Items

Advanced search

"Australia Council - Annual Report 1996-97"
Australia Council Annual Report 1996-97- discusses letter from chair of council, functions, profile, organisation chart, corporate overview, year in review, arts funding, main activities of Council and its Boards, and includes professional development activities, financial statements and lists of grants made including grants for programs, projects, information and advocacy with an Arts and Disability action plan.
"Arts Project Australia - Annual Report 2009"
Arts Project Australia - Annual Report 2009 - About Arts Project Australia, President's Report, Director's Report, The Studio, Board, Staff, Volunteers and Supporters, Exhibitions Report, Studio Artists, Financials - reads, in part "To support people with disabilities to become practitioners in the visual arts and to promote their work as integral to the broad spectrum of contemporary arts practice."
"Access Arts - Through art, Access Arts transforms lives"
Website reads "We create career pathways to paid work, and advocate at every opportunity for our artists to chase their artistic dream," with links to Performing Arts, Visual Arts, Arts Exhibitions, Grants and Awards, and Blog with information about artists and recent events.
"Tutti Arts - The Story Behind Shedding Light Exhibition - Program"
Tutti Visual Arts Studios (Adelaide) and Perspektif (Yogyakarta) 'Shedding Light' Exhibition 2015 Program - reads, in part "The Story Behind Shedding Light is an exhibition of works that have been produced through a wonderful new collaboration between Adelaide's Tutti artists and a group of children and young people with disabilities in Yogyakarta. This collaboration has resulted in Shedding Light the performances and installations that are part of this year's OzAsia Festival."
"Interview with Tim McCallum"
Tim McCallum is a singer, performer and speaker and disability advocate. Interview Summary Tim McCallum is a performer who specializes in singing and acting, with singing being his foremost talent. Having sustained a spinal cord injury resulting in quadriplegia before beginning his studies at the Western Australian Academy of Performing Arts, Tim's childhood passion for the performing arts has continued to motivate his career. Through his experiences, both positive and negative, regarding inclusion and discrimination in the arts, Tim has become determined to challenge preconceived notions and make disability a visible and celebrated aspect of performance. He is a strong advocate for the representation of artists with disabilities in leadership roles within arts governance, stressing the importance of lived expertise over tokenism for lasting change in the industry.
"Australia Council - Annual Report 2014-15"
Australia Council Annual Report 2014-2015 – discusses purpose, reports from chair and CEO, year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council with new grants model; performance outcomes, manageability and accountability, financial statements and discussion of capacity building programs in partnerships with artists with disabilities, increasing audiences of people with disabilities, programs of dance including a research project between QUT and UQ about Queensland Ballet collaborating with Parkinson’s Queensland, and the New York based Mark Morris Dance Group to deliver weekly dance classes for 500 people around Brisbane affected by Parkinson’s disease and a program run by Crossroad Arts for two major dance and photography projects in 2015
"Australia Council - Annual Report 2016-17"
Australia Council Annual Report 2016-2017 – discusses purpose, reports from chair and CEO, year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council with new grants model; performance outcomes, manageability and accountability, financial statements and discussion of the final year of delivering $1.3 million over four years to support artists with disability with their careers and funding more organisations to support producing and touring disability-led and mixed-ability arts practice as well as mentoring arts leaders with disabilities and publication of the Council’s 2014–16 Disability Action Plan review.
"Tutti Ensemble - Holdfast Choir History, Goals, Friends & Supporters 2002"
Tutti Ensemble Holdfast Choir History, Goals, Friends & Supporters 2002 - reads, in part " The development of the Tutti Ensemble's Holdfast Community Choir seems like magic. It has grown in less than four years from a small group of 11 intellectually disabled people and two support workers at Minda enjoying choral singing as a recreational option, to a diverse group of 60 - 70 singers and musicians. The philosophy of the choir is that there are no barriers to participation, therefore people with physical and intellectual disabilities and members of the community from widely differing age groups and musical experience are accepted and encouraged. Our repertoire has evolved to include gospel, popular and traditional songs as well as old favourites. We also sing songs from other cultures and original songs by contemporary writers"
"Arts Project Australia - Annual Report 2002"
Arts Project Australia - Annual Report 2002 - Management Committee, Aims and Objectives, President's Report, Director's Report, Studio Manager's Report, Exhibitions Report, Lifedrawing at RMIT, Financials - reads, in part “Since 1984 the organisation has run a visual arts studio program where people with an intellectual disability have the opportunity to work in a community-based setting, using high quality art materials, and to receive advice and assistance from practising contemporary artists.”
"Arts Project Australia - Annual Report 2011"
Arts Project Australia - Annual Report 2011 - Board and Staff, Supporters and Volunteers, A Message from our Patron, About Arts Project Australia, President's Report, Executive Director's Report, Artists, Exhibitions Report, Financial Statements, Independent Audit Report, Wilfred Clarke Obituary - reads, in part "There is still a high level of demand for participation in the studio program, and we have a waiting list to which we endeavour to respond as soon as places are available."
