Disability Arts History Australia

Items

• "Headliners - IMBD"
  Headliners' Internet Movie Database (IMDB) entry - reads, in part "Musician and fervent campaigner for inclusion, access and equality, Elly-May Barnes leads the quest to create two bands made up entirely of musicians living with disability."
• "Interview with Morwenna Collett"
  Morwenna is a leader, consultant and facilitator in the arts, government, not-for-profit and university sectors and is passionate about helping arts and cultural organisations to include everyone in their work. Interview Summary Morwenna Collett is a consultant in diversity, access and inclusion and during the interview discusses her vast experience in the disability arts sector including time in the Australia Council where she played a key role in creating the first targeted funding program for artists with disabilities. Morwenna notes that while disability arts is gaining some awareness with mainstream audiences, there are still issues regarding how people think about the quality of art created by artists with disabilities. Morwenna highlights the NDIS as a significant milestone for disability arts in Australia, though she believes that there is much more potential for arts organizations to engage with it. Morwenna also emphasizes that the decision for artists to identify with their disability is a personal choice and it is becoming increasingly safe to disclose this identity, demonstrating progress toward inclusion in the arts.
• "Interview with Tim McCallum"
  Tim McCallum is a singer, performer and speaker and disability advocate. Interview Summary Tim McCallum is a performer who specializes in singing and acting, with singing being his foremost talent. Having sustained a spinal cord injury resulting in quadriplegia before beginning his studies at the Western Australian Academy of Performing Arts, Tim's childhood passion for the performing arts has continued to motivate his career. Through his experiences, both positive and negative, regarding inclusion and discrimination in the arts, Tim has become determined to challenge preconceived notions and make disability a visible and celebrated aspect of performance. He is a strong advocate for the representation of artists with disabilities in leadership roles within arts governance, stressing the importance of lived expertise over tokenism for lasting change in the industry.
• "Interview with Jenny Simpson"
  Jenny is CEO and Artistic Director of AWESOME Arts Australia while also a Musical Director of the Mighty Camelot Community Choir and a Sessional Academic at the Western Australian Academy of Performing Arts at Edith Cowan University. Interview Summary Jenny Simpson is the CEO and Artistic Director of AWESOME Arts Australia. She grew up in a musical family and always had an interest in the arts. After working in the corporate world, she decided to pursue a role in the arts to make a difference in the community. She has since focused on engaging young people with disabilities in the arts, and has worked on projects and festivals that promote inclusivity and accessibility. She believes that the perception of disability arts is changing and hopes to see more individuals with disabilities involved in arts management.
• "Interview with Jeremy Smith"
  Jeremy Smith is a Senior Producer in Western Australia at Performing Lines, has a long career across community, experimental and performing arts, is a disability advocate and previously worked in Australia Council for the Arts (now Creative Australia) as Director – Community Arts and Experimental Arts. Interview Summary Jeremy Smith has vast experience in the arts including working as a director with Australia Council (Creative Australia). Jeremy is currently an arts worker in the performing arts sector. While Jeremy lives with Achondroplasia, he has not always identified as disabled however a transformative project for the 2016 Perth Festival led him to embrace his identity as a disabled person with pride recognising the complexities surrounding personal identification with disability. Jeremy talks about artists and organisations he finds inspirational who are leading change in the disability arts sector and his motivation to also advocate for inclusion and the evolution of public perception of disability arts work.
• "Interview with Patricia Wozniak"
  Patricia Wozniak is a neurodivergent visual arts coordinator at Tutti Arts and is a disability arts advocate and ally. Interview Summary Patricia Wozniak, a visual arts coordinator at Tutti Arts with 14-15 years of experience, initially volunteered while studying for her master's and found joy and liberation in making art with the organisation. Tutti Arts has grown from offering two days to five days of visual arts each week and supports artists to enjoy creating, access quality materials, and earn income. While faced with challenges like NDIS funding intricacies and the need for easy-to-understand contracts, Patricia emphasizes the importance of artist-driven practice and equal opportunities. She observes a shift toward digital art and commercial endeavours among artists and asserts the vitality of educating artists about their rights and the political aspect of disability art in cultivating change and expression of identity.
• "Interview with Daniel Savage"
  Daniel Savage is an artist and disability advocate working in mediums of photography, video and performance. Interview Summary: Daniel discussed his background as a disabled contemporary artist primarily focused on photography, with additional interests in video and performance. Daniel detailed the journey through his artistic career, highlighting significant experiences such as art school education, early influences, and the impact of acquiring a disability. He also explored the evolution of his style and interests, particularly his shift towards digital technology and his involvement in advocacy for accessibility in the arts. Daniel also shared his perspectives on the challenges and achievements within the disability arts scene in Australia, including public awareness and integration with contemporary art.
