Disability Arts History Australia

Items

• "Accessible Arts - Arts Activated Conference 2010 - Program"
  Accessible Arts - Arts Activated Conference 2010 - Program - reads, in part "Welcome to the second Arts Activated Conference. Arts Access Excellence. For those passionate about the arts and disability, the Arts Activated Conference provides an opportunity to come together to explore, debate, discuss, and connect ideas and practice. The conference will also celebrate the accomplishments."
• "Accessible Arts - Annual Report 2009"
  Accessible Arts - Annual Report 2009 - Overview, Rewarding Excellence, Skills Development, Strengthening the Sector, Consulting to the Sector, Providing a Service
• "Accessible Arts - ACE Arts Creativity Expression - Microgroove Program - Iss22, Pg3-7"
  Accessible Arts - ACE Arts Creativity Expression - Microgroove Program - Iss22, Pg3-7 - reads, in part "Accessible Arts presents Microgrove as an opportunity for: • artists • performers • teachers • disability workers • gallery, museum and performance venue staff • students • art and cultural officers and • people interested in the arts"
• Restless Dance
• Restless Dance Company
• Restless Dance Theatre
• "Interview with Kath Duncan"
  Kath Duncan is a writer, a director, a provocateur, a visual artist, a comedian, a producer, a journalist, a radio broadcaster and disability advocate. Interview Summary Kath Duncan is an experienced and prominent figure in the disability arts community with a passion for experimental performance arts, having witnessed the beginnings of the disability arts movement in Australia and participated in its evolution. Her art is inherently political, shaped by her unique perspective as a congenital amputee. Kath firmly believes in the inherent creative revolutions and endless inspiration within all impairments. Kath highlights the ongoing struggles within the disability arts sector, including high unemployment rates for disabled individuals, systemic barriers, and the need for disabled leadership in arts organizations. While cherishing the milestones and transformative experiences she's had, Kath calls for significant systemic changes, emphasizing the importance of team playing and collective work to support and grow the disabled artist community.
• “Creative Australia releases reports on arts participation, including d/Deaf, Disabled and Neurodivergent artists and audiences”
  A series of reports about arts and disability in Australia published in the mid-to-late-2010s are summarised on the Creative Australia website. Sources for the summary include Connecting Australians: Results of the National Arts Participation Survey (June 2017), Making Art Work: An Economic Study of Professional Artists in Australia (2017), Creating Pathways: Insights on support for artists with disability (2018), and Arts and Disability in Australia: Meeting of Cultural Ministers (2018). The overview of this research series demonstrates that disabled Australians’ participation in the arts had increased as access had grown, though equity for disabled artists, especially those with intersecting marginalised identities, continued to face barriers. It reports that work by disabled artists is innovative and transformative.
• "David Throsby, Katya Petetskaya (2017) Making Art Work: An Economic Study of Professional Artists in Australia, Australia Council for the Arts, 2017."
  Reads, in part "Making Art Work: An Economic Study of Professional Artists in Australia by David Throsby and Katya Petetskaya is the sixth in a series carried out independently over thirty years by Professor Throsby at Macquarie University, with funding from the Australia Council. The series tracks trends in the lives and working conditions of Australian artists over 30 years and identifies challenges and opportunities for artists’ careers into the future."
• "David Throsby, Katya Petetskaya (2024) Artists as Workers: An Economic Study of Professional Artists in Australia, Creative Australia, 2024."
  "Artists as Workers: An Economic Study of Professional Artists in Australia, by David Throsby and Katya Petetskaya, is the seventh in a landmark study, carried out independently over the last four decades by Professor Throsby and colleagues at Macquarie University, with support from Creative Australia (previously the Australia Council for the Arts). Conducted at roughly six–year intervals, the series tracks the working conditions of artists, providing information about their artistic practice, income, career development and pathways, and their broader working lives. The latest survey was in the field late 2022 and early 2023 and examines activity in the 2021-22 financial year. This edition therefore captures the conditions for artists in the wake of COVID-19 and coincides with the Australian Government’s January 2023 announcement of its five-year national cultural policy Revive: A place for every story, a story for every place."
