawcus's work
• "Sydney Festival - StickybrickS MEDIA RELEASE - 2006"
  Sydney Festival - StickybrickS 2006 MEDIA RELEASE - Reads, in part "By 2002 Northcott was infamous once again as a seething pit of violent crime, multiple murders and suicides, with residents traumatised and Sydney’s media swarming, ready to pronounce this community a blot on an otherwise perfectly-good-inner-city-real-estate-investment-opportunity. Northcott residents, however, refused to be tarred with the same media brush and began working with national arts organisation Big hART writing, researching, filming, composing, performing, painting and photographing."
• "DADAA Annual Report 2015-2016"
  DADAA Annual Report 2015-2016 - Chairperson and Executive Director’s Reports, New premises, NDIS, Workshops, Exhibitions, Performances, Screenings, Freight and Focus Galleries, Online Gallery, Online Broadcasts, stARTSpeak, Art Link Programs for Children and Young People, Awesome Festival, Nexus Arts Grants, Professional Mentorships, Financials
• "The Other Film Festival Program 2018"
  The Other Film Festival Program 2018 – Australian words screened include The Milky Pop Kid 2016 | 7min Johanna Garvin; Paul 2017 | 5min Kasimir Burgess; GEN(d)ERATION: ROMANY AND SASCHA 2018 | 3min Akasha Temple; Yulubidyi Until The End 2017 | 12min Nathan Mewett and Curtis Taylor; ODDLANDS 2017 | 28min Bruce Gladwin; re-cal-i-brate 2016 | 6min Brendan O’Connell; Halloween 2018 | 2min Thomas Iacono; A Royal Star 2014 | 17min Nicola Byrnes and Neil Triffett; Stim Your Heart Out 2018 | 4min Akasha Temple; Lipstick Fights 2017 | 3min Jon Mitchell; I see, You say... 2018 | 10min Ramas McRae; Jaspar 2018 | 7min Zoe Glen-Norman; All of You TV Show 2015 | 11min Artlife and Lindsay Cox; CAE Workshop films 2018 | 20min David Baker, Stacey Christie, Shea MacDonough, Shanah Robison, Philippa Nichol, Imogen Newhouse, Jonathon Goodfellow, Justin O’Brien; Love You Till I Die 2017 | 2min Rudely Interrupted; Gaslit 2018 | 9min Naomi Chainey; Defiant Lives 2016 | 1hour 24min Sarah Barton; Life is Short, Time is 2016 | 4min Constant aka LISTIC and Vanna Seang; Jeremy the Dud 2017 | 21min Ryan Chamley; The Holden Family 2014 | 4min Alex Skaftouros and Lindsay Cox; RADIAL - No Limits 2017 | 4min Festival & Theater Thikwa, Tamara Searle and Rhian Hinkley
• “Arts Access Victoria – On Tour (mid – late 1990s)”
  Arts Access Victoria – Sharing knowledge (early – mid 1990s) – growth in programs, training, consultancy and developed the first AAV website. Weave Movement Theatre and Club Wild (Wild at Heart) emerged and toured exhibition of “BodySuits” created new artist commissions and opportunities.
• "Rawcus - Small Odysseys - Program"
  Program for Rawcus work 'Small Odysseys, reads, in part, "Small Odysseys grew out of an interest in working with scale and how our sense of our own size, significance and power can shift sometimes very quickly. We have been inspired by the sculptural work of artists Ron Mueck and Slinkachu (Little People in the City) , both of whom employ scale to reveal the emotional world of their subjects and inform our relationship to them."
• “Restless Dance – Annual Report 1997"
  Restless Dance Theatre Annual Report 1997 - reads, in part "The Company's activities were evenly distributed between high profile performance and community based workshops. Restless hos consolidated itself os on independent leader in youth performing arts in Australia. It is well managed and well skilled using local, interstate and overseas artistic talent to blend the skills of the Company members. Highlights include Sex Juggling, the tour of northern South Australia and the Northern Territory and Kin" - includes Financials and News Clippings
• "Indelability Arts - Wilbur The Optical Whale - Digital Program"
  Digital Program for Indelability Arts show by Karen Lee Roberts, Wilbur the Optical Whale - reads, in part, “Wilbur the Optical Whale" is a 'tale' about friendship, acceptance and celebrating difference. Wilbur and Cecil are BFF's. They are inseparable...or are they? One day while playing hide and seaweed, they are set upon by the Starfish Meanie Gang! How do they get out of this one? Join Wilbur and Cecil and help them in their quest.”
• "Tutti Arts - Kimberley Sellers and Scott Pyle - Monsters and Fairytales Exhibition - Invitation - Promotional Card"
  Tutti Arts - Kimberley Sellers and Scott Pyle 'Monsters and Fairytales' Exhibition 2012 Invitation / Promotional Card
• "DADAA Professional Pathways Webpage, captured 2023"
  DADAA Professional Pathways Webpage, captured 2023 - reads, in part "DADAA supports artists to develop professionally and to realise their dreams however big or small. To support you on your journey as an artist, we offer a range of programs at all levels so that you can progress as an artist as you learn and build your skills."
• "Hot Pink Goanna Studios - Deadly With Disabilities - Walu Win Series by Uncle Paul Constable Calcott, Episode 1"
  Walu Win Series by Uncle Paul Constable Calcott, episode 1 - reads, in part "A mini-series exploring the benefits of art and how it is halping as a tool in the healing process. This episode is about Uncle Paul Calcott, a Wiradjuri man who is now living on Gubbi Gubbi country."
