Disability Arts History Australia

Items

• "Bree Hadley, Janice Rieger, Eddie Paterson (2024) Reinhabiting, Reimagining, and Recreating Ableist Spaces: Embodied Criticality In Art. In Ellis, Katie, Kent, Mike, & Cousins, Kim (Eds.) The Routledge International Handbook of Critical Disability Studies. Routledge, pp. 48-58."
  "In this chapter we bring critical disability studies into dialogue with disability artworks that resituate critiques of inaccessibility and exclusion as complicated encounters with space, lived experience and embodiment. Drawing on Irit Rogoff’s (2003, 2006) notions of embodied criticality, and the pioneering work of performance studies scholar Petra Kuppers (2003, 2014), we argue for an embodied, embedded and creative form of critical disability studies – enacted through art. We examine two recent performance and installation works in hotels: Welcome Inn (2019) by British artist Christopher Samuel, and Intimate Space (2017) by Australian performance company Restless Dance Theatre."
• ”Bree Hadley, Janice Rieger, Sarah Barron, Sarah Boulton, Catherine Parker (2023) Codesigning Access: A New Approach to Cultures of Inclusion in Museums and Galleries. In Cachia, Amanda (Ed.) Curating Access: Disability Art Activism and Creative Accommodation. Routledge, Abingdon, Oxon, pp. 183-195.”
  "In museums and galleries, access is often designed and implemented by staff and informed by regulations and guidelines. Codesign approaches have the potential to shift this understanding away from designing access “for” visitors and toward access as a creative process developed “with” visitors. This chapter focuses on the exhibition and practice-led research project Vis-ability: Artworks from the QUT Art Collection, which was presented at the Queensland University of Technology (QUT) Art Museum in Australia in 2019. Vis-ability represented the culmination of five years of international research into access in museums and galleries for visitors who are blind or have low vision."
• "Bree Hadley, Janice Rieger (2021) Co-designing choice: objectivity, aesthetics and agency in audio-description. Museum Management and Curatorship, 36(2), pp. 189-203.”
  "The ‘Vis-ability’ exhibition, presented at the QUT Art Museum in 2019 was an exhibition curated with clear social inclusion goals from the outset. Through it, the museum sought to develop innovative, cost effective, and readily replicable techniques to allow blind and low vision visitors and artists to engage with the institution and its collections. The results affirm the benefits of offering blind and low vision visitors a spectrum of engagement choices, and also affirm that blind and low vision artists and visitors have capacity to make a critical contribution in co-designing that spectrum of choices. This exhibition and its use of multisensorial elements offers a useful prompt to museums to engage this community more fully in co-designing inclusion in the future."
• ”Hadley, Bree, Batch, Morgan, & Whelan, Michael (2021) The entitled ally: Authorship, consultation, and the 'right' to stage autistic people's stories. Disability and Society, 36(9), pp. 1489-1509.”
  "Theatre has a long tradition of presenting disabled characters as plot devices to tell someone else’s story. A recent production, All in a Row, resulted in heated debate around this issue. This article examines not the play itself, but the conflict between those who objected to the play’s representation of autism, and its creators, who defended their choices by citing their disability-adjacent identities and processes of consultation. For critics, the fact that the creators did not take the community’s concerns seriously was a source of trauma. This article uses this conflict to draw out lessons about how we might better negotiate the right to tell disability stories and strengthen frameworks to support that negotiation. We propose a decision tree diagram to assist artists in understanding the meaning, role, and most importantly the potential consequences of consultation – up to and including a community saying ‘no’ to an artist’s planned representation."
• "Nola Colefax and Annee Lawrence (1999) Signs of change : my autobiography and the history of Australian Theatre of the Deaf 1973-83. Deaf Resources Australia"
  "The story of a small group of people making theatre history in a little known Australian community. The book interweaves the personal history of Nola Colefax with the history, culture and development of the deaf community." More on Nola Colefax's contribution to Theatre of the Deaf at https://web.archive.org/web/20241113210108/https://deafinnsw.com/nola-colefax.
• "Anthea Skinner, Grace Thompson, Katrina Skewes McFerran (2022). Professional Pathways for Musicians with Disability in Victoria, Australia. Musicology Australia, 44(1), 21–42. https://doi.org/10.1080/08145857.2022.2088930"
  Reads, in part "The work of disabled musicians has become the focus on of an increasingly large body of academic work; however, existing literature rarely provides details about the educational experiences of these musicians, or how disability impacted these experiences. This study interviewed eleven performing musicians living with disability in Australia to elucidate the barriers and enablers that they faced in their music educations and careers."
• "Anthony White (2021). Anthony Mannix's mixed realities. Art Monthly Australasia, (327), pp. 80-87."
