Disability Arts History Australia

Items

• Liz Martin
• Liz McAloon
• Liz McCall
• Liz O'dea
• Liz Pemberton
• Liz Ransom
• Liz Rourke
• Liz Sadler
• Liz Smith
• Liz Wright
• "Shine - IMDB"
  Reads, in part "David Helfgott, a gifted pianist, struggles through childhood as his dysfunctional father abuses him and his siblings. Years later, he suffers a mental breakdown but manages to return as a legend."
• "Access2Arts Artist Interviews"
  Access2Arts Artist Interviews
• "Bree Hadley (2014) Disability, Public Space Performance, and Spectatorship: Unconscious Performers. London: Palgrave Macmillan."
  "Why would disabled people want to re-engage, re-enact and re-envisage the everyday encounters in public spaces and places that cast them as ugly, strange, stare-worthy? In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who do exactly this. Operating in a live or performance art paradigm, artists like James Cunningham (Australia), Noemi Lakmaier (UK/Austria), Alison Jones (UK), Aaron Williamson (UK), Katherine Araniello (UK), Bill Shannon (US), Back to Back Theatre (Australia), Rita Marcalo (UK), Liz Crow (UK) and Mat Fraser (UK) all use installation and public space performance practices to re-stage their disabled identities in risky, guerilla-style works that remind passersby of their own complicity in the daily social drama of disability. In doing so, they draw spectators' attention to their own role in constructing Western concepts of disability. This book investigates the way each of us can become unconscious performers in a daily social drama that positions disability people as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama. It constructs a framework for understanding the way spectators are positioned in these practices, and how they contribute to public sphere debates about disability today."
• "Arts Project Australia - Annual Report 2004"
  Arts Project Australia - Annual Report 2004 - President’s Report, Director’s Report, Studio Manager’s Report, Exhibitions Report, Financials - reads, in part “Arts Project Australia was founded in 1974. It had the express purpose of exhibiting the art work of people with an intellectual disability in a manner that accords therr1 the same dignity and respect as other artists.”
• “Arts Access Victoria – Arts Access Society Annual Report 1985”
• “Arts Access Victoria – Arts Access Society Annual Report 1986”
• “Arts Access Victoria – Arts Access Society Annual Report 1987”
• “Arts Access Victoria – Arts Access Society Annual Report 1989”
• “Arts Access Victoria – Annual Report 1994”
• “Arts Access Victoria – Annual Report 1995”
• “Arts Access Victoria – Annual Report 1997”
• “Arts Access Victoria – Annual Report 1998-99”
  Arts Access Annual Report 1998-1999 - Mission Statement, Chair’s message, Founder’s Message, Executive Director's Report, Artistic Program – Art Day South and Art Day West with projects – “Inside Out, Outside In” exhibition, “Through the Glass” documentary, “Good Dancer, Nice Dress” documentary, “Body Suits” Exhibition, “Dream Boxes” and performance of “Sweet Revenge”, EASE. Training and Professional Development, Public Relations, DADAA, Board, Staff and Volunteers, Financial Reports, Acknowledgements.
• “Arts Access Victoria - Arts Access Society Inc.- EASE Entertainment Access Service Newsletter September 1988”
  Arts Access Victoria EASE Entertainment Access Service Newsletter September 1988 - thanks for support for EASE from Michael Edgley International, venue notes for the Comedy Theatre
• “Arts Access Victoria - Arts Access Society Inc.- EASE Entertainment Access Service Newsletter June 1988”
• “Arts Access Victoria - Arts Access Society Inc. - Access Newsletter September 1987”