Disability Arts History Australia

Items

• "Accessible Arts - Annual Report 1996"
  Accessible Arts - Annual Report 1996 - Aims, Objectives, Brief History, Chairperson’s Report, Treasurer’s Report, Executive Officer’s Report, Project Officer’s Report
• "Accessible Arts - Annual Report 1999"
  Accessible Arts - Annual Report 1999 - ACE Magazine, Issue 22, October 2000, includes Annual Report 1998 - Chairpersons' Report, Treasurer’s Report, Executive Officer Report, Consultancy, Regional Networks, Partnerships, Resources, Training, Financials
• "Accessible Arts - Annual Report 2009"
  Accessible Arts - Annual Report 2009 - Overview, Rewarding Excellence, Skills Development, Strengthening the Sector, Consulting to the Sector, Providing a Service
• "Accessible Arts - Annual Report 2017"
  Accessible Arts - Annual Report 2017 - Corporate Information, Directors' Report, Statement of Financial Position
• "Accessible Arts - Annual Report 2019"
  Accessible Arts - Annual Report 2019 - Chairperson's Message, CEO's Message, About Us, Our Team, Key Stats 2019, Testimonials, Arts Activated 2019, Career Advancement, Audience Development, Community Engagement, Regional NSW
• "Accessible Arts - ACE Arts Creativity Expression -The Final Word: Two Poems By Gail Louise - 2000,Pg10"
  Accessible Arts - ACE Arts Creativity Expression -The Final Word: Two Poems By Gail Louise - 2000, Pg10
• "Deafness Resources Australia - Nola Colefax Signs Of Change Book Launched 1999"
  Deafness Resources Australia annoucnement of Nola Colefax 'Signs Of Change' autobiography, including history of Australian Theatre of the Deaf, book launch in 1999 - reads, in part - "Signs of Change is a thrilling story of the achievement of one woman and a substantial history of a dynamic era of a little known Australian community. This book interweaves Nola's personal history With the history, culture and development of the Deaf community."
• "Tutti Arts - The Shadow In Us Exhibition - Promotional Card"
  Tutti Arts 'Their Shadows In Us' Exhibition 2013 Promotional Card - reads, in part "An artistic interpretation by Tutti Arts of the last 100+ years of Minda Incorporated"
• "Tutti Arts - The Shadow In Us Exhibition - Catalogue/Program"
  Tutti Arts 'Their Shadows In Us' Exhibition 2013 Catalogue/Program - reads, in part "Tutti artists came to me in late 2009 (around the time of the planned redevelopment at Minda's Brighton site) with questions about the older Minda residents, who had come to Minda as children. Tutti artists were keen to interview and draw or photograph people, perhaps even make a movie, before everything changed."
• "High Beam Awards For Literature And Music"
  Held concurrent with the High Beam Festival 2004, "The Awards are open to any person who has been resident in South Australia for a period of not less than one year prior to the closing date, who has a permanent disability and is eligible to be a client of Options Co-ordination."
• ACE Magazine
• "Interview with Pat Rix"
  Pat Rix is a Disability Ally and Social Change advocate, and the recently retired Founder and CEO of TUTTI ARTS Incorporated. Interview Summary Pat Rix is an Artistic Director who has made extraordinary and sustained contributions to Australia’s cultural life through her artistic practice and leadership. A significant arts contributor since 1985, Pat made her early mark through plays and music-theatre productions which drew attention to social injustice and championed social inclusion. Her journey in disability arts began in 1997 with the formation of an inclusive choir at Minda Inc. which in 2001 incorporated to become the independent multi arts organisation known as ‘Tutti’ - embodying the inclusive Italian term meaning ‘everyone’. At a time when there were no vocational pathways for learning disabled and neuro divergent people, Tutti became a national trailblazer in creating a work environment where learning disabled and neuro diverse artists could create visual art, theatre, music, film and experimental art in a way that authentically nurtured their professional growth and recognition. Pat stresses the importance of disabled artists having control over their work. She believes that art is inherently political, and that it is finding your voice, being heard and being taken seriously that contributes to any artist's success. Pat looks forward to the future evolution of disability arts and the role of technology in enabling disabled artists to develop local and global partnerships which continue to provide exciting opportunities for artistic development.
• "Interview with Michele Saint-Yves"
  Michèle Saint-Yves is a playwright, filmmaker, poet, and director. Interview Summary Michèle Saint-Yves’ background includes a colonial upbringing in Pacific territories, a Scottish boarding school education, and a complex personal journey of confronting her own inherent racism and colonial legacy, particularly through her writing. Her work as an artist with disability is deeply informed by her sense of otherness and focuses on creating inclusive performance-based work that challenges mainstream audiences and systems, aiming for transformative experiences that impact disability justice and community. Michèle actively embraced the social model of disability, which shifted her understanding of herself and her art, and has received recognition for her pioneering work with the prize-winning show "Clock for No Time." However, recognising the social model’s limitations, her current creative endeavours are concerned with 'access intimacy' and evaluating the lasting impact of her performances, in collaboration with other artists and through research grants.
