Disability Arts History Australia

Items

• "Accessible Arts - ACE Arts Creativity Expression -1999 Win - Iss4"
  Accessible Arts - ACE Arts Creativity Expression News Publication issue 4 Winter 1999 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources
• "Accessible Arts - ACE Arts Creativity Expression -2001 May - Iss5"
  Accessible Arts - ACE Arts Creativity Expression News Publication Issue 5 May 2001 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources
• "Accessible Arts - ACE Arts Creativity Expression -2001 Nov - Iss6"
  Accessible Arts - ACE Arts Creativity Expression News Publication Issue 6 May 2001 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources
• "Accessible Arts - ACE Arts Creativity Expression -2002 Mar - Iss7"
  Accessible Arts - ACE Arts Creativity Expression News Publication Issue 7 March 2001 - about Accessible Arts (including membership), information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources
• "Accessible Arts - ACE Arts Creativity Expression -2003 Dec - Iss27"
  Accessible Arts - ACE Arts Creativity Expression News Publication Issue 27 March 2003 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources
• "Accessible Arts - ACE Arts Creativity Expression -2003 Nov - Iss29"
  Accessible Arts - ACE Arts Creativity Expression News Publication Issue 29 November 2003 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources, including establishment of a Disability Arts Workers Network, and new accessible theatre for Sydney Theatre Company
• "The Other Film Festival - Writing on Film and Disability"
  The Other Film Festival Writing on Film and Disability - includes Mind’s Eye” Re-envisioning Mental Health in the Arts’ by Adolfo Aranjues; ‘I know it shouldn’t matter, but do you think I’m pretty’ by Naomi Chainey; ‘The Other Film Festival – Disability, Comedy & Subverting Expectations’ by Alastair Baldwin; ‘Filmdis Q&A with Dominick Evans’ by Jax Jacki Brown
• “Research project ‘Disability and the Performing Arts in Australia: The Last Avant Garde’ investigates the creative and aesthetic strategies of the Australian disability arts sector”
  A research project beginning in 2016, ‘Disability and the Performing Arts in Australia: The Last Avant Garde,’ investigated the creative and aesthetic strategies of the Australian disability arts sector. The project sought to map “disability arts practice across the nation” by examining “the role of artistic experimentation,” “co-design[ing] accessible strategies,” and raising “critical recognition, employment and funding opportunities for artists.” The project team describes themselves as a collective “of deaf and disabled and non-disabled researcher artists, performers, writers, arts managers and theatre makers.” The work was the result of a collaboration between Arts Access Victoria, University of Melbourne, and University of Sydney. The Australia Research Council provided funding for the research.
• “Office of the Arts releases 'Creative Australia – National Cultural Policy' (2013) , is critiqued for its reference to 'tolerance' of disabled people”
  The national cultural policy ‘Creative Australia’ was published in 2013. It was critiqued for its lack of disability arts funding and its reference to 'tolerating' disabled people. As Arts Hub reported, “By now you will have heard that the National Cultural Policy offers little for Australians with a disability. Not only is there no funding for the National Arts and Disability Strategy, but instead, the policy calls for a culture of tolerance towards people with a disability.”
• “Creative Australia’s National Arts and Disability Awards are awarded to their inaugural recipients in 2019”
  Creative Australia’s National Arts and Disability Awards were first awarded to their inaugural recipients in 2019. The three awards go to an emerging or early career artist, and established artist, and someone who’s proven themselves as a leader in disability arts. From 2019 to 2023, the recipients span across artforms and the country.
• Barbara Doherty
• "Bree Hadley (2022) Disability and the Arts, Creative, and Cultural Industries in Australia. Australian Academy of Humanities"
  Reads, in part "There are five interrelated factors that support arts workers, arts organisations, and the arts sector at large to develop improved policy, protocol, and training practices."
• “Australia Council - Grants, captured 1997”
  Australia Council (Creative Australia) grants captured December 1997. Website reads “extracted from the Australia Council Grants Handbook 1997” and includes Grant Categories: an Overview, Aboriginal and Torres Strait Islander Arts Board, Community Cultural Development Fund, Dance Fund, Literature Fund, Major Organisations Fund, Music Fund, New Media Arts Fund, Theatre Fund, Visual Arts/Craft Fund, Awards
• "Interview with Kath Duncan"
  Kath Duncan is a writer, a director, a provocateur, a visual artist, a comedian, a producer, a journalist, a radio broadcaster and disability advocate. Interview Summary Kath Duncan is an experienced and prominent figure in the disability arts community with a passion for experimental performance arts, having witnessed the beginnings of the disability arts movement in Australia and participated in its evolution. Her art is inherently political, shaped by her unique perspective as a congenital amputee. Kath firmly believes in the inherent creative revolutions and endless inspiration within all impairments. Kath highlights the ongoing struggles within the disability arts sector, including high unemployment rates for disabled individuals, systemic barriers, and the need for disabled leadership in arts organizations. While cherishing the milestones and transformative experiences she's had, Kath calls for significant systemic changes, emphasizing the importance of team playing and collective work to support and grow the disabled artist community.
• "Australia Council - Annual Report 1994-95"
  Australia Council Annual Report 1994-95- discusses functions, organisation chart, year in review, work to overcome inequities experienced by artists with disabilities with a review of arts and disabilities developing into an action plan by 1997, artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, projects, creative development of organisations and an international cultural exchange program.
