Disability Arts History Australia

Items

• "Tutti Arts - Tutti Kids - News - March 2020"
  Tutti Arts - Tutti Kids - News March 2020 - reads, in part "Welcome back for 2020 everyonel Our theme this year is Travel and Culture."
• “Tutti Arts – End of Year Celebration 2019 – Promotional Poster”
  Tutti Arts – End of Year Celebration 2019 Promotional Poster
• “Tutti Arts – Tutti Choir – Christmas Celebration 2014 - No More Turníng Away - Program”
  Tutti Arts – Tutti Choir Christmas Celebration 2014 'No More Turníng Away' Program- reads, in part "“The Tutti Choir is Australia's first inclusive choir and takes its name from the musical term Tuti', meaning everyone. From its origins in 1997 as a small singing group at Minda, the choir has grown into a vibrant independent multi arts organisation, deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With its strong commitment to access and inclusion, Tutti is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, and community and professional artists together for performances and exhibitions.”
• “Tutti Arts – Choir – A Tutti Recital – Program”
  Tutti Arts Choir – A Tutti Recital 2009 Program – reads, in part “The Tutto Choir is an inclusive community choir of over seventy singers which began in 1997 under the direction of Pat Rix.”
• "Arts Disability Technology Library Program"
  Library access, equity, inclusion, and anti-discrimination seminar and presentation sessions
• "Arts in Action Annual Report 2003"
  Arts in Action Annual Report 2003, describing the organisation’s work, including preparation for the 2004 High Beam Festival, an artistic program including visual arts workshops, music club, and choir, and assistance with preparation of funding proposals, informational and referral, networking, advocacy.
• "Australia Council - Annual Report 1997-98"
  Australia Council Annual Report 1997-98 - discusses letter from chair of council, functions, profile, organisation chart, corporate overview, year in review, arts funding, main activities of Council and its Boards, and includes professional development activities, financial statements and lists of grants made including grants for programs, projects, information and advocacy with producing a set of Disability Fact Packs exploring the importance of accessibility for arts and cultural organisations and a guide to marketing arts to disabled audience
• "Australia Council - Annual Report 1986-87"
  Australia Council Annual Report 1986-87- discusses functions and objectives, structures, process and membership of Council, Council Committees and members, board members, assessment panels, staff lists, organisation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, workshops for disabled people in community arts, funding for posters on theme of disability, grant for Theatre of the Deaf Braille Book of the Year award and Sound Pot Purri literary magazine for Royal Blind Society
• “Arts Access Victoria – Arts Access Society Annual Report 1992”
• "Salubrious Productions - Artist Catalogue Janelle Colquhoun"
  Profile page, with bookings contact details, and availability/repertoire, across "Opera, Classical, Jazz, Musical, Cabaret, Light Pop"
• "Organisation Profile - Salubrious Productions, ACE Magazine Issue 27 April 2003"
  Organisation Profile, descibing the work of Salubrious Productions, in ACE Magazine, Issue 27 2003, published by Accessible Arts (New South Wales)
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• "High Beam Festival 1998 Flyer"
  High Beam Festival Flyer 1998 reads "This is the first High Beam disability inclusive festival in Australia. It is happening in South Australia and its your opportunity to be involved so don't miss out. … HIGH BEAM FESTIVAL INCLUDES: • A spectacular opening night of celebration. • A lively Cabaret/Porty featuring some of Australia's top entertainers. • Two days of stimulating seminars with topics covering arts, disability and healthy communities. • A week-long program of disability inclusive events at The Governor Hindmarsh Hotel. • A promotional campaign that will attract people from around Australia. • Multi-media promotional opportunities including free entry in the official festival program."
• "Interview with Patricia Wozniak"
  Patricia Wozniak is a neurodivergent visual arts coordinator at Tutti Arts and is a disability arts advocate and ally. Interview Summary Patricia Wozniak, a visual arts coordinator at Tutti Arts with 14-15 years of experience, initially volunteered while studying for her master's and found joy and liberation in making art with the organisation. Tutti Arts has grown from offering two days to five days of visual arts each week and supports artists to enjoy creating, access quality materials, and earn income. While faced with challenges like NDIS funding intricacies and the need for easy-to-understand contracts, Patricia emphasizes the importance of artist-driven practice and equal opportunities. She observes a shift toward digital art and commercial endeavours among artists and asserts the vitality of educating artists about their rights and the political aspect of disability art in cultivating change and expression of identity.