• "Interview with Kate Larsen"
  Kate Larsen (she/her) is a writer, consultant, leader and advocate with Australian and international experience in the arts and disability sector. Interview Summary Kate Larsen (she/her) is a recognised arts and disability advocate who emphasises the importance and inherent politics of self-expression and access in the arts. A non-disabled ally, Kate was influenced to pursue a career in the sector by the profound impact of learning about the social model of disability, which sparked a commitment to creating opportunities for and by disabled individuals. Larsen's work has involved fostering leadership among disabled artists and arts workers, advocating for disability-led organisations, and driving systemic change within Australia’s arts and cultural sector. She hopes to see continued progress towards equity and representation in the arts, with the NDIS playing a crucial role, and an increased presence of disabled artists, arts workers and leaders in mainstream organisations.
• "Interview with Gayle Kennedy"
• "Interview with Joanne Braddy"
  Joanne Braddy is a disability Advocate with lived experience and creates honest and insightful work about her experiences of anxiety and depression, as a way of breaking down stigmas that stand in the way of healing through painting, drawing, and ceramics to create emotive self-portraits. Interview Summary Joanne is an Australian visual artist with a 15-year career. She began creating art as an outlet for her mental health struggles and her work, which encompasses drawings, paintings, sculptures, and poetry, helps others by bringing awareness to mental health issues. Joanne finds a lack of accessibility with literacy and industry understanding but she remains motivated to exhibit her work and reduce mental health stigma, expressing the need for a supportive gallery to represent her. Despite these challenges, she aspires to have her substantial body of work seen more broadly and possibly go on tour, with the help of a mentor to guide her through the complexity of the art industry.
• Jack Skidmore
• "Amanda Cachia (2022) Networks of Care: Collectivity as Dialogic Creative Access, in Amanda Cachia ed. Curating Access: Disability Art Activism and Creative Accommodation. London: Routledge, 219-230"
  Reads, in part "The collectives that have formed in recent years and that will be the subject of this chapter include the Feminist Health Care Research Group (FHCRG), the Sickness Affnity Group (SAG), and Power Makes Us Sick (PMS). Each of these groups attempts to be intersectional in their approach, focusing on feminist and crip revisions to health care. Feminist and crip unite in the groups as the participants all identify as both women and as disabled. In shared spaces, which can be found in physical spaces, such as an art gallery or an artist’s home, or online through Zoom, artists can offer mutual understanding of their experiences with chronic illness, disability, the medical industrial complex, and simply be a shoulder to lean on in times of anxiety, anger, and sadness. The collectives also offer an opportunity for the artists to lift each other up, creating an environment of respect, dignity, and self-worth, becoming a strong circle of empowerment, affrmation, and allyship. The proliferation of these support groups shows a general shift in social norms, where the medical feld no longer holds the only authoritative voice on health. This phenomenon also indicates how nonmedical health based groups are flling a need and making up for a lack in social support networks elsewhere, particularly within sanctioned medical arenas."
• "Second Echo Ensemble - Performance, captured 2024"
  Second Echo website 'Performances' page, with information about past projects including 'The Stare', '[in]security', 'The Beauty Project, 'The Bridge', 'Outside Boy', 'Let Me Dry Your Eyes', 'The Chain', 'Right of Spring,' 'Contested Land', 'By My Hand'
• "Blue Roo Theatre Company - You Tube - My Life, My Story Creative Development (2020)"
  Blue Roo Theatre Company - You Tube - creative development of first digital production My Life, My Story (2020) - reads, in part "My Life, My Story is a timely, poignant and uplifting narrative highlighting the personal journeys of four inclusive artists, from community isolation to public recognition for their creative abilities, determination and joyfulness."
• “Arts Access Victoria - Creative Arts Program Glenroy 1993 - Promotional Flyer"
  Arts Access Victoria - Creative Arts Program Glenroy 1993 - Promotional Flyer - Artists, Guest Artists, Participants, and Volunteers in Glenroy Creative Arts Program 1993
• “Arts Access Victoria - Creative Arts Program Glenroy - Promotional Flyer"
  Arts Access Victoria - Creative Arts Program Glenroy - Promotional Flyer - information about Creative Arts Program coordinated by Barbara Doherty at Glenroy Uniting Church Hall
• “Arts Access Victoria - Creative Arts Program Goonawarra - Promotional Flyer"
  Arts Access Victoria - Creative Arts Program Goonawarra - Promotional Flyer - Information about Creative Arts Program coordinated by Barbara Doherty at at Goonawarra Community Centre.
• “Arts Access Victoria - Creative Arts Program North and West 1993 - Promotional Flyer"
  Arts Access Victoria - Creative Arts Program North and West 1993 - Promotional Flyer - Information about Creative Arts Program (North & West) providing arts opportunities, via workshops in visual and performing arts, including painting, printmaking, drawing, mask making, ceramics, music, movement, dance, and drama, for adults with Intellectual Disability
• “Arts Access Victoria - Creative Arts Program Sunbury - Promotional Flyer"
  Arts Access Victoria - Creative Arts Program Sunbury - Promotional Flyer - Exhibition after year one of the Creative Arts Program Sunbury, providing projects in ceramics, painting, drawing, and photography.