• “Writeability (VIC) is established in 2012”
  The Writeability program was established in 2012, beginning as a partnership between Writers Victoria and Arts Access Victoria. "Writeability program supports writers with disability wanting to develop their skills and writing careers." It aims to remove barriers and provide information, resources, and fellowships so disabled writers can “tell their own stories in their own way”.
• "Writeability website, captured 2013"
  Webpage reads, in part "Arts Access Victoria, in partnership with Writers Victoria, is pleased to announce the launch of Write-ability, a new pilot project to support writers with a disability wishing to advance their writing practice"
• "Writeability website, captured 2016"
  Webpage reads, in part “Before the advent of Write-ability, writing programs for people with disability in Victoria were few and far between. Examples of successful Australia writers with disability are rare (and deaf writers even more so). Consequently, the number of authentic voices recording the stories of the lived experience of disability has been limited.” Webpage contains information about Write-ability Mentor-in-Residence; Write-ability Fellowships; Write-ability recent projects such as a series 2014 postcards/memes profiling writers, and support, professional development, and writers groups.
• "Writeability website, captured 2018"
  Webpage reads, in part "Write-ability aims to remove some of the barriers that have traditionally prevented people with disability from connecting with writing and publishing. It provides tools and information to support people with disability who want to tell their own stories in their own way. The Write-ability ethos has been based on the importance of self-told stories, disability-leadership and peer support, and the creation of opportunities for even the quietest voices to be heard."
• "Writeability website, captured 2019"
  Webpage reads, in part "Write-ability aims to remove some of the barriers that have traditionally prevented people with disability from connecting with writing and publishing. It provides tools and information to support people with disability who want to tell their own stories in their own way. The Write-ability ethos has been based on the importance of self-told stories, disability-leadership and peer support, and the creation of opportunities for even the quietest voices to be heard."
• "Interview with Jess Cochran"
  Jess Cochran (they/them) is an actor, model, writer and disability advocate. Interview Summary: Jess Cochran is a queer, non-binary, neurodivergent, performing artist, advocate, writer, and consumer consultant with a background in both physical and psychosocial disabilities. Their journey into the performing arts began accidentally with a role in the Awards winning Melbourne Fringe Festival production, Qualia, which opened doors to more local and international Awards-winning work in film and stage. Jess identifies proudly with their disabilities and considers their art both a personal expression and a political act aimed at highlighting the issues faced by the disability community. Jess’s work spans across writing, modelling, and various performance arts, and they wish to see an increase of disability arts representation in mainstream media with authentic casting, opportunities and improved accessibility for disabled performers. Jess is also passionate about highlighting intersectionality in disability arts.
• "Interview with Graham Wilfred Junior"
  Graham Wilfred Junior is a Yolngu man and artist with Incite Arts where he works with different mediums including filmmaking, writing, performing and music. Interview Summary Graham, an emerging artist with spina bifida whose father inspired his passion for art, has pursued various art forms including painting, music, and digital art, now calls Mparntwe/Alice Springs home, and is venturing into theatre and filmmaking. His digital artwork, through the creation of the indigemoji app, helps teach the Arrernte, the language of the First Nations people of Mparntwe/Alice Springs. He now seeks to expand his impact through acting and creating films. Graham's motivation is to both celebrate and inspire people with disability, aiming for recognition as an artist rather than focusing solely on his disability. Graham shares his journey with Incite Arts, highlighting his involvement in music workshops, acting classes and script development, emphasizing the importance of representation and empowerment for individuals with disability. Ultimately, he aims to document his experiences and create impactful performances that leave a legacy to encourage others to pick up where he leaves off, ensuring the continuity of artistic expression within his community.
• "Incite Arts - stArts with D Performance Ensemble 'Selfies' Residency"
  Case Study of 'Starts with a D' Performance Ensemble and the 'Selfies' project, reads, in part "Through a combination of group-writing exercises, poetry worksheets, collage and recording of spoken responses, participants created 77 poems under the title: ‘SELFIES'"
• "Amanda Cachia (2022) Networks of Care: Collectivity as Dialogic Creative Access, in Amanda Cachia ed. Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge, 219-230"
  Reads, in part "The collectives that have formed in recent years and that will be the subject of this chapter include the Feminist Health Care Research Group (FHCRG), the Sickness Affnity Group (SAG), and Power Makes Us Sick (PMS). Each of these groups attempts to be intersectional in their approach, focusing on feminist and crip revisions to health care. Feminist and crip unite in the groups as the participants all identify as both women and as disabled. In shared spaces, which can be found in physical spaces, such as an art gallery or an artist’s home, or online through Zoom, artists can offer mutual understanding of their experiences with chronic illness, disability, the medical industrial complex, and simply be a shoulder to lean on in times of anxiety, anger, and sadness. The collectives also offer an opportunity for the artists to lift each other up, creating an environment of respect, dignity, and self-worth, becoming a strong circle of empowerment, affrmation, and allyship. The proliferation of these support groups shows a general shift in social norms, where the medical feld no longer holds the only authoritative voice on health. This phenomenon also indicates how nonmedical health based groups are flling a need and making up for a lack in social support networks elsewhere, particularly within sanctioned medical arenas."
• Second Echo Ensemble