• "Intimacy- Torque Show and Michelle Ryan"
  Intimacy- Torque Show and Michelle Ryan' - reads, in part "Intimacy is a dance-theatre piece created by Michelle Ryan, Ingrid Weisfelt, Ross Ganf and Vince Crowley. Our lighting design responded to the traverse seating arrangement, the content of the show and the set design by Adrienne Chisholm, creating a space that worked for the dance performance, music integrated into the show (by the duo Lavender vs Rose) and text based theatre elements."
• "Interview with Daniel Savage"
  Daniel Savage is an artist and disability advocate working in mediums of photography, video and performance. Interview Summary: Daniel discussed his background as a disabled contemporary artist primarily focused on photography, with additional interests in video and performance. Daniel detailed the journey through his artistic career, highlighting significant experiences such as art school education, early influences, and the impact of acquiring a disability. He also explored the evolution of his style and interests, particularly his shift towards digital technology and his involvement in advocacy for accessibility in the arts. Daniel also shared his perspectives on the challenges and achievements within the disability arts scene in Australia, including public awareness and integration with contemporary art.
• "Interview with Jeremy Smith"
  Jeremy Smith is a Senior Producer in Western Australia at Performing Lines, has a long career across community, experimental and performing arts, is a disability advocate and previously worked in Australia Council for the Arts (now Creative Australia) as Director – Community Arts and Experimental Arts. Interview Summary Jeremy Smith has vast experience in the arts including working as a director with Australia Council (Creative Australia). Jeremy is currently an arts worker in the performing arts sector. While Jeremy lives with Achondroplasia, he has not always identified as disabled however a transformative project for the 2016 Perth Festival led him to embrace his identity as a disabled person with pride recognising the complexities surrounding personal identification with disability. Jeremy talks about artists and organisations he finds inspirational who are leading change in the disability arts sector and his motivation to also advocate for inclusion and the evolution of public perception of disability arts work.
• "Interview with Jenny Simpson"
  Jenny is CEO and Artistic Director of AWESOME Arts Australia while also a Musical Director of the Mighty Camelot Community Choir and a Sessional Academic at the Western Australian Academy of Performing Arts at Edith Cowan University. Interview Summary Jenny Simpson is the CEO and Artistic Director of AWESOME Arts Australia. She grew up in a musical family and always had an interest in the arts. After working in the corporate world, she decided to pursue a role in the arts to make a difference in the community. She has since focused on engaging young people with disabilities in the arts, and has worked on projects and festivals that promote inclusivity and accessibility. She believes that the perception of disability arts is changing and hopes to see more individuals with disabilities involved in arts management.
• "Interview with Tim McCallum"
  Tim McCallum is a singer, performer and speaker and disability advocate. Interview Summary Tim McCallum is a performer who specializes in singing and acting, with singing being his foremost talent. Having sustained a spinal cord injury resulting in quadriplegia before beginning his studies at the Western Australian Academy of Performing Arts, Tim's childhood passion for the performing arts has continued to motivate his career. Through his experiences, both positive and negative, regarding inclusion and discrimination in the arts, Tim has become determined to challenge preconceived notions and make disability a visible and celebrated aspect of performance. He is a strong advocate for the representation of artists with disabilities in leadership roles within arts governance, stressing the importance of lived expertise over tokenism for lasting change in the industry.
• "Interview with Morwenna Collett"
  Morwenna is a leader, consultant and facilitator in the arts, government, not-for-profit and university sectors and is passionate about helping arts and cultural organisations to include everyone in their work. Interview Summary Morwenna Collett is a consultant in diversity, access and inclusion and during the interview discusses her vast experience in the disability arts sector including time in the Australia Council where she played a key role in creating the first targeted funding program for artists with disabilities. Morwenna notes that while disability arts is gaining some awareness with mainstream audiences, there are still issues regarding how people think about the quality of art created by artists with disabilities. Morwenna highlights the NDIS as a significant milestone for disability arts in Australia, though she believes that there is much more potential for arts organizations to engage with it. Morwenna also emphasizes that the decision for artists to identify with their disability is a personal choice and it is becoming increasingly safe to disclose this identity, demonstrating progress toward inclusion in the arts.
• "Arts in Action Annual Report 2005"
  Arts in Action Annual Report 2005, describing the organisation’s work, including an artistic program with visual arts workshops, music club and choir, and a new mentoring program.