Disability Arts History Australia

Items

• "Tutti Arts - Sit Down Shut Up & Watch - Promotional Flyer 2018"
  Tutti Arts - 'Sit Down Shut Up & Watch 2018 Promotional Flyer - reads, in part “Sit Down Shutup and Watch Australia's premier learning disability led film festival 19-20 October 2018 Angaston, Barossa Valley Two days of short films, talks, workshops and activities with a spotlight on immersive technologies."
• "Tutti Arts - Sit Down Shut Up & Watch - Promotional Flyer 2022"
  Tutti Arts - 'Sit Down Shut Up & Watch 2022 Promotional Flyer - reads, in part “Sit Down, Shutup & Watch is Australia’s first international film and new media festival featuring work made by people with a learning disability.”
• "The Arts and Disability"
• "Tutti Arts - Website - Strategic Plan 2023-2026 captured 2023"
  Tutti Arts Annual Reports 2023-2026, captured 2023 - reads, in part "Established in 1997, Tutti Arts is South Australia’s only multi-arts organisation where learning disabled, and neurodiverse artists create visual art, theatre, music, screen, dance and experiment with art and technology. Tutti Arts has grown, changed, rearranged, and developed over time. Tutti now works with more than 200 learning disabled and neurodiverse artists, with over 340 artist engagements every week across 3 Creative Hubs (Brighton, Port Adelaide, and the Barossa), and online. Tutti is the home for renowned disability-led collectives The Sisters of Invention, Company AT and Sit Down Shutup and Watch Film & Media Festival and has supported the career paths of many disabled artists. The Tutti Arts Centre was opened in Brighton 2020. In 2022 Tutti opened a new Regional Hub in Nuriootpa."
• "Incite Arts - Unbroken Land 2020 Episode Two - Fire Audio Described"
  Incite Arts - Unbroken Land 2020 Episode Two 'Fire' Audio Described - Reads, in part "As part of the Unbroken Land 2020 program, these Connect2Culture films show the importance of water and fire in the desert. First Nations Disabled Artists Tiffany Malthouse and Lizzie Trew want the audience to experience how vital both fire and water are to them, their ancestors and their culture. Portraying this through the mediums of dance, film and music enables their thoughts, ideas and visions to be understood and heard."
• “Arts Access Victoria – Leading Change (2005-2009)"
  Arts Access Victoria - Leading Change (2005-2009) - During the mid to late 2000s, Arts Access Victoria (AAV) was recognised by Australia Council for the Arts as a key producer, supported the Deaf Arts Network (DAN), ran The Other Film Festival (TOFF),
• "Jodee Mundy Collaborations - Imagined Touch - Live Show"
  Reads, in part "Imagined Touch is a multi-sensory arts performance project exploring the fascinating world of Deafblind culture with its own tactile sign language, unique relationship to the senses, space and navigation of the world."
• "Jodee Mundy Collaborations - Imagined Touch - Documentary"
  Reads, in part "When two deafblind women Heather Lawson and Michelle Stevens approached director Jodee Mundy to make a show, they pulled off the impossible. They turned their small community performance into IMAGINED TOUCH, a theatre production that became a sell-out success at the Sydney Festival, going on to win at the Victorian Green Room Awards. This documentary has followed Imagined Touch with cameras from the very beginning."
• "Incite Arts - Unbroken Land 2020 Episode One - Water"
  Incite Arts - Unbroken Land 2020 Episode One 'Water' Audio Described - Reads, in part "As part of the Unbroken Land 2020 program, these Connect2Culture films show the importance of water and fire in the desert. First Nations Disabled Artists Tiffany Malthouse and Lizzie Trew want the audience to experience how vital both fire and water are to them, their ancestors and their culture. Portraying this through the mediums of dance, film and music enables their thoughts, ideas and visions be understood and heard."
• "Ron Grainer and Doctor Who - Interview - NFSA"
  Australian composer Ron Grainer, disabled in WWII, wrote the theme song to Doctor Who.
• "Arts Access Victoria - Annual Reports 2006 - 2014, captured 2022"
  Arts Access Victoria - Annual Reports 2006 - 2014
• "Let Me See - review by Keiran Finnane 2015, captured 2016"
  Describes InCite Arts ‘Starts with D Performance Ensemble’ members Tiffany Malthouse, Matt Woodham, Brandon Williams, Martin Armstead and director Kat Worth’s production of ‘ Meet You at the Edge’, as part of ‘Let Me See’ produced by Red Hot Arts Central Australia at Araluen Centre for the Arts, including film, use of audio description, writing, and choreography
• "Tutti Arts - Website, captured 2023"
  Tutti Arts Website captured 2023 - includes About, Arts Programs, Artists & Collectives, Events & Gallery, Contact, and NDIS pages, with links to information about information about Acting, Dance, Music, Screen, Visual Arts, Choir, Kids & Youth programs
• "Tutti Arts - Website - Artist Collectives, captured 2023"
  Tutti Arts Website Artist Collectives captured 2023 - includes links to information about Company AT, Sit Down Shut up and Watch, The Sisters of Invention, and artist profiles
• "Emily's Eyes - IMDB"
  Emily's Eyes' Internet Movie Database (IMDB) entry - review reads in part "Something to nudge you out of your comfort-zone! You might think YOU have problems once in a while! Little Emily Wu was born blind in one eye (The film is actually correctly known as EMILY'S EYE), totally deaf and was expected to be intellectually impaired to say the least - she had other ideas!
