Disability Arts History Australia

Items

• "The Other Film Festival Program 2010 - A Broken Puzzle by Dianne Reid (2010)"
  The Other Film Festival Program 2010 - A Broken Puzzle by Dianne Reid - reads, in part "Performers from Weave Movement Theatre create a physically and vocally evocative story about place."
• "The Other Film Festival Program 2010 - Nerve Ending by Peter Humble (2009)"
  The Other Film Festival Program 2010 - Nerve Ending by Peter Humble (2009) - reads, in part "What happens when our nerves get the better of us, literally? Michelle Ryan from Dance North takes us on a powerful exploration of resilience"
• "The Other Film Festival Program 2010 - FRANCES AND ANNIE by Genevieve Clay (2009)"
  The Other Film Festival Program 2010 - FRANCES AND ANNIE by Genevieve Clay (2009) - reads, in part "When a young woman decides to drop in unexpectedly on her new neighbors she is confronted by a potential tragedy and her own prejudices.
• "The Other Film Festival Program 2010 - Be My Brother by Genevieve Clay (2008)"
  The Other Film Festival Program 2010 - Be My Brother by Genevieve Clay (2008) - reads, in part "A young man's charm and charisma enchants a stranger at a bus stop. But someone else's heart is at stake."
• "The Other Film Festival Program 2010 - Anything You Can Do by Emma Buckley (2009)"
  The Other Film Festival Program 2010 - Anything You Can Do by Emma Buckley (2009) - reads, in part "Game on! Two boys face off in a back room. The competition is fierce. Faces are pulled and burps unleashed. But when victory is at hand, will it still taste sweet?"
• "The Other Film Festival Program 2010 - Necessary Games by Sophie Hyde (2009)"
  The Other Film Festival Program 2010 - Necessary Games by Sophie Hyde (2009) - reads, in part "A triptych from Restless Dance Company about our human need to connect and the urgent games we play."
• "The Other Film Festival Program 2010 - Carbon Whore by Stella Young (2009)"
  The Other Film Festival Program 2010 - Carbon Whore by Stella Young (2009) - reads, in part "It's so hard to get good help these days! When the cleaner refuses to take an environmentally friendly approach to domestic duties, Eliza takes matters into her own enthusiastic hands."
• “Genni Batterham stages a protest at the opening of Bondi Junction railway station 1979, makes film in 1980”
  When Bondi Junction railway station opened in 1979, Genni Batterham staged a protest about the lack of accessible transportation options for individuals with disabilities. After receiving a multiple sclerosis diagnosis in 1978, Genni became severely disabled very quickly. She did everything in her power to stop the disease's progression and was furious at being "consigned to the world of the disabled." The 1979 Bondi Junction protest was an important moment in the history of the Disability Rights Movement in New South Wales. The Premier, Neville Wran, later said that the experience led him to developing the Disability Taxi Service, the first public transport system designed for people with disability to be launched in Australia. Batterham then made the film ‘Pins and Needles’ (1980) with her husband Kim. Under the direction of Barbara Chobocky and with funding from the Australian Film Commission's Women's Film Fund, the film was screened in five different countries, took home first place at the 1980 Canadian Film Festival, and took home second place at the 1980 New York Film Festival. Genni and Kim would then collaborate on three further films about the phases of her life: Where's the Give and Take? (1981), Artreach (1982), and Riding the Gale (1987).
• "Australian Film Commission created"
  In 1975, the Australian Film Commission was created, providing grants for film and television projects.
• Access Arts
• Restless Dance Company
• Restless Dance Theatre
• Michelle Ryan
• "Interview with Michelle Ryan"
  Michelle Ryan is the artistic director of Restless Dance Theatre and has extensive experience as a dancer and performer. Interview Summary Michelle Ryan, the artistic director of Restless Dance Theatre, shares her journey from being a successful dancer diagnosed with multiple sclerosis at 30 to becoming an advocate for artists with disabilities. Despite her initial hesitations to perform with her disability, a positive experience dancing with a European company reignited her passion and led her to Restless Dance Theatre, where she aims to change perceptions of who can create art. Michelle emphasizes the importance of providing professional opportunities and proper compensation for disabled artists, challenging the notion that disability work is charity or hobbyist. She advocates for representation that is genuine and not tokenistic, ensuring the inclusion of people with disabilities is meaningful and respectful.
