Disability Arts History Australia

Items

• Juliet London
• "Interview with Emiko Artemis"
  Dr Emiko Artemis is a visual artist with a PhD and a history of both solo and group exhibitions. Interview Summary Emiko Artemis identifies as a non-binary queer disabled visual artist. Emiko acknowledges their work essentially reflects their personal experiences with disability and comments on society. Despite interpersonal challenges due to disabilities, Emiko cherishes occasional collaborations, facilitated by clear structures or supportive relationships. Their artwork, often seen as "weird" to the public, aims to be thought-provoking rather than being particularly political. Emiko values the growing visibility of disability in the arts and the increase in acceptance of diversity in society. They proudly embrace their own identity as an integral aspect of their creative practice
• Juliana Engberg
• John Wilson
• John Rassmussen
• John Rasmussen
• Jenny Taylor
• Jenny Ngo
• Jason Crowhurst
• Jan Smietanka
• Isaac Trew
• Heather Hill
• Greg Stebbing
• Grace Lam
• Giorgio Mouzakitis
• George Fairfax
• George Aristovoulou
• Fiona Robertson
• Ellese McLindin
• Donna Eerden
• Donald Muir
• Dee Buman
• David de Haas
• "Interview with Nick Hughes"
  Nick has worked as an actor, director, writer, artistic director, dramaturg and was the Company Manager for Restless Dance Theatre Interview Summary Nick Hughes is a retired arts administrator who has worked in various capacities within the arts industry, including as an actor, writer, stage manager, and notably as the company manager for Restless Dance Theatre. Nick gained degrees in drama, and sociology, and moved from the UK to Australia in 1973. During the interview, Nick reflects on his significant contributions to the arts and disability sectors. Despite being unfamiliar with disability arts in the beginning, Nick says he became deeply involved and committed to the field, valuing disability arts for the social and political aspects. Nick discusses witnessing first-hand the growth and development of individuals through creative expression. Throughout his career, Nick says he has seen the evolution and increasing recognition of disability arts as a legitimate and powerful art form capable of altering people’s perceptions and advocating for inclusivity and equality in society.
• Collin Pidd