"Arts Project Australia - Repeat Restate Reiterate Exhibition 2013 - Promotional Card"
Arts Project Australia - Repeat Restate Reiterate Exhibition 2013 - Promotional Card - reads, in part "Whilst sounding like a mantra, Repeat. Restate ... Rejterate contains a pause. Repetition has long been employed as a powerful tool across all art forms to convey emphasis and exaggeration but equally and importantly as a means of exploration. Used to create mood, patterns and rhythm or to expose subtle nuances and insights, repetition has long been used by artists to firmly convey an idea or conversely to reinvestigate an idea in search of a seemingly elusive answer. Repeat. Restate ... Reiterate searches for the inspiration, and pays homage to the dedication of practice, that drives artists to keep investigating an idea and in turn, revealing it anew. Do I have to repeat myself? The answer, it would seem, is yes."
"Arts Project Australia - Annual Report 2001"
Arts Project Australia - Annual Report 2001 - Management Committee, Aims and Objectives, President's Report, Director's Report, Exhibitions Program, Studio Report, Financials - reads, in part "Since 1984 the organisation has run a visual arts studio program where people with an intellectual disability have the opportunity to work in a community based setting, using high quality art materials, and to receive advice and assistance from practising contemporary artists."
"Arts Project Australia - Repeat Restate Reiterate - Email - Promotional Flyer"
Arts Project Australia - Repeat Restate Reiterate Exhibition 2013 - Email - Promotional Flyer - reads, in part "Whilst sounding like a mantra, Repeat. Restate ... Rejterate contains a pause. Repetition has long been employed as a powerful tool across all art forms to convey emphasis and exaggeration but equally and importantly as a means of exploration. Used to create mood, patterns and rhythm or to expose subtle nuances and insights, repetition has long been used by artists to firmly convey an idea or conversely to reinvestigate an idea in search of a seemingly elusive answer. Repeat. Restate ... Reiterate searches for the inspiration, and pays homage to the dedication of practice, that drives artists to keep investigating an idea and in turn, revealing it anew. Do I have to repeat myself? The answer, it would seem, is yes."
"Tutti Arts -10th Anniversary Concert Program"
Tutti Arts 10th Anniversary Concert Program - Reads, in part, “Tonight we are thrilled to have Peter Goers and 891 ABC Adelaide broadcasting our 10th Anniversary Concert for this Is truly an important South Australian community event. Tonight we celebrate the first decade of an arts organisation which grew from a small seed planted at Minda Inc in August 1997 into an inspiring arts organisation which regularly involves over 200 South Australians in five levels of the performing and visual arts. Today, Tutti continues transforming the lives of people with a disability and others, through singing and music, and tonight we invite you to be part of that journey.”
"Tutti Arts - Kathryn Evans - Frozen Girl - Promotional Flyer"
Tutti Arts - Kathryn Evans 'Frozen Girl' 2017 Promotional Flyer - reads, in part "DREAMBIG CHILDREN'S FESTIVAL AND TUTTI ARTS PRESENTS FROZEN GIRL All of us remember that time in early adolescence when having a best friend is everything. Similarly, every parent knows that one day the little child they are dose to will grow and begin to separate from them. But what happens when a child separates so completely that even when with you they are unable to communicate or move. Frozen Girl is Kathryn Evans story, first told in 2014 during storytelling workshops, when she revealed that between the ages of 11 and 13 she did not speak or move. Kathryn's story and the way she told it with her small intricate facial expressions and her unhurried physicality was so powerful that I and members of the ensemble wanted to explore it further with her."
"Tutti Arts Newsletter Term 1 2005"
Tutti Arts Newsletter Term 1 2005 - reads, in part "Tutti Arts, the first vocational program for young artists with a disability in Australia began last October in partnership with Minda Inc."
"Australia Council - Annual Report 1999-2000"
Australia Council Annual Report 1999-2000 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, programs, presentation and promotions, triennial grants to disability arts organisations in NSW, South Australia and Victoria and funding to Accessible Arts for audience development, as well as the New Media Arts Fund for Back to Back performance of “Soft”
"Australia Council - Annual Report 2008-09"
Australia Council Annual Report 2008-09 - discusses letter from chairman, year in review, from the CEO, How we achieved our outcomes, About the Australia Council, Governance, Organisation, Accountability, Workplace and Financial statements but no longer listing grants of organisations or individuals however discusses the DADAA WA radio play “The Proper Shoes” - a series of stories written by young women with a disability, was first broadcast nationally on ABC Radio and then invited to tour the play as part of the TRASNA Festival of Inclusive Theatre.
"Crossroad Arts Annual Report 2009"
Crossroad Arts Annual Report 2009 - Artistic Director/CEO Report, major outcomes of the year including new works, education, operating model, and outcome indicators
"Tutti Arts - Annual Report 2011"
Tutti Arts Annual Report 2011 - includes Values, Artistic Director’s and President’s Report, Partnerships, Collaborations, and Programs, including Dance, Choral, Film and Outreach Programs, productions of ‘One’ and ‘Magic Flute,’ Financials, Artists and Staff
"Tutti Ensemble - Membership Form/Flyer"
Tutti Ensemble Membership Flyer - reads, in part "At the heart of Tutti's work is the mission to develop a pioneering approach to integrated methods of performing arts and choral training. Together, the Tutti Choir and Tutti Arts perform to thousands of people every year. Hundreds of people of all ages and abilities from all walks of life regularly participate in Tutti's local and regional choral workshops."
