Disability Arts History Australia

Items

• "InCite Arts Annual Report 2009"
  InCite Arts Annual Report 2009 - includes Chairperson, Artistic Director and Community Cultural Development Manager Messages, Arts Access Central Australia, Projects, Mentorships
• "InCite Arts Annual Report 2008"
  InCite Arts Annual Report 2008 - includes Chairperson, Artistic Director and Community Cultural Development Manager Messages, Projects, examples of work, Partners
• "Incite Arts Annual Report 2020"
  Incite Arts Annual Report 2020 - About Incite Arts, Board’s Report, Highlights, Project (Move Masters new creative development for stArts with D’ Performance Ensemble, Olive Pink Opera Collaboration, Create Communities, Unbroken Land, Acacia Hill School Workshop Program, NT Arts Access Awars), Partners
• "Incite Arts - NT Arts Access Awards - Nominations 2018"
  InCite Arts - NT Arts Access Awards - Nomination 2018
• "InCite Arts - NT Arts Access Awards - Invitation 2012"
  InCite Arts - NT Arts Access Awards - Invitation 2012
• "Interview with Janice Florence"
  Janice Florence is a performing artist and disability advocate. She originally trained as a Teacher and Librarian. Janice has worked in Education and Libraries for many years and in disability advocacy for 20 years She has worked in Training and Consultation at Arts Access Vic for 12 years. Janice has been involved in theatre, dance and human movement for over 35 years. For 25 years she has been the Artistic Director of Weave Movement Theatre, comprising disabled and non-disabled performers. Weave has produced many devised original works often with respected performing artists as collaborators. She was the inaugural recipient of the Australia Council Awards for Disability Arts-Established Artist in 2019. Interview Summary Janice Florence is a veteran performer and Artistic Director of Weave Movement Theatre, which includes disabled performers. During the interview, Janice reflected on her extensive history with dance, both prior to and after acquiring her disability, highlighting the significance of political and personal themes, as well as the use of humour in her work. She discussed the ongoing challenges in securing accessible rehearsal and performance spaces, along with the complexities of funding and recognition within the Disability Arts scene in Australia. Janice also acknowledged the importance of Disability Arts historically and its potential for challenging societal expectations regarding disability.
• "InCite Arts Annual Report 2006"
  InCite Arts Annual Report 2006 - includes Chairperson and Artistic Director's Messages, Projects, Guest Hip Hop Artists Monkey Marc & Elf Tranzporter, Memberships, Partners
• "Interview with Jeremy Smith"
  Jeremy Smith is a Senior Producer in Western Australia at Performing Lines, has a long career across community, experimental and performing arts, is a disability advocate and previously worked in Australia Council for the Arts (now Creative Australia) as Director – Community Arts and Experimental Arts. Interview Summary Jeremy Smith has vast experience in the arts including working as a director with Australia Council (Creative Australia). Jeremy is currently an arts worker in the performing arts sector. While Jeremy lives with Achondroplasia, he has not always identified as disabled however a transformative project for the 2016 Perth Festival led him to embrace his identity as a disabled person with pride recognising the complexities surrounding personal identification with disability. Jeremy talks about artists and organisations he finds inspirational who are leading change in the disability arts sector and his motivation to also advocate for inclusion and the evolution of public perception of disability arts work.
• "InCite Arts Annual Report 2007"
  InCite Arts Annual Report 2007 - includes Chairperson and Artistic Director's Messages, Projects, Memberships, Partners
• "Incite Arts Annual Report 2016"
  Incite Arts Annual Report 2016 – About Incite Arts, Chairperson’s Report, Highlights, Project (Alice Springs Skate Park Aerosol Art Project, ‘Southern Ngalia’ Women’s Cultural Program, ‘stArts with D’ Performance Ensemble, Restless Dance Theatre Residence, ‘Careful I Live Here’ Video Works, ‘Unbroken Land’, SPRUNG Youth Dance)
• "Crossroad Arts Annual Report 2011"
  Crossroad Arts Annual Report 2011 - Artistic Director/CEO Report, history, program, key statistics for the year
• "Access Arts Annual Report 2007"
  Access Arts Annual Report 2007 - Indigenous Projects, Brisbane Outsider Artists (BOA), Sound Circles, Wataboshi Festival, Conferences, Events & Celebrations, Workshops, Partnerships
• "Access Arts Annual Report 2006"
  Access Arts Annual Report 2006 - Indigenous Projects Report, Events, Workshops, Brisbane Outsider Artists Studio (BOA), Sound Circles Project Report
• "Incite Arts Annual Report 2014"
  Incite Arts Annual Report 2014 - Chairperson, Artistic Director and Community Cultural Development Manager Messages, Projects (SPRUNG Youth Dance, Partnership with Warlpiri Youth Development Aboriginal, ‘Red Sand Culture’ Music & Dance Mentoring, ‘Southern Ngalia’ Cultural Dance, ‘stArts with D’ Performance Ensemble, School Partnerships - Artists in Residence program: Acacia Hill School & Centralian Middle School)
• "Incite Arts Annual Report 2014 - Online"
