Disability Arts History Australia

Items

• "Access Arts - Website, captured 2001"
  Access Arts website, captured 2001, reads “Access Arts Inc is a non-profit, professional arts organisation working with people with disabilities and people disadvantaged by social conditions with the aim to assist them to fulfil their ambitions in the arts.” – links to History, Workshops, Projects, and Artists.
• "Tutti Arts - I Want It All - Program"
  Tutti Arts 'I Want It All' 2014 Program - reads, in part "Tutti is Australia's first indusive choir and takes its name from the musical term. ‘'Tutti', means everyone. From its origins in 1997 as a small singing group at Minda, the choir has grown into a vibrant independent multi arts organisation, deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With its strong commitment to access and inclusion, Tutti is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, and community and professional artists together for performances and exhibitions.”
• "Interview with Sofya Gollan"
  Sofya Gollan is a distinguished artist, screenwriter, filmmaker and cultural leader in advocating for the Deaf and disabled communities. Interview Summary Sofya Gollan is a versatile and experienced artist with a background in acting, writing, directing, and producing, known for her work in theatre, film, and television, and for navigating the industry as a deaf individual. Her journey into the arts began with her involvement in the Australian Theatre of the Deaf and further developed as she trained at prestigious institutions like NIDA and AFTRS, where she expanded her skills in filmmaking. Despite facing challenges and ableism within the industry, Gollan has made significant contributions to disability representation on screen, and highlights the need for ongoing support and funding for disabled artists to promote equity and access to opportunities. Returning as creative practitioner to the industry after an executive role, Gollan continues to advocate for inclusivity and representation, while aiming to create and share content that authentically reflects the deaf experience.
• "Restless Dance - Master Classes"
  Restless Dance Theatre website, 'Master Classes,' captured 2020 – reads, in part, "In 2019 Restless Impulse dancers and Company dancers will take part in workshops with Sydney Dance Company and Bangarra Dance Company."
• "Australia Council - Annual Report 1990-91"
  Australia Council Annual Report 1990-91 - discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for Self Advocacy tor Intellectually Disabled, programs, artists and playwrights in residence and resource development and an increase of Australia Council staff with disabilities following Equal Opportunity Employment program.
• "Crossroad Arts Annual Report 2005"
  Crossroad Arts Annual Report 2005 - Artistic Director/CEO Report, history, including project history, major outcomes of the year including new works, touring, conferences, mentorships
• "Crossroad Arts Annual Report 2006"
  Crossroad Arts Annual Report 2006 - Artistic Director/CEO Report, history, including project history, major outcomes of the year including new works, theatre in education, partnerships
• "Crossroad Arts Annual Report 2007"
  Crossroad Arts Annual Report 2007 - Artistic Director/CEO Report, history, including project history, major outcomes of the year including new works, creative development, reviews
• "Access Arts Annual Report 2015"
  Access Arts Annual Report 2015 - Undercover Artist Festival, Performing Arts Program, Exhibitions, Indigenous Advancement Strategy, Awards, Grants
• "Tutti Arts - Rites Of Passage Concert - Program"
  Tutti Arts 'Rites Of Passage Concert' 2012 Program - reads, in part "Tutti is Australia's first Inclusive choir and takes its name from the musical term 'Tutti' meaning everyone. From Its origins as a small singing group at Minda, the original choir has grown into a vibrant independent multi arts organisation ( Tutti Inc), deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With Its strong commitment to access and inclusion, Tutti Is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, diverse communities and professional artists together for high quality performances and exhibitions.”
• "Access Arts Annual Report 1988"
  Access Arts Annual Report 1988 - President’s Report, Performance, Workshops
• "Access Arts Annual Report 2013"
  Access Arts Annual Report 2013 - Exhibitions, Projects, Partnerships, Professional Development, Awards
• "Australia Council - Annual Report 1985-86"
  Australia Council Annual Report 1985-86 - discusses functions and objectives, structures, process and membership of Council, Council Committees and members, Board Members, Assessment panels, staff lists, organisation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, workshops, tuition and skill development for disabled people in community arts, grant for Theatre of the Deaf Playwright, travel/study grant, Braille Book of the Year award and establishing audio visual gallery accessible to deaf and blind.
• "Interview with Simone Flavelle"
  Simone Flavelle is a producer and consultant to artists with disability and the arts and film sectors. Interview Summary During an in-depth discussion about disability arts, Simone Flavelle outlined their career trajectory, emphasizing early work at Rocky Bay, involvement with Disability in the Arts Disadvantage in the Arts Australia (DADAA), and noted milestones in the field, including the impact of the NDIS on choice and control for artists. She discussed the evolution of public perception towards disability arts and the ongoing challenges with inclusivity and accessibility in various spaces. Simone also touched on the politicization of art by disabled artists, the complexity of identity among these artists, and the spectrum of how disability pride is embraced.
