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"High Beam Festival Program 2006"
High Beam Festival Program 2006 reads "High Beam is a 10 day integrated arts festival showcasing work inspired by or influenced by experiences of disability. Presenting both professional and recreational artists, audiences will see many of the world's most exciting and innovative achievements in arts and disability."
"High Beam Festival Program 2000"
High Beam Program 2000 reads "High Beam 2000 will he launched with an opening parade and concert that promises to he LOUD. IARGE and LAVISH! Weaving a rhythmical and colourful journey along King William Street through to Elder Park where the entertainment will begin. AS 22% of South Australia’s population have a disability, High Beam 2000 Festival presents an inspiring and unique opportunity for all South Australians to discover the wealth of talent within our midst and from abroad."
"High Beam Festival Program 2004"
High Beam Festival Program 2004 reads "Welcome to evolve High Beam 2004 – A stimulating and inspiring seven-day cultural experience for people with a disability, families, friends and support workers, artists with a disability, professionals working in the disability sector, art workers and others."
Melbourne Fringe Festival
Anne Cabrie
Gary Cooper
Adelaide Film Festival
Adelaide International Film Festival
Tina Fielding
Tony Sarre
Stephanie Linder
Stephanie Lindner
Ross Onley-Zerkel
Michaela Olijnyk
“Deaf film ‘A Silent Agreement’ is released in 2017”
The Deaf film ‘A Silent Agreement’ was released in 2017 (written and directed by Davo Hardy). This romantic drama features a profoundly Deaf human rights activist and his filmmaker boyfriend with a speech impediment. It is said to be the first Australian film to feature Auslan as the main dialogue. Some scenes are entirely in Auslan. Screen Australia calls it the “first Australian film to feature Auslan.”
"Bree Hadley, Janice Rieger (2021) Co-designing choice: objectivity, aesthetics and agency in audio-description. Museum Management and Curatorship, 36(2), pp. 189-203.”
"The ‘Vis-ability’ exhibition, presented at the QUT Art Museum in 2019 was an exhibition curated with clear social inclusion goals from the outset. Through it, the museum sought to develop innovative, cost effective, and readily replicable techniques to allow blind and low vision visitors and artists to engage with the institution and its collections. The results affirm the benefits of offering blind and low vision visitors a spectrum of engagement choices, and also affirm that blind and low vision artists and visitors have capacity to make a critical contribution in co-designing that spectrum of choices. This exhibition and its use of multisensorial elements offers a useful prompt to museums to engage this community more fully in co-designing inclusion in the future."
"Maree Roche, Ben Whitburn (2019) Mate, You’re Crippin’ Us Out: Biopolitics of the Arts Curriculum in Australia and the Swinging Identities of Dis/abilities. Journal of Literary & Cultural Disability Studies.13(3). https://doi.org/10.3828/jlcds.2019.25"
Reads, in part "The article explores arts curriculum in Australia as developed in the contexts of schooling, community organizations, and higher education for people with disabilities and mental health concerns. Motivated to explore whether or not students provided access to modified arts curriculum are engaging in education or receiving therapy, the aim is to address a dichotomy that is seemingly present in educational institutions, but extends well beyond the school gate and informs organizational responses to arts in the lives of people with disabilities. Resourced with the theoretical contributions of dis/ability studies for its concern for the biopolitics of disability, the authors weave personal experiences through the discussion of participation in arts throughout their lives. The article concludes with a theoretical discussion of how arts provision in the Australian context might develop the social and political value of art in the lives of people with dis/abilities and for all, on the basis that its educative value is emphasized over its therapeutic one."
“Arts Access Arts Access Artsider May 2014”
Arts Access Arts Access Artsider May 2014 – “This issue of Artsider sources visual arts from the Supported Residential Services (SRS) Studios program” and “Much of the written material in this issue was sourced through Write-ability a partnership program between Arts Access Victoria and Writers Victoria” – discussion of outsider art being “in”, description of Arts Access Victoria, showcasing visual art and creative writing from 17 artists - Bruno Conci, Colin Ferris, David Smyth, Deb Lissek, Diane Chen, Dimitrios Jim Mouhtsis, Felicity Mimigiannis, Gavin Jackson, Giovanni Dimase, Jalal Merhi, Marco Sirolli, Maribel Steel, Pauline Matton, Peter Piwko, Robbie Weir, Sandy Jeffs, Theo Psathas
"Writeability website, captured 2013"
Webpage reads, in part "Arts Access Victoria, in partnership with Writers Victoria, is pleased to announce the launch of Write-ability, a new pilot project to support writers with a disability wishing to advance their writing practice"
"Australia Council - Annual Report 2016-17"
Australia Council Annual Report 2016-2017 – discusses purpose, reports from chair and CEO, year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council with new grants model; performance outcomes, manageability and accountability, financial statements and discussion of the final year of delivering $1.3 million over four years to support artists with disability with their careers and funding more organisations to support producing and touring disability-led and mixed-ability arts practice as well as mentoring arts leaders with disabilities and publication of the Council’s 2014–16 Disability Action Plan review.
Wayne Close
Wendy Cowley
Victoria Keighery
Vince Crowley
Vivienne Binns