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“Arts Access Victoria – Annual Report 2000-01” -
“Arts Access Victoria – Annual Report 1999-2000” -
"Incite Arts website, captured 2024" InCite Arts website, captured 2024 - About, Current Programs, News -
"Arts Project Australia - Publications, captured 2022" Arts Project Australia - Publications - Includes information about SINCERELY YOURS ZINE 2022, ART ET AL. BROADSHEET ISSUE 1 2021 (inclusive, curated international art platform that commissions and presents collaborations between artists from supported studios, artist peers and arts professionals), ANTIDOTE 2021, REACHING POTENTIAL (REPORT 2021 (including exhibition essay by Dr Marion Piper Words Make Worlds), A SENSE OF PLACE 2003 (including The Significance of Space, The Meaning of Place by Dr Cheryl Daye and Kitty Ginter), VALERIO CICCONE: PERIPHERAL OBSERVER 2012 (including Peripheral Observer catalogue essay ‘This is me – some thoughts on the art of Valerio Ciccone’ by curator Glenn Barkley pp. 8-10), VIDEO DOCTOR 2013 (including essay by Geoff Newton), SO FAR… eight artists / eight stories 2014, IT TAKES MORE THAN 140 CHARACTERS TO WRITE A NOVEL (2015 (Including exhibition essay by curator Dr Vincent Alessi), AUTO BODY WORKS 2018, FEM-aFFINITY 2019 (including FEM-aFFINITY catalogue essay If Collaboration is the Method, Activism is the Intention by curator Dr Catherine Bell pp. 19-24), POP UP STALL: The Festival of the Photocopier Zine Fair -
"Accessible Arts - Annual Report 1998" Accessible Arts - Annual Report 1998 - ACE Magazine, Issue 20, 1999, includes Strategic Plan, 1998 Annual Report, 1998 Accounts, What's on & Info, with Staff, Strategic Plan includes Guiding Principles and Key Directions, Annual Report includes Aims and Objectives, Chairperson Report, Treasurer Report, Executive Officer Report , Consultancy, Regional Networks, Partnerships, Resources, Administrator Report , Financials -
"Australia Council - Annual Report 2006-07" Australia Council Annual Report 2006-07 - discusses letter from chairman, year in review, from the CEO, Excellent and Distinctive Art from various artforms, Access for all Australians from various artforms, A strong and vibrant arts sector including artist’s earnings, philanthropic support and arts sector development, About the Australia Council, Governance, Organisation, Accountability, Workplace and Financial statements but no longer listing grants of organisations or individuals however discusses the DADAA WA – Lost Generation Project where a five year project intends to have more than 360 people with intellectual disabilities create self-portraits on film – one of the outcomes of DADAA WA receiving $104,775 in 2006-07 as a key organisation of the community partnerships section. -
“Arts Access Victoria – The Present and the Future (2020 – present)” Arts Access Victoria – The Present and the Future (2020 – present)- increased technology and digital literacy training and online programs and projects including Alter State Festival and celebrated 50 years in 2024 -
"Back to Back Theatre - Website - BriefHistory, captured 2008" Back to Back Theatre 'Brief History' page, with PDF document of history captured 2008 - reads, in part "Back to Back Theatre evolved out a community arts project that began in Geelong in 1987. The project included disability service providers Corilong and Karingal, the Geelong Children's and Youth Support Services (CYSS) and Deakin University's Performing Arts Course (attached to the Mill Theatre) Individual artists and other members of the Geelong community were also involved." Includes list of Professional Productions (including ‘Big Bag’ 1987-88; ‘Stinking Houses’ 1989; ‘The Peg Machine’ 1990; ‘Everything and the Mermaid’ 1990, ‘I Don’t Want to Live in Lara Anymore 1991; ‘Yell Blue Murder’ 1991; ‘Woodenhead’ 1992; ‘The Adventures of Bobbi Dazzler’ 1992; ‘Voices of Desire’ 1993; ‘Freak Show with Circus Oz 1994; Back to Back in Shorts 1995; Road Movie with Melbourne Workers Theatre 1996; Minds Eye with Handspan Visual Theatre 1996; Peter Pan with Arena Theatre Company 1997; Mr September 1997; Boomtown with Snuff Puppets 1998; Mental 1999; Dog Farm 2000; Pornstar 2001; Soft 2002; Cow 