• "NuunaRon Art Group - ‘Freedom’ Artwork Story by David Gookegen Nanangi Peters"
  First Peoples Disability Network NuunaRon Art Group - ‘Freedom’ Artwork Story by David Gookegen Nanangi Peters - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• “Arts Access Victoria – Arts Access Society Annual Report 1991”
• Film Australia
• "Undercover Artist Festival Program 2015"
  Undercover Artist Festival 2021, curated by inaugeral Festival Director Belinda Locke, including ‘People of Interest ‘by Daniele Constance, Fine Line’ with Emma Bennison, ‘ It's Not Easy Being Green’ by Karen Lee Roberts, ‘Schadenfreude’ by Alicia Jane Steele, Live Body Painting in the Green Room by Alicia Jane Steele, ‘The Rite of Spring’ by Second Echo Ensemble, ‘Ambition Road’ with David Truong and Donnelle Brooks, ‘Monster’ by Joshua Pether and Lynnette Voevidin, ‘Blonde Ammunition’ with Christina Youhanna, comedy from Thane Pullen, music from Barry Charles, ‘Putting on the Punk: Fantasy, Costumes and Photos’ with Ged Maybury, and film screenings and discussion panels
• "Tutti Ensemble - Holdfast Choir - David Helfgott … A Player of Genius - Promotional Flyer"
  Tutti Ensemble Holdfast Choir 'David Helfgott … A Player of Genius' 2002 Promotional Flyer
• Australian Theatre of the Deaf
• David Helfgott
• “The National Disability Insurance Scheme (NDIS) is launched”
  Following the spike in interest in the mid to late 2000s, significant steps were made towards the development of the National Disability Insurance Scheme (NDIS). It came about as the result of discussions about alternatives of disability support arrangements from 2007 to 2011. This included National Disability Strategy 2010–2020. A trial phrase of the NDIS was launched in 2013, and the scheme was rolled out across the country from July 2016. The 2022 change of government, which saw the Labor party voted in for the first time in nine years, reflected voter concern for climate change and social policies. The new prime minister Anthony Albanese ordered an independent review of the NDIS. The NDIS Review report was published in 2023 and had a number of recommendations, including affording funding based on functional impairment rather than diagnosis, increasing support for children, a requirement that all providers be registered, and state governments providing supports through other services for people who do not meet NDIS criteria.
• "The Other Film Festival WA Program 2022"
  The Other Film Festival WA Program 2022 – Australian work screened includes Shadow (52:00) Bruce Gladwin; Different Lens: Julia Hales (2:20) Frank Carroll; Different Lens: Nang Nguyen (2:20) Frank Carroll; Evacuate (2:00) Gaele Sobott; First Responders. Breanna: Relationships (2:09) Back to Back Theatre - Ahmarnya Price; Gemma (5:17) Rafael Star; I Was Born (Misfit) (5:10) Gaele Sobott; Price Versus Penny Arcade (9:28) Back to Back Theatre - Tamara Searle; Resource Daddies (7:40) Nemeses - Vidya Rajan and Alistair Baldwin; Silent Dance (4:00) Rohin John; Sparkles (12:49) Jacqueline Pelczar and Tina Fielding ; Yulubidyi (12:48) Curtis Taylor and Nathan Mewett
• "An/Other Film Festival Program 2024"
  An/Other Film Festival WA Program 2024 – Australian works screened include Keanu (7:44) Directed by Paul Bell; La Echolalia (3:43) Directed by Matteo Mazzella; Return to Lullumb (4:54) Directed by Sahaimi Angus; Take Flight (4:13) Directed by Danny Jennings; Crab Cook (5:17) Directed by Corey Shadforth; Imposter (6:13) Directed by Joe Wilkie; Mise en Place (5:56) Directed by Julian Neuhaus; Sahaimi (6:35) Directed by Sahaimi Angus and Paul Bell; Theatricality (5:45) Directed by Joe Teakle; Ghost In the Machine (3:00) Directed by Sophie Hextor and Poppy Walker
• "DADAA Annual Report 2022-2023"
  DADAA Annual Report 2022-2023 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including 4:48 Psychosis, Digital Art for Life, Exhibitions, Financials
• "DADAA Annual Report 2021-2022"
  DADAA Annual Report 2021-2022 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including The Other Film Festival WA, Creative Development 4:48 Psychosis Creative Development, Digital Project, Exhibitions, Financials
• "DADAA Annual Report 2020-2021"
  DADAA Annual Report 2020-2021– Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including The Other Film Festival WA, Digital Capacity Building, Financials
• "DADAA Annual Report 2017-2018"
  DADAA Annual Report 2017-2018 - Chairperson and Executive Director’s Reports, New premises, NDIS, Workshops, Exhibitions, Galleries, Online Gallery, Art Link Programs, Arts Access Australia International Forum, Nexus Arts Grants, Professional Mentorships, Financials
• "DADAA Annual Report 2015-2016"
  DADAA Annual Report 2015-2016 - Chairperson and Executive Director’s Reports, New premises, NDIS, Workshops, Exhibitions, Performances, Screenings, Freight and Focus Galleries, Online Gallery, Online Broadcasts, stARTSpeak, Art Link Programs for Children and Young People, Awesome Festival, Nexus Arts Grants, Professional Mentorships, Financials