Disability Arts History Australia

Items

• Simone Flanagan
• Sophie Hextor
• Sophie Hyde
• Steffi Linder
• Summer DeRoche
• Trudy Fraser
• Wendy O'Neill
• Xanthe Beesley
• “Arts Access Victoria – A New Millennium (early – mid 2000s)”
  Arts Access Victoria – A New Millennium (early – mid 2000s)– online artist’s register, “Artability” festival, Deaf Arts Network started in 2001, new programs including regional areas, audio description of first TV production, AAV hosted Inclusion International World Congress, The Other Film Festival started,
• "Interview with Jianna Georgiou"
  Jianna Georgiou is a professional dancer, director and choreographer and has been with Restless Dance since 2006. Interview Summary Jianna Georgiou, who has Italian and Cypriot heritage, shared her journey as a dancer. She expressed her aspirations to collaborate with friends from other dance companies and emphasized her desire to continue her path with Restless Dance Theatre. Jianna’s determination remains strong, fuelled by her goal to perform and the emotional connection she feels through dance. She hopes to explore various dance styles, including hip-hop, which currently resonates with her, and she is motivated by the creative and energetic environment at Restless Dance Theatre.
• “Restless Dance – Annual Report 2009"
  Restless Dance Theatre Annual Report 2009 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Bedroom Dancing,’ ‘Necessary Games,’ ‘DEBUT 2: The Dancers Direct,’ Reviews, Supporters
• "Tutti Arts - Amalgumation Arts Festival - Promotional Flyer"
  Tutti Arts - 'Amalgumation Arts Festival' 2006 Promotional Flyer - reads, in part "The program starts with the screening of a short comical film entitled 'Wheel Love' by Emma Butler from Launceston. Then follows 12 personal digital stories,Telling Tales, produced by Arts Access Victoria and the Australia Centre for the Moving Image The final film features Bronwyn Hayward from New Zealand, who wants to become a dancer but is told that she cannot because of her disability. The story tells her journey to become a dancer."
• "Tutti Arts - Annual Report 2021"
  Tutti Arts Annual Report 2021 – What Tutti Does, Artists Making An Impact, Music, Performance, Visual Arts, and Film work in 2021, information on digital interactive version of ‘Impersonal Space,’ ‘The Big Tutti Singalong,’ Sit Down Shutup and Watch Film Festival, The Sisters of Invention, Company AT, Supporters
• Australia Council for the Arts
• Australia Council
• Creative Australia
• “Sit Down Shutup and Watch, a screen festival for people with learning disabilities, is launched in 2014”
  In 2014, Tutti Arts launched Sit Down Shutup and Watch (SDSW). SDSW is a collective led by people with learning disabilities; They present a biennial international screen festival which features the work of disabled creators. The committee also hosts workshops and online resources.
• Kat Worth
• "Sydney Festival - StickybrickS MEDIA RELEASE - 2006"
  Sydney Festival - StickybrickS 2006 MEDIA RELEASE - Reads, in part "By 2002 Northcott was infamous once again as a seething pit of violent crime, multiple murders and suicides, with residents traumatised and Sydney’s media swarming, ready to pronounce this community a blot on an otherwise perfectly-good-inner-city-real-estate-investment-opportunity. Northcott residents, however, refused to be tarred with the same media brush and began working with national arts organisation Big hART writing, researching, filming, composing, performing, painting and photographing."
• “Arts Access Victoria – Annual Report 2001-02”
• “Arts Access Victoria – Annual Report 2002-03”
• “The Deaf Film Society creates the documentary ‘Our World’.”
  In 1970, the Deaf Film Society created a documentary called ‘Our World’ on the lived experience of people who were d/Deaf. The Adult Deaf Society assisted with the project.
• "Janice Rieger, Jasmien Herssens, Megan Strickfaden, Bree Hadley (2019) International Inclusive Film Screening, DfA Week (with films from Finland, Canada, China and Australia)."
  "The inclusive international film screening included films from Australia, Finland, Canada and China that represent different kinds of abilities, disabilities, inclusion and exclusion through material culture, architecture, urban spaces, landscapes and design. This screening was about access, inclusion and community outreach and included live audio descriptions and Auslan interpretation. The Film screening was separated into two parts with a total of 9 films screened: Part 1: ‘Seeing’ things from a Different Perspective, which included the films: Bakala, Australia (Aboriginal); Eske, (Finland); Musical Notes (Canada); Visitability #1 (Canada) Part 2: Part 2: Temporal and Embodied Encounters: Design, Disability and Slowing Down, which included the films: Smoke Time (Canada & China); Visitability #2 (Canada); Heel of a Time, Canada; Visitability #3 (Canada) ; Wandering on the Braille Trail (Australia)."
• "Liz Ferrier (2000) Vulnerable Bodies: Creative Disabilities in Contemporary Australian Film. In Ian Craven ed. Australian Cinema in the 1990s. Routledge. https://doi.org/10.4324/9780203045022"
  Reads, in part "The internationally-acclaimed film Shine is one of a number of contemporary Australian movies which portray embattled artists or performers. Reminiscent of earlier works such as Starstruck (1982), Man of Flowers (1983), Malcolm (1986) and Sweetie (1989), and several more recent productions – Proof (1991), Strictly Ballroom (1992), Bad Boy Bubby (1994), The Adventures of Priscilia, Queen of The Desert (1994), Muriel's Wedding (1994), Cosi (1996), Lilian's Story (1996), and Jane Campion's New Zealand/Australian films, An Angel at My Table (1990) and The Piano (1993) – it depicts a disadvantaged individual overcoming setbacks through the passionate and eccentric expression of his creativity. The film and the cycle to which it belongs offers a peculiar vantage point from which to examine the problems and possibilities of Australian cinema in the 1990s."
• “Bus Stop Films begins operation in 2009”
  Bus Stop Films began operations in 2009. In their own words, they “educate, create and advocate.” Their primary focus is teaching filmmaking to disabled adults, but they also offer workshops to others of marginalised identities. Bus Stop “makes films with, for and about people from diverse backgrounds and abilities.” Their website lists support workers in every Australian state and territory.