• "Organisation Profile - Salubrious Productions, ACE Magazine Issue 27 April 2003"
  Organisation Profile, descibing the work of Salubrious Productions, in ACE Magazine, Issue 27 2003, published by Accessible Arts (New South Wales)
• "Accessible Arts - ACE Arts Creativity Expression -1998 Sum - Iss3"
  Accessible Arts - ACE Arts Creativity Expression News Publication issue 2 Summer 1998 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources
• "Intimacy- Torque Show and Michelle Ryan"
  Intimacy- Torque Show and Michelle Ryan' - reads, in part "Intimacy is a dance-theatre piece created by Michelle Ryan, Ingrid Weisfelt, Ross Ganf and Vince Crowley. Our lighting design responded to the traverse seating arrangement, the content of the show and the set design by Adrienne Chisholm, creating a space that worked for the dance performance, music integrated into the show (by the duo Lavender vs Rose) and text based theatre elements."
• "High Beam Festival Program 2007"
  High Beam Festival Program 2007 reads "High Beam Global is bigger, bolder and brighter than ever before. An array of exciting artists will dazzle you with art across every medium and will challenge your every sense. This festival recognises that people with disabilities are artists in their own right and prominently includes them within the mainstream Fringe program for the first time."
• "High Beam Local 2006"
  High Beam Local Festival Flyer 2006 reads "Adelaide the home to Some of Australia's most innovative festivals is aiving birth to a new invigorated High Beam Festival. In 1998, the vision and passion of many dedicated South Australians brought about the biennial High Beam Festival with unforgettable performances by artists with disabilities from Australia and around the globe. Arts Access SA's High Beam, like Australia's largest festival, the Adelaide Fringe has undergone a few changes and with it for 2006/07, comes two festivals, High Beam Local and High Beam Global. International Day for People with Disabilities on 3 December is when High Beam Local comes to life. While Beam Global will be part of Adelaide Fringe 2007. What ever takes your fancy Hiah Beam will undoubtedly provide you with a show or three that will amaze, excite and light your fire of healthy, artistic curiosity"
• "Arts in Action Annual Report 2003"
  Arts in Action Annual Report 2003, describing the organisation’s work, including preparation for the 2004 High Beam Festival, an artistic program including visual arts workshops, music club, and choir, and assistance with preparation of funding proposals, informational and referral, networking, advocacy.
• "Arts in Action Annual Report 2004"
  Arts in Action Annual Report 2004, describing the organisation’s work, including the 2004 High Beam Festival, an artistic program including visual arts workshops, music club and choir.
• "Arts in Action Annual Report 2005"
  Arts in Action Annual Report 2005, describing the organisation’s work, including an artistic program with visual arts workshops, music club and choir, and a new mentoring program.
• "Arts in Action Annual Report 2006"
  Arts in Action Annual Report 2006, describing the organisation’s work, including an artistic program with visual arts exhibition, music club and radio program.
• "Arts Disability Technology Library Program"
  Library access, equity, inclusion, and anti-discrimination seminar and presentation sessions
• "High Beam Festival 1998 Poster"
  High Beam Festival Poster 1998 reads "High Beam Festival PRESENTED BY: SPARC DISABILITY FOUNDATION in association with ARTS IN ACTION INC"
• "High Beam Festival - The Tutti Ensemble Holdfast Choir in Concert with David Helfgott"
  Flyer reads "The Tutti Ensemble Holdfast Choir in Concert with David Helfgott with special guests Brian Gilbertson and Jennifer Kneale"
• "Wann Hues and Cool Blues Sunday"
  Invitation reads "Wann Hues and Cool Blues Sunday - Enjoy fantastic gourmet food and fine wine by an open fire in the blissful surroundings of the Governor Hindmarsh Hotel, all the while soaking up the smooth blues of Chris Finnen."
• "High Beam Festival Program 1998"
• "High Beam Festival Program 2000"
  High Beam Program 2000 reads "High Beam 2000 will he launched with an opening parade and concert that promises to he LOUD. IARGE and LAVISH! Weaving a rhythmical and colourful journey along King William Street through to Elder Park where the entertainment will begin. AS 22% of South Australia’s population have a disability, High Beam 2000 Festival presents an inspiring and unique opportunity for all South Australians to discover the wealth of talent within our midst and from abroad."
• "High Beam Festival Program 2002"
  High Beam Festival Program 2002 reads "Welcome to High Beam 2002 Australia's international arts and disability festival, celebrating disability culture from around the globe. In our third biennial festival we explore the significance of the circle. In High Beam Festival 2002, that significance is represented through our international program, 'circular' Wheelie BIG Event, the online community of Tech Arts Express and over 40 companies, performers and community members who span the arts and the globe. High Beam is about showing that living with a disability does not exclude you from creating real, exciting, cutting edge art. High Beam is also about showing what it is like to live with a disability through the medium of art. Get out there and enjoy! We are thrilled to present Australia's own legendary pianist David Helfgott, UK comedian Mat Fraser, the amazing wheelchair dancers from Nepal as well as Belinda Mason - Lovering's Intimate Encounters - a landmark photo-graphic exhibition from Australia."
• "High Beam Festival Program 2004"
  High Beam Festival Program 2004 reads "Welcome to evolve High Beam 2004 – A stimulating and inspiring seven-day cultural experience for people with a disability, families, friends and support workers, artists with a disability, professionals working in the disability sector, art workers and others."
• "Access Arts Annual Report 1988"
  Access Arts Annual Report 1988 - President’s Report, Performance, Workshops