• "Interview with Jess Cochran"
  Jess Cochran (they/them) is an actor, model, writer and disability advocate. Interview Summary: Jess Cochran is a queer, non-binary, neurodivergent, performing artist, advocate, writer, and consumer consultant with a background in both physical and psychosocial disabilities. Their journey into the performing arts began accidentally with a role in the Awards winning Melbourne Fringe Festival production, Qualia, which opened doors to more local and international Awards-winning work in film and stage. Jess identifies proudly with their disabilities and considers their art both a personal expression and a political act aimed at highlighting the issues faced by the disability community. Jess’s work spans across writing, modelling, and various performance arts, and they wish to see an increase of disability arts representation in mainstream media with authentic casting, opportunities and improved accessibility for disabled performers. Jess is also passionate about highlighting intersectionality in disability arts.
• "Interview with Simone Flavelle"
  Simone Flavelle is a producer and consultant to artists with disability and the arts and film sectors. Interview Summary During an in-depth discussion about disability arts, Simone Flavelle outlined their career trajectory, emphasizing early work at Rocky Bay, involvement with Disability in the Arts Disadvantage in the Arts Australia (DADAA), and noted milestones in the field, including the impact of the NDIS on choice and control for artists. She discussed the evolution of public perception towards disability arts and the ongoing challenges with inclusivity and accessibility in various spaces. Simone also touched on the politicization of art by disabled artists, the complexity of identity among these artists, and the spectrum of how disability pride is embraced.
• "Interview with Digby Webster"
  Digby Webster is a visual artist working with the mediums of oil pastels and acrylics and is also a performer, designer and co-founding member of past performance ensemble Ruckus Ensemble. Interview Summary Digby Webster is an artist with a wide range of creative talents, including theater, dance, animation, and mural painting. He has worked on various projects, including an animated short film called "Blockhead and Sparkles," and has had his artwork displayed in places like the Sydney Olympic Park and Vivid Sydney. Digby does not define himself by his disability and takes pride in the various creative endeavors he's involved in, aiming to have his art reach people in meaningful ways outside traditional galleries. In the future, he is interested in exploring fashion, designing artwork for clothing, and he hopes to see more people wearing his art.
• "Interview with Michelle Ryan"
  Michelle Ryan is the artistic director of Restless Dance Theatre and has extensive experience as a dancer and performer. Interview Summary Michelle Ryan, the artistic director of Restless Dance Theatre, shares her journey from being a successful dancer diagnosed with multiple sclerosis at 30 to becoming an advocate for artists with disabilities. Despite her initial hesitations to perform with her disability, a positive experience dancing with a European company reignited her passion and led her to Restless Dance Theatre, where she aims to change perceptions of who can create art. Michelle emphasizes the importance of providing professional opportunities and proper compensation for disabled artists, challenging the notion that disability work is charity or hobbyist. She advocates for representation that is genuine and not tokenistic, ensuring the inclusion of people with disabilities is meaningful and respectful.
• "Interview with David Doyle"
  David Doyle is the Executive Director of DADAA and has spent over 30 years leading large-scale Community Arts and Cultural Development (CACD) and arts projects globally and in Western Australia, significantly contributing to the arts and disability sectors through his work with DADAA and his dedication to community wellbeing and access to arts and culture. Interview Summary David Doyle, who originally trained in printmaking and ceramics with a background in community arts, has worked extensively in community arts and cultural development with a focus on addressing social issues through the arts. His experience with a disability from a young age and a deep understanding of power dynamics and privilege have influenced his motivation and commitment to disability arts in Australia. David highlights the significance of the Disability Discrimination Act and NDIS in empowering artists with disabilities and notes the uneven distribution of resources for disability arts across Australia. As the leader of an arts organization, he values the transition of power to individual artists with disabilities, stressing the importance of equipping them with the skills and contacts needed to lead and redefine the sector.
• "Accessible Arts - ACE Arts Creativity Expression - Article: House Gang -1993 - Iss8, Pg5"
  Accessible Arts - ACE Arts Creativity Expression - Article: House Gang -1993 - Iss8, Pg5
• "Accessible Arts - Annual Report 1995"
  Accessible Arts - Annual Report 1995 - Mission, Aims, Brief History, Chairperson’s Report, Treasurer’s Report, Executive Officer’s Report,1995 Program Outline, Partnerships, Resources, Financials
• "Accessible Arts - Annual Report 2006"
  Accessible Arts - Annual Report 2006 - About Accessible Arts, Chair’s report, Chief Executive Officer’s report, Accessible Arts’ people, Strategic Outcomes, Service, Arts programs, Training, Audience Development, Information and Public Relations
• "Accessible Arts - Annual Report 2007"
  Accessible Arts - Annual Report 2007 - Vision, Chair’s Report, Chief Executive Officer’s Report, Accessible Arts’ People, Strategic Outcomes, Service, Arts Programs, Training, Western Sydney Project, Audience Development, Information and Public Relations, Cultural Partners
• "Accessible Arts - Annual Report 2008"
  Accessible Arts - Annual Report 2008 - Overview, Rewarding Excellence, Skills Development, Strengthening the Sector, Consulting to the Sector, Providing a Service