  InCite Arts Annual Report 2014 - Chairperson, Artistic Director and Community Cultural Development Manager Messages, Projects (SPRUNG Youth Dance, Partnership with Warlpiri Youth Development Aboriginal, ‘Red Sand Culture’ Music & Dance Mentoring, ‘Southern Ngalia’ Cultural Dance, ‘stArts with D’ Performance Ensemble, School Partnerships - Artists in Residence program: Acacia Hill School & Centralian Middle School)
• "Access Arts Annual Report 2012"
  Access Arts Annual Report 2012 - Indigenous Projects, Community Arts, Visual Arts, Brisbane Outsider Artists (BOA), Professional Development, Services
• "Access Arts Annual Report 2008"
  Access Arts Annual Report 2008 - Indigenous Projects, Brisbane Outsider Artists (BOA), Professional Development Mentoring Program, Sound Circles, Conferences, Events and Celebrations, Workshops, Projects, Partnerships
• "Access Arts Annual Report 2009"
  Access Arts Annual Report 2009 - Indigenous Projects, Visual Arts, SoundCircles, Creative Recovery Project, Professional Development
• "Interview with Kath Duncan"
  Kath Duncan is a writer, a director, a provocateur, a visual artist, a comedian, a producer, a journalist, a radio broadcaster and disability advocate. Interview Summary Kath Duncan is an experienced and prominent figure in the disability arts community with a passion for experimental performance arts, having witnessed the beginnings of the disability arts movement in Australia and participated in its evolution. Her art is inherently political, shaped by her unique perspective as a congenital amputee. Kath firmly believes in the inherent creative revolutions and endless inspiration within all impairments. Kath highlights the ongoing struggles within the disability arts sector, including high unemployment rates for disabled individuals, systemic barriers, and the need for disabled leadership in arts organizations. While cherishing the milestones and transformative experiences she's had, Kath calls for significant systemic changes, emphasizing the importance of team playing and collective work to support and grow the disabled artist community.
• "NuunaRon Art Group - ‘Mungo Man’ Artwork Story by Paul Constable-Calcott"
  ‘Mungo Man’ Artwork Story by Paul Constable-Calcott - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "Interview with Peter Vance"
  Peter Vance is a singer, songwriter, musician, performer, facilitator and disability arts advocate. Interview Summary: Peter Vance is a songwriter, performer, musician and singer. Peter suggested disability arts in the last 20 years has become more visible and popular reflecting a positive shift in how society views disability as part of the rich tapestry of human experience. This is reflected in how the arts now tell the stories of individuals with disabilities, not simply as artists with a disability, but as whole people whose varied experiences - visible and invisible - inform and enrich their creative expression. However, there are still challenges with funding and accessibility and ongoing struggles for recognition and support of disability art. Changes in how organisations operate to suit new funding such as the NDIS have potentially limited the spontaneity and personal touch that smaller, community-driven organizations once offered. Peter said it is essential to continue to push for better understanding, support, and visibility for people with all kinds of disabilities in every aspect of life, including the arts, to truly embrace inclusivity.
• "Access Arts Annual Report 2005"
  Access Arts Annual Report 2005 - Indigenous Projects Report, Workshops, Sound Circles Project Report
• "Access Arts - Website, captured 2001"
  Access Arts website, captured 2001, reads “Access Arts Inc is a non-profit, professional arts organisation working with people with disabilities and people disadvantaged by social conditions with the aim to assist them to fulfil their ambitions in the arts.” – links to History, Workshops, Projects, and Artists.
• "Interview with Morwenna Collett"
  Morwenna is a leader, consultant and facilitator in the arts, government, not-for-profit and university sectors and is passionate about helping arts and cultural organisations to include everyone in their work. Interview Summary Morwenna Collett is a consultant in diversity, access and inclusion and during the interview discusses her vast experience in the disability arts sector including time in the Australia Council where she played a key role in creating the first targeted funding program for artists with disabilities. Morwenna notes that while disability arts is gaining some awareness with mainstream audiences, there are still issues regarding how people think about the quality of art created by artists with disabilities. Morwenna highlights the NDIS as a significant milestone for disability arts in Australia, though she believes that there is much more potential for arts organizations to engage with it. Morwenna also emphasizes that the decision for artists to identify with their disability is a personal choice and it is becoming increasingly safe to disclose this identity, demonstrating progress toward inclusion in the arts.
• "Australia Council - Making the Journey: Arts and Disability in Australia"
  Reads, in part "A collection of inspiring examples of how to include people with disabilities in the arts, as participants, creators and organisers"