  The Australian artist Anthony Mannix has produced a large body of work, mostly in the form of artist books. His art has featured in dozens of exhibitions; has been the subject of catalogues, journal articles and a PhD thesis; and has entered national and international collections. One of his most recent works, the dazzling, vibrantly decorated 2020 cover of I Am Cut Viciously, features a harrowing self-portrait of the artist. The work depicts Mannix with injuries he sustained while in 'a psychotic state' during a period in 1986 when he was homeless and living in the Royal National Park, New South Wales. As an artist with experience of complex mental health issues, or what he prefers to describe as 'mixed realities', Mannix has often been categorised as an 'outsider' artist.
• "Parkinson's Queensland (2015) Research Study finds Dance has positive benefits for people with Parkinson’s, 4 March 2015, https://webarchive.nla.gov.au/awa/20150311153726/http://parkinsons-qld.org.au/danceforpd/"
  Parkinson's Queensland -Research Study finds Dance has positive benefits for people with Parkinson’s (2015) - reads, in part "Now, in exciting research findings, Parkinson’s Queensland, in conjunction with Queensland Ballet and research undertaken by QUT and The University of Queensland (UQ) demonstrate that Queensland Ballet’s Dance for Parkinson’s program had positive physical, social, cognitive and emotional benefits for participants affected by Parkinson’s."
• "Writeability website, captured 2014"
  Webpage reads, in part "Mentor in Residence – writers with disability can get up to four hours of free, one-on-one support from our in-house Mentor in Residence. This can include meetings, phone or Skype conversations or feedback on up to 5,000 words of your work. Please note that demand for this service is very high, so you will be placed on a waiting list."
• "Writeability website, captured 2018"
  Webpage reads, in part "Write-ability aims to remove some of the barriers that have traditionally prevented people with disability from connecting with writing and publishing. It provides tools and information to support people with disability who want to tell their own stories in their own way. The Write-ability ethos has been based on the importance of self-told stories, disability-leadership and peer support, and the creation of opportunities for even the quietest voices to be heard."
• "Writeability website, captured 2019"
  Webpage reads, in part "Write-ability aims to remove some of the barriers that have traditionally prevented people with disability from connecting with writing and publishing. It provides tools and information to support people with disability who want to tell their own stories in their own way. The Write-ability ethos has been based on the importance of self-told stories, disability-leadership and peer support, and the creation of opportunities for even the quietest voices to be heard."
• "Australian Theatre of The Deaf - Castles in the Air - Poster"
  Poster for Australian Theatre of The Deaf show Castles in the Air - reads, in part "Castles in the Air' is a series of short stories, comedy skits, images and songs."
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2020"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2020, including reports on work during the year (Let Me Dry Your Eyes, The CHAIN, What Makes You Beautiful), and reflections on the impact of Covid 19 Pandemic
• "DADAA No Fixed Address - Promotion Card"
  DADAA No Fixed Address 2017-2020 promotion card - Coverreads, in part "No Fixed Address was a project developed by DADAA in partnership with and a group of Perth-based contemporary artists and filmmakers. Centred in Fremantle’s East End, an area currently undergoingmass gentrification, is St. Patrick’s Community Support Centre, which for the past 40 years has worked to support those who are experiencing homelessness or at risk of becoming homeless."
• "Writers Victoria profile postcards of Write-ability Fellows - Giovanni di Mase"
  Writers Victoria profile postcards of Write-ability Fellow Giovanni di Mase
• "Writers Victoria profile postcards of Write-ability Fellows - Heidi Everett"
  Writers Victoria profile postcards of Write-ability Fellow Heidi Everett
• "Writers Victoria profile postcards of Write-ability Fellows - Kate Wood"
  Writers Victoria profile postcards of Write-ability Fellow Kate Wood
• "Writers Victoria profile postcards of Write-ability Fellows - Nicole Smith"
  Writers Victoria profile postcards of Write-ability Fellow Nicole Smith
• "Writers Victoria profile postcards of Write-ability Fellows - Robert O’Brien"
  Writers Victoria profile postcards of Write-ability Fellow Robert O’Brien
• "Writers Victoria profile postcards of Write-ability Fellows - Sarah Widdup"
• Braille and Audio Library
• Sidetrack Theatre
• "Writeability website, captured 2016"
  Webpage reads, in part “Before the advent of Write-ability, writing programs for people with disability in Victoria were few and far between. Examples of successful Australia writers with disability are rare (and deaf writers even more so). Consequently, the number of authentic voices recording the stories of the lived experience of disability has been limited.” Webpage contains information about Write-ability Mentor-in-Residence; Write-ability Fellowships; Write-ability recent projects such as a series 2014 postcards/memes profiling writers, and support, professional development, and writers groups.
• "Writeability website, captured 2015"
  Webpage reads, in part "Write-ability aims to support writers with disability wishing to develop their skills and writing careers. Our projects and activities change every year and can include workshops, writing groups and performances. In 2015 Melbourne writers with disability can join us for our fortnightly Write-ability Writers Group sessions from 1-3pm on the following dates. Please book one or more sessions."
• SYNC Leadership Program