• "Kath Duncan, Gerard Goggin, Christopher Newell (2005) ‘Don’t Talk about Me... Like I’m Not Here': Disability in Australian National Cinema. Metro Magazine: Media & Education Magazine.146/147, pp. 152-159. https://search.informit.org/doi/10.3316/informit.043842788583710"
  Reads, in part "Disability is a central cultural identity and category in Australia, but this is not often realized. We seek to make a contribution to conversations and critical analyses of disability in Australian culture through an exploration of a privileged national cultural form, namely film. The trope of disability looms large in late twentieth century Australian cinema, and yet cultural comment on these ‘disabled’ scripts and performances has not yet considered a disabilities studies perspective. Accordingly, in this article we combine our different perspectives on disability and film into an account of how specific films use disability. In particular, we analyse key films from the 1990s as examples of powerful displays of bodies and personhood." References a range of films, including Proof (Jocelyn Moorhouse, 1991), Romper Stomper (Geoffrey Wright, 1992), Bad Boy Bubby (Rolf de Heer, 1993), Muriel's Wedding (PJ Hogan, 1994), Shine (Scott Hicks, 1996), Moulin Rouge! (Baz Luhrmann, 2001), My One Legged Dream Lover (writer Kath Duncan with dir. Penny Fowler-Smith, Christine Oslen 1998), Pins and Needles (writer Genni Batterham with dir. Barbara Chobocky, 1979), Riding the Gale (Genni Batterham with dir, Hugh Piper, 1987), Dance Me to My Song (writer Heather Rose with dir. Rolf De Heer, 1998), Heather Rose Goes to Cannes (Chris Corin, 1999), Myself When Fourteen, (Ivor, Arthur and Corinne Cantrill 1989),Film of Circles, Squares, Triangles, Lines and Dots (Arthur and Corinne Cantrill 1981), Rainbow Diary (Arthur and Corinne Cantrill 1984), House Gang (Mandy smith, 1997), Quentin Crashes Big Brother (Quentin Kenihan, 2002), Quentin, World at My Wheels (Quentin Kenihan, 2000), Ability Trek (Jacob Baldwin 1998)
• “The South Australian Film Corporation announces their disability screen strategy”
  The South Australian Film Corporation launched their disability screen strategy. First, their Diversity and Inclusion Strategy 2022-2032, which they say “breaks new ground nationally,” defines quantifiable 10-year targets. In addition, the SAFC has developed a Disability Equality Plan, Targeted Diversity Attachments, the FULL TILT Short Documentary Initiative, and Film Lab: New Voices, a feature film development program presented by SAFC with Adelaide Film Festival and Mercury CX.
• Arts Access SA
• "Interview with Jodee Mundy OAM"
  Jodee Mundy OAM is a Disabled creative director, performer, writer, activist, creative producer, executive producer, commissioner, interpreter, film, festival maker and cultural leader. Interview Summary Jodee Mundy OAM, is an artist and festival director who identifies as Coda (child of Deaf adults) and lives with chronic illness reflects on the historical and ongoing challenges faced by Deaf and Disabled artists in Australia. Her work is deeply political, aiming to tell untold stories and bring visibility to marginalized communities. Despite significant achievements, Jodee stresses the need for structural support and inclusivity within the industry, especially given the limitations of hybrid access models post-pandemic. Jodee's personal journey, including her recent incurable cancer diagnosis, shapes her advocacy for a culture of care and well-being in the arts. Jodee leads Alter State, Australia’s Disability- led arts festival presented by Arts Centre Melbourne and Arts Access Victoria.
• "The Other Film Festival launched in 2004"
  In 2004, Australia’s first international disability film festival, The Other Film Festival, was launched at the Melbourne Museum. In 2022, Screen Australia began providing funding for festival.
• "Arts Access Victoria - The Other Film Festival, captured 2022"
  Arts Access Victoria - The Other Film Festival - reads, in part "The Other Film Festival is a groundbreaking disability-led initiative that has put Deaf and Disabled people at the centre of the Australian screen industry for almost 20 years. Founded in 2004, it is Australia’s first international disability film festival and is a major artistic program of Arts Access Victoria."
• Genevieve Clay-Smith
• Genevieve Clay
• Antony Riddell
• Anthony Riddell
• Antony Riddel