Disability Arts History Australia

Items

• "Blue Roo Theatre Company - Newsletter: South Burnett, 2024"
  Blue Roo Theatre Company news, first South Burnett newsletter, 2024
• "FusionTheatre - Big Frog"
  Promotion for Fusion Theatre Dramability Program mask and puppet performance 'Big Frog'
• "Fusion Theatre - Dramability Logo"
  Fusion Theatre Dramability logo
• "FusionTheatre_Dramability-Memories_1999"
  Promotion for Fusion Theatre Dramability Program movement, music, and storytelling performance 'Memories'
• "Fusion Theatre - I Me Myself And Others 2019"
  Program for Fusion theatre performance on how popular culture influences individual and community identity "I Me Myself and Others'
• "Fusion Theatre - I Me Myself And Others Program"
  Promotion for Fusion theatre performance on how popular culture influences individual and community identity "I Me Myself and Others'
• "Fusion Theatre - Perfectly Imperfect"
  Promotion for Fusion dance theatre performance 'Perfectly Imperfect' on disability and parenthood, reads, in part "This highly emotive dance-drama takes a no-holds-barred look at the question of parenthood for women with disability."
• "Fusion Theatre - States Of Mind"
  Promotion for Fusion theatre performance on themes of mind and body, 'States of Mind'
• "Fusion Theatre - States Of Mind Program"
  Program for Fusion theatre performance on themes of mind and body, 'States of Mind'
• "Incite Arts - Strong Feelings - Video -2"
• "Incite Arts - Strong Feelings - Video"
• "History of Queensland Theatre of the Deaf"
  History of Queensland Theatre of The Deaf. Queensland Deaf Society Superintendent Leslie Abnett’s proposal for a Queensland Theatre of the Deaf in 1974, initiated via arrangement with the Australian Elizabethan Theatre Trust to have the National Theatre Trust perform in Brisbane and for a workshop at La Boite Theatre in 1974. Formation Founding Committee (Kerry Prior, Mary Gibbs, John O’Donnell, Leslie Abnett as Office Bearers, Lloyd Nickson as Artistic Director, Keith Puddlefoot as Technical Director, and N. Bricknell, R. Hilsdon, K. Donnell, M. Bergman, P. Arnold, A. Lynch, D. Villis as Committee Members). Company Aims, Workshops at the Queensland School for the Deaf, rehearsals for a core adult group and a junior group at the new D.M. Chadwick Hall at the Queensland Deaf Society at Newmarket in Brisbane – production history including changes in Artistic Director (from Llyod Nickson in 1975, to Nickky Bricknell in 1977, to Ken Donnell in 1979). Company technique, stated as “Our Technique is a combination of Visual Language, Sign-Mime (visual vernacular), Mime and the Spoken Word – a blending of hearing actors and conventional acting ideals with imaginative mime, expression and manual language of the Deaf.”
• "Queensland Theatre of the Deaf - Actors Since 1975 - Reported 1990s"
• "Queensland Theatre of the Deaf - Productions and Open Drama Competitions Since 1975 - Reported 1998"
  Queensland Theatre of the Deaf productions and open drama competitions, 1975 to 1997
• "Queensland Theatre of the Deaf - Productions Since 1975 - Reported 1990"
  Queensland Theatre of the Deaf productions 1975-1990
• "Queensland Theatre of the Deaf - Productions Since 1975 - Reported 1998"
  Queensland Theatre of the Deaf productions 1975-2001
• “Restless Dance – Annual Report 1999"
  Restless Dance Theatre Annual Report 1999 - Mission Statement, Major Productions & Community Projects 1993-Date, Chair’s Report, Committee Report, Board, Financials, Productions of ‘Precious’ and ‘Drift’
• “Restless Dance – Annual Report 2000"
  Restless Dance Theatre Annual Report 2000 - Mission Statement, Major Productions & Community Projects 1993-Date, Chair's, Artistic Director’s, Dancers’ and Committee Reports, Members and Board, Financials, information about productions ‘the days allotted to me, ‘Precious,’ ‘Perfect Match,’ Reviews, Supporters
• “Restless Dance – Annual Report 2001"
  Restless Dance Theatre Annual Report 2001 - Chair's, Artistic Director’s, Dancers’ and Committee Reports, Members and Board, Financials, information about productions ‘Headlong,’ ‘Proximal,’ Reviews, Supporters
• “Restless Dance – Annual Report 2002"
  Restless Dance Theatre Annual Report 2002 - Chair's, Artistic Director’s, Dancers’ and Committee Reports, Members and Board, Financials, information about productions ‘Headlong,’ ‘ln the Blood’ Reviews, Supporters
• “Restless Dance – Annual Report 2004"
  Restless Dance Theatre Annual Report 2004 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘The Laminex Man,’ ‘Landmark,’ ‘Starry Eyed’, Reviews, Supporters
• “Restless Dance – Annual Report 2007"
  Restless Dance Theatre Annual Report 2007 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about production ‘Rebel Rebel,’ Reviews, Supporters
• “Restless Dance – Annual Report 2008"
  Restless Dance Theatre Annual Report 2008 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘The Heart of Another is A Dark Forrest,’ ‘Safe From Harm,’ ‘Necessany Games,’ Reviews, Supporters
• “Restless Dance – Annual Report 2012"
  Restless Dance Theatre Annual Report 2012 – Company History, Chair's and Company Manager Reports, Productions including ‘Howling Like A Wolf,’ ‘High Voltage,’ and new work in development ‘Second Nature,’ workshops, Financials
• “Restless Dance – Annual Report 2013"
  Restless Dance Theatre Annual Report 2013- Company history, Chair's, Artistic Director’s and Company Manager’s Reports, Productions including ‘Salt,’ Debut 4 – the dancers direct,’ Community workshop programs, Financials, Staff and Board, Supporters