• "Australia Council - Annual Report 1987-88"
  Australia Council Annual Report 1987-88- discusses functions and objectives, structures, process and membership of Council, Council Committees and members, board members, assessment panels, staff lists, organisation chart, main activities of Council and its eight Boards, and how council endorsed a code of practice for arts organisations working with people with disabilities, equal employment opportunities and includes financial statements and lists of grants made including grants for programs, projects, performances and promotion and reading for Royal Blind Society and Brail and Talking Book Library
• "Blue Roo Theatre Company - AnnualReport 2019-20"
• "Australia Council - Annual Report 1980-81"
  Australia Council Annual Report 1980-81 - discusses members of council, standing committees and board reports as well as financial statements, grants lists, publications and programs particularly focused on the 1981 International Year of the Disabled Person (IYDP) including accessibility, integration and raising awareness of barriers of disability in arts, with funding for research, art exhibitions, theatre, film (“Stepping Out”), dance (“Life, Images and Reflections”), craft, and literature; conference, seminar celebrating IYDP.
• "Access Arts Annual Report 1992"
  Access Arts Annual Report 1992 - Director’s Report, Project Officer’s Report, Program Manager’s Report, exhibitions, workshops, regional arts, touring, (DADAA) at ARTAbility Conference at the Queensland Cultural Centre 1992
• “Arts Access Victoria Connecting to Country 2018 Invitation”
• "Australia Council - Annual Report 1984-85"
  Australia Council Annual Report 1984-85 - discusses functions and objectives, structures, process and membership of Council, Council Committees and members, Board Members, Assessment panels, staff lists, organisation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including increased artist fees working with minority groups including disabled, fees and costs for artists in Arts Access Society, costs of program for Access Arts (National) cost of playwrights for disabled theatre, and theatre of the Deaf with additional grant support and tours of NSW regional areas for Theatre of the Deaf (NSW).
• "Interview with Alison Bennett"
  Dr Alison Bennett is a senior lecturer in photography at RMIT School of Art specialising in expanded photography, webXR, queer and feminist creative practices. Interview Summary Alison Bennett, an artist and academic, spoke about her work in expanded photography, their experiences with autism, and the intersection of disability discourse with queer activism in their life and work. Their current project, vegetal/digital, arose from their experiences during the pandemic and connects audiences with plant sentience through interactive digital art. Alison also discussed the political nature of their work, aiming to shift ontological frameworks and exploring new modes of engagement through art. They reflected on the significant cultural changes regarding neurodiversity in the last few decades, highlighting the growing self-advocacy among autistic artists and their increasing impact in the arts.
• "Interview with Michèle Saint-Yves"
  Michèle Saint-Yves is a playwright, filmmaker, poet, and director. Interview Summary Michèle Saint-Yves’ background includes a colonial upbringing in Pacific territories, a Scottish boarding school education, and a complex personal journey of confronting her own inherent racism and colonial legacy, particularly through her writing. Her work as an artist with disability is deeply informed by her sense of otherness and focuses on creating inclusive performance-based work that challenges mainstream audiences and systems, aiming for transformative experiences that impact disability justice and community. Michèle actively embraced the social model of disability, which shifted her understanding of herself and her art, and has received recognition for her pioneering work with the prize-winning show "Clock for No Time." However, recognising the social model’s limitations, her current creative endeavours are concerned with 'access intimacy' and evaluating the lasting impact of her performances, in collaboration with other artists and through research grants.
• "Access Arts - Our Artists 2024 "
  Access Arts Visual Artists profile page, reads, in part "Access Arts’ talented visual artists work across a range of mediums such as painting, photography, drawing, collage and mosaic."
• "CreativeAustralia/AustraliaCouncil - Website - NameChange 2023"
  The website reads “On Thursday 24 August 2023 the Australia Council became Creative Australia; a bigger, bolder champion and investor in arts and creativity”
• "Interview with Jeremy Hawkes"
  Jeremy Hawkes is a multidisciplinary artist working in sculpture, drawing, painting and photography as well as being a writer, educator and disability arts leader. Interview Summary Jeremy Hawkes, a visual artist, opened up about his life and identity during his interview. After a debilitating workplace accident, he had to reimagine his sculptural practice due to his acquired disability and ventured into drawing, which helped him cope with multiple operations and diagnoses. Jeremy's art explores themes of identity and the interconnectedness between the macro and the micro, drawing inspiration from neurobiology and medical imagery. Despite his struggles, Jeremy commits to his studio daily, aims for success without fear, and advocates for greater visibility and opportunities for artists with disabilities.