2003; Small Metal Objects 2005), and Community Productions (including Ritual with Matthew Flinders Girls Secondary College 1998; Push Push 1999; Drag Racers in Love with Nelson Park School 1999; Arnold 2000 Fishman with Theatre of Speed 2001; Inside the Angel House with Theatre of Speed 2003; Minotaur with Theatre of Speed 2005; DMI with Theatre of Speed 2007; Pod Residences with Night School, Awakenings Festival, Brr Theatre Group, Ants Pantz Arts, Break of Day Players, Theatre of Speed, Arts Action and Amalgamation Festival 2003-2006), and films (including Mullet (1995), White Maggots (1996), Spill (1997), Mark Deans Human Cannonball (1998), Underpants (1999), Backscratch (2000), Porn Star (2002), Rhian Hinkley Theatre of Speed vs. BOZ'n'HOK, vs. HUGE COVILL (2004), D9 (2005), Out of our Minds (2001)). -
"InCite Arts - Close To Me" Poster for "Close to Me" music and movement project, directed by Kat Worth -
“Australia Council – The Arts, captured 2010” Website includes: The arts, Aboriginal and Torres Strait Islander Arts, Artists and organisations, Community partnerships, Dance, Inter-arts, Literature, Market development, Music, Theatre, Visual arts -
"Tutti Arts - Between the Worlds - Program 2007" Tutti Arts - 'Between the Worlds' 2007 Program - reads, in part “The first stage of Between the Worlds In May 2004 was called Circles and was about relationships with significant people In our lives. The second stage development this year Involved Interviewing all our actors to explore deeper relationship themes. One of these interviews was with our talented male lead, Alistair Brasted who said: "I've always felt between the worlds, not knowing where I really belong". This Insight resonated with all our artists and became the theme of the whole script because they had all experienced feelings of exclusion. The story of Romeo and Juliet and their love which transcends hate and divisiveness served as inspiration for Between the Worlds. In our story the Innocence of Isabella and Oliver's love In the face of adversity has allowed us to explore universal questions of discrimination and difference which lie at the heart of violence. Such stories have been with us since the beginning of time. Like the script, the songs and music for Between the Worlds are the expression of the Individual voices of our actors.” -
"A Frame Exhibition And Art Auction 2008" Except as permitted by copyright law, you may not reproduce or communicate any of the content on this website, including files downloadable from this website, without the permission of the copyright owner. The Australian Copyright Act allows certain uses of content from the internet without the copyright owner’s permission. This includes uses by educational institutions and by Commonwealth and State governments, provided fair compensation is paid to the copyright owner. For more information, see www.copyright.com.au and www.copyright.org.au. -
"Arts Project Australia - Annual Report 2004" Arts Project Australia - Annual Report 2004 - President’s Report, Director’s Report, Studio Manager’s Report, Exhibitions Report, Financials - reads, in part “Arts Project Australia was founded in 1974. It had the express purpose of exhibiting the art work of people with an intellectual disability in a manner that accords therr1 the same dignity and respect as other artists.” -
"Tutti Arts - Stand and Deliver Showcase - Program" Tutti Arts - 'Stand and Deliver Showcase' 2019 Program - reads, in part "ABOUT STAND & DELIVER In 2019 Tutti Arts received NDIS ILC grant funding to run a program called Stand & Deliver which aims to increase the capacity of individual artists or groups of artists with disability to promote their work to the world. The program was tailored to the goals and skills of individuals and offered a mix of one-on-one and group sessions." -
"Restless in Alice - Media Release" Media release reads, in part, "Restless Dance Theatre’s Artistic Director Michelle Ryan is visiting Alice Springs next week to work with InCite Arts and the ‘stArts with D’ Performance Ensemble." -