"Arts Project Australia - Publications, captured 2022"
Arts Project Australia - Publications - Includes information about SINCERELY YOURS ZINE 2022, ART ET AL. BROADSHEET ISSUE 1 2021 (inclusive, curated international art platform that commissions and presents collaborations between artists from supported studios, artist peers and arts professionals), ANTIDOTE 2021, REACHING POTENTIAL (REPORT 2021 (including exhibition essay by Dr Marion Piper Words Make Worlds), A SENSE OF PLACE 2003 (including The Significance of Space, The Meaning of Place by Dr Cheryl Daye and Kitty Ginter), VALERIO CICCONE: PERIPHERAL OBSERVER 2012 (including Peripheral Observer catalogue essay ‘This is me – some thoughts on the art of Valerio Ciccone’ by curator Glenn Barkley pp. 8-10), VIDEO DOCTOR 2013 (including essay by Geoff Newton), SO FAR… eight artists / eight stories 2014, IT TAKES MORE THAN 140 CHARACTERS TO WRITE A NOVEL (2015 (Including exhibition essay by curator Dr Vincent Alessi), AUTO BODY WORKS 2018, FEM-aFFINITY 2019 (including FEM-aFFINITY catalogue essay If Collaboration is the Method, Activism is the Intention by curator Dr Catherine Bell pp. 19-24), POP UP STALL: The Festival of the Photocopier Zine Fair
“Tutti Arts – Tutti Choir - Broadway Spectacular 2018 – Promotional Program”
Tutti Arts – Tutti Choir ‘Broadway Spectacular’ 2018 Promotional Program – reads, in part “Taking its name from the musical term 'tutt', meaning everyone, Tutti is South Australia's only multi arts organisation where artists with a learning disability create visual art, theatre, music, film, new media and installations for a growing local and international audience. To further the organisation's vision of taking the work of disabled artists to the world, Tutti offers disability-led collectives like Company AT, The Sisters of Invention and Sit Down Shutup and Watch Film & New Media Festival a rare opportunity to work in an artistic and administrative environment. This supports artistic growth, audience reach, and industry recognition.”
“Arts Access Victoria – The Present and the Future (2020 – present)”
Arts Access Victoria – The Present and the Future (2020 – present)- increased technology and digital literacy training and online programs and projects including Alter State Festival and celebrated 50 years in 2024
"Back to Back Theatre - Website - BriefHistory, captured 2008"
Back to Back Theatre 'Brief History' page, with PDF document of history captured 2008 - reads, in part "Back to Back Theatre evolved out a community arts project that began in Geelong in 1987. The project included disability service providers Corilong and Karingal, the Geelong Children's and Youth Support Services (CYSS) and Deakin University's Performing Arts Course (attached to the Mill Theatre) Individual artists and other members of the Geelong community were also involved." Includes list of Professional Productions (including ‘Big Bag’ 1987-88; ‘Stinking Houses’ 1989; ‘The Peg Machine’ 1990; ‘Everything and the Mermaid’ 1990, ‘I Don’t Want to Live in Lara Anymore 1991; ‘Yell Blue Murder’ 1991; ‘Woodenhead’ 1992; ‘The Adventures of Bobbi Dazzler’ 1992; ‘Voices of Desire’ 1993; ‘Freak Show with Circus Oz 1994; Back to Back in Shorts 1995; Road Movie with Melbourne Workers Theatre 1996; Minds Eye with Handspan Visual Theatre 1996; Peter Pan with Arena Theatre Company 1997; Mr September 1997; Boomtown with Snuff Puppets 1998; Mental 1999; Dog Farm 2000; Pornstar 2001; Soft 2002; Cow 2003; Small Metal Objects 2005), and Community Productions (including Ritual with Matthew Flinders Girls Secondary College 1998; Push Push 1999; Drag Racers in Love with Nelson Park School 1999; Arnold 2000 Fishman with Theatre of Speed 2001; Inside the Angel House with Theatre of Speed 2003; Minotaur with Theatre of Speed 2005; DMI with Theatre of Speed 2007; Pod Residences with Night School, Awakenings Festival, Brr Theatre Group, Ants Pantz Arts, Break of Day Players, Theatre of Speed, Arts Action and Amalgamation Festival 2003-2006), and films (including Mullet (1995), White Maggots (1996), Spill (1997), Mark Deans Human Cannonball (1998), Underpants (1999), Backscratch (2000), Porn Star (2002), Rhian Hinkley Theatre of Speed vs. BOZ'n'HOK, vs. HUGE COVILL (2004), D9 (2005), Out of our Minds (2001)).