• "Back to Back Theatre - Website - Shows, captured 2008"
  Back to Back Theatre 'Shows' page, captured 2008, with list of shows, and links to work from 1999 forward - Professional Productions (including ‘Big Bag’ 1987-88; ‘Stinking Houses’ 1989; ‘The Peg Machine’ 1990; ‘Everything and the Mermaid’ 1990, ‘I Don’t Want to Live in Lara Anymore 1991; ‘Yell Blue Murder’ 1991; ‘Woodenhead’ 1992; ‘The Adventures of Bobbi Dazzler’ 1992; ‘Voices of Desire’ 1993; ‘Freak Show with Circus Oz 1994; Back to Back in Shorts 1995; Road Movie with Melbourne Workers Theatre 1996; Minds Eye with Handspan Visual Theatre 1996; Peter Pan with Arena Theatre Company 1997; Mr September 1997; Boomtown with Snuff Puppets 1998; Mental 1999; Dog Farm 2000; Pornstar 2001; Soft 2002; Cow 2003; Small Metal Objects 2005), and Community Productions (including Ritual with Matthew Flinders Girls Secondary College 1998; Push Push 1999; Drag Racers in Love with Nelson Park School 1999; Arnold 2000 Fishman with Theatre of Speed 2001; Inside the Angel House with Theatre of Speed 2003; Minotaur with Theatre of Speed 2005; DMI with Theatre of Speed 2007; Pod Residences with Night School, Awakenings Festival, Brr Theatre Group, Ants Pantz Arts, Break of Day Players, Theatre of Speed, Arts Action and Amalgamation Festival 2003-2006), and films (including Mullet (1995), White Maggots (1996), Spill (1997), Mark Deans Human Cannonball (1998), Underpants (1999), Backscratch (2000), Porn Star (2002), Rhian Hinkley Theatre of Speed vs. BOZ'n'HOK, vs. HUGE COVILL (2004), D9 (2005), Out of our Minds (2001)).
• "Rawcus Website, captured 2024"
  Rawcus website, captured 2024, reads, in part "Rawcus is a critically acclaimed long term ensemble of 14 performers with diverse minds, bodies and imaginations. For over 22 years, the company has been creating audacious performances and arts experiences." Links to productions, public program, watch, and archive sections.
• "Rawcus Website, captured 2014"
  Rawcus website, captured 2014, reads, in part, "Rawcus is an ensemble of performers with and without disabilities. Collaborating with a core creative team led by Artistic Director Kate Sulan, Rawcus aims to devise new work that expresses the imaginative world of the ensemble. Drawing on dance, theatre and visual art disciplines, the work is crafted with a precision that supports the performers but allows space for their inherent sense of anarchy. A series of moving pictures, Rawcus’ work is sculptural, unexpected, beautiful, funny and tender."
• “Australia Council - Grants, captured 1997”
  Australia Council (Creative Australia) grants captured December 1997. Website reads “extracted from the Australia Council Grants Handbook 1997” and includes Grant Categories: an Overview, Aboriginal and Torres Strait Islander Arts Board, Community Cultural Development Fund, Dance Fund, Literature Fund, Major Organisations Fund, Music Fund, New Media Arts Fund, Theatre Fund, Visual Arts/Craft Fund, Awards
• "Tutti Arts - Website - Artist Collectives, captured 2023"
  Tutti Arts Website Artist Collectives captured 2023 - includes links to information about Company AT, Sit Down Shut up and Watch, The Sisters of Invention, and artist profiles
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2020"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2020, including reports on work during the year (Let Me Dry Your Eyes, The CHAIN, What Makes You Beautiful), and reflections on the impact of Covid 19 Pandemic
• "DADAA No Fixed Address - Promotion Card"
  DADAA No Fixed Address 2017-2020 promotion card - Coverreads, in part "No Fixed Address was a project developed by DADAA in partnership with and a group of Perth-based contemporary artists and filmmakers. Centred in Fremantle’s East End, an area currently undergoingmass gentrification, is St. Patrick’s Community Support Centre, which for the past 40 years has worked to support those who are experiencing homelessness or at risk of becoming homeless."
• "Igneous - Mirage"
  Reads, in part "A movement-based performance installation with video art, sound art and a series of mirror-booths. Taking phantom-limb sensation as a “body-mirage”, and inspired by the work of neurologist V. Ramachandran, Mirage plays on perceptual illusion, the construction of hybrid forms, and the real and virtual fusing and separating. It is an interactive labyrinth of perceptual illusion with the performer in a reflective pool amongst multi-dimensional projections. Mirage was created in the context of a fellowship awarded by The Australian Choreographic Centre to James Cunningham and Suzon Fuks."
• "Sprung!! Integrated Dance Theatre - Pop Icons"
  Page reads, in part "Find your pose and make it pop! Join artists Sarah Lewis and Tora Crockford for a 4-day costume making and pose creating workshop. Exploring pop and celebrity culture, you will get to design, make and wear an iconic outfit ready for the dance floor and runway."
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2018"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2018, including reports on work during the year (Contested Land, By My Hand, Let Me Dry Your Eyes, The Beauty Project)
• "Second Echo Ensemble - Annual Report 2022"
  Second Echo Ensemble Annual Report 2022 - Co-Chair’s and Creative Directors Reports, including work (OUTSIDE Boy, The Beauty Project , The Bridge, The Stare); Mission and Vision, People, Data and Statistics, Audited Accounts