"Tutti Arts - Six Swans - Program" Tutti Arts ‘Six Swans’ 2015 Program – reads, in part “Six Swans is the first collaboration of its kind and we are thrilled to be working together on this production. Tutti is one of Australia's leading disability arts organisations- working to promote the work of disabled artists to the world, and UniSA is at the forefront of providing flexible, compelling industry-relevant learning experiences for students. Productions of this nature are immensely valuable because they break down barriers, enrich the lives of all participants, and create opportunities for graduating and emerging artists involved.” -
"Interview with Tina Fielding" Tina is a writer, actor, film maker and disability advocate Interview Summary Tina is an actress with Down Syndrome who identifies strongly with her art form, viewing her disability as an ability that enhances her talent and quality in storytelling through acting. She enjoys the process of acting and finds joy in watching her family perform, which inspired her to pursue the craft; however, she acknowledges that there are difficult moments that can be challenging but ultimately rewarding. Her artistic journey has involved working with various local companies in Perth and her work has evolved by adapting to new roles, with the aim of authenticity in her performances. Tina's influence and acknowledgment in the field are growing, noted by positive media attention, and she encourages other artists with disabilities to embrace and identify with their unique abilities. -
"New works by Nathaniel Edington and Too Many Legs by Bryan Tingey and Freight by DADAA" Flyer reads "You are invited to the launch of new works by Nathanael Edginton," and "Adelaide artist Bryan Tingey presents a new body of work that exhibits the varied influences of philosophy, history and psychology informing his work and his experimentation with the artforms of graffiti and , iconography and hieroglyphics. Freight is the latest shipment of outsider art on the move from WA. The exhibition showcases the work of three Western Australian artists working in textiles, photography and digital media." -
"Blue Roo Theatre Company - AnnualReport 2019-20" -
"InCite Arts - NT Arts Access Awards - Invitation 2011" InCite Arts - NT Arts Access Awards - Invitation 2011 -
"Incite Arts - NT Arts Access Awards and Certificates of Commendation 2018" InCite Arts and Arts Access Darwin announcement of NT Arts Access Awards and Certificates of Commendation 2018 -
"Incite Arts - NT Arts Access Awards and Certificates of Commendation 2019" InCite Arts and Arts Access Darwin announcement of NT Arts Access Awards and Certificates of Commendation 2019 -
"Jodee Mundy Collaborations - Imagined Touch - Live Show" Reads, in part "Imagined Touch is a multi-sensory arts performance project exploring the fascinating world of Deafblind culture with its own tactile sign language, unique relationship to the senses, space and navigation of the world." -
"History of Queensland Theatre of the Deaf" History of Queensland Theatre of The Deaf. Queensland Deaf Society Superintendent Leslie Abnett’s proposal for a Queensland Theatre of the Deaf in 1974, initiated via arrangement with the Australian Elizabethan Theatre Trust to have the National Theatre Trust perform in Brisbane and for a workshop at La Boite Theatre in 1974. Formation Founding Committee (Kerry Prior, Mary Gibbs, John O’Donnell, Leslie Abnett as Office Bearers, Lloyd Nickson as Artistic Director, Keith Puddlefoot as Technical Director, and N. Bricknell, R. Hilsdon, K. Donnell, M. Bergman, P. Arnold, A. Lynch, D. Villis as Committee Members). Company Aims, Workshops at the Queensland School for the Deaf, rehearsals for a core adult group and a junior group at the new D.M. Chadwick Hall at the Queensland Deaf Society at Newmarket in Brisbane – production history including changes in Artistic Director (from Llyod Nickson in 1975, to Nickky Bricknell in 1977, to Ken Donnell in 1979). Company technique, stated as “Our Technique is a combination of Visual Language, Sign-Mime (visual vernacular), Mime and the Spoken Word – a blending of hearing actors and conventional acting ideals with imaginative mime, expression and manual language of the Deaf.” -
"InCite Arts - NT Arts Access Awards - Invitation 2012" InCite Arts - NT Arts Access Awards - Invitation 2012