Disability Arts History Australia

Items

• "Incite Arts - Unbroken Land 2016"
  Incite Arts - Unbroken Land 2016 - reads, in part "The vision for this years’ UNBROKEN LAND was to create art that is about a world we want to live in and not the one that is currently shown us in much of popular culture. So much is overwhelmingly negative and self-perpetuating. We are told we are a divided, racist, intolerant and bigoted society."
• "Australia Council - Annual Report 1976-77"
  Australia Council Annual Report 1976-77 discusses membership, the year in review including NSW Theatre of the Deaf as the only funded organisation working in nonverbal theatre with production of “King Lear”, and grants paid by Australia Council including Salaries, travel and costs for NSW Theatre of the Deaf and Braille Book of the Year Award, funding the program of entertainment for the old, sick and handicapped in homes, programs including salary and costs for Arts Access Society (Victoria) and performances by Arts Access Society and Arts Council of Australia (Victoria).
• "Arts Project Australia - Gallery, captured 2022"
  Arts Project Australia - Gallery - website captured 2022 - reads, in part "HOW APA REPRESENTS AND SUPPORTS ITS ARTISTS Arts Project Australia advocates, supports and promotes studio artists within the broader contemporary arts sector nationally and internationally. The gallery promotes the work of its diverse group of emerging, mid-career and established Australian artists who work in the studio through the Collingwood gallery and national and international exhibitions, art prizes, and awards."
• "Interview with Julie Moralee"
  Julie Moralee is the Chief Executive Officer of Restless Dance Theatre, bringing a wealth of experience in marketing, business development, and festival organisation within the arts sector. Her leadership focuses on showcasing the talents of artists with disability and ensuring sustainable employment opportunities in the arts. Interview Summary Julie Moralee is the CEO of Restless Dance Theatre, where she has focused on promoting the talent and abilities of artists with disability. With a commitment to ensuring sustainable full-time employment in the arts for these artists, she emphasises the importance of audience impact and high-quality performances as measures of success. Julie is mindful of the challenges and perceptions within the disability arts sector and envisions a future where the label "disability art" becomes obsolete, as the quality of the work transcends its creators
• "Indelability Arts - Business Plan 2020-22"
  Indelability Arts Business Plan 2020-2022 provides information about Indelability Arts Mission “To provide creative, innovative opportunities for Queensland artists,” Board, Artistic Directors, Company Development, Program, and Marketing Staff, Associate Artists and Ensemble, Performance and Workshop programs, Funding, Goals, and Point of Difference – stated as “indelabilityarts pushes boundaries and expectations with its artists and audiences to think outside the box of what is attainable”
• "Sprung!! Integrated Dance Theatre - River Stories"
  Page reads, in part, "River Stories is an inclusive and accessible workshop bringing First Nations contemporary culture and disability culture together, drawing on the yarns of Bundjalung Elder Julia Paden and led by local First Nations artists Mitch King (Yaegl/Bundjalung) and Jade Dewi Tyas Tunggal (Aust/Java)."
• "A Month Of Mayhem"
  RealTime article on A Month of Mayhem, "A program of screenings, exhibitions, performances, seminars, and workshops by Deaf and colourblind artists for all audiences," presented by Access2Arts, in partnership with Adelaide Film Festival, Australian Network for Art and Technology (ANAT), Arts Access Australia, Unlimited UK, Tutti Arts, Sit Down Shut Up and Watch Film Festival
• "Arts Project Australia - Manifesto, captured 2022"
  Arts Project Australia - Manifesto - reads, in part "Fuelled by an unwavering belief in our artists, we’re buoyed by the creativity and authenticity that exists in our space and heartened by those who delight in sharing it. We believe that art is serious, but making it can be fun. The individual creativity triumphs over conformity and divergent voices make life much more interesting. That art is about revealing ourselves and creating meaningful connections – between artists, staff artists and art lovers. Our experience will always be shared, our knowledge passed on and our studio, bound by creativity, integrity and generosity in equal measure."
• “Arts Access Victoria – Annual Report 2002-03”
• "Access Arts Annual Report 1992"
  Access Arts Annual Report 1992 - Director’s Report, Project Officer’s Report, Program Manager’s Report, exhibitions, workshops, regional arts, touring, (DADAA) at ARTAbility Conference at the Queensland Cultural Centre 1992
• "Access Arts Annual Report 2005"
  Access Arts Annual Report 2005 - Indigenous Projects Report, Workshops, Sound Circles Project Report
• "Accessible Arts and Tin Sheds Gallery - AART-BOXX 2008 - Program"
  Accessible Arts and Tin Sheds Gallery- AART-BOXX 2008 Program - reads, in part "AART.BOXX is an exhibition and cultural initiative that highlights the current and diverse art practices of young and emerging artists with a disability. Initiated by Accessible Arts, the peak arts and disability body in NSW, AART.BOXX aims to extend and challenge current discourses within contemporary art by including art practices that are informed by cultures of disability. These artists are a creative force whose unique voices are often marginalized within the broader cultural context."
• "Crossroad Arts Annual Report 2015"
  Crossroad Arts Annual Report 2015 - Project Reports
• "Incite Arts - Creating Accessible and Inclusive Events"
  Information about InCite Arts, the stArts with D performing arts ensemble, Unbroken Land platform for collective community storytelling, and Southern Ngaliya Intergenerational Warlpiri Women’s song and dance programs, and how InCite Arts creates accessible, inclusive, disability-led and community-engaged programs
• "DADAA Annual Report 2014-2015"
  DADAA Annual Report 2014-2015 - Chairperson and Executive Director’s Reports, Staff list, Staff training and development, Capital works, Participation, Programs including Projects and Performances, Galleries and Exhibitions, Regional Programs, Sculpture at Bathers, StARTSpeak, Art Link Be Active Program for Children and Young People, Awesome Festival, Community Arts and Recreation Program, Wangaree Community Centre, South African Arts Development Program, DFAT Sri Lankan Fellowship, Circus and Fusion, Nexus Arts Grant, Partnerships, and Financials
• "Interview with Graham Wilfred Junior"
  Graham Wilfred Junior is a Yolngu man and artist with Incite Arts where he works with different mediums including filmmaking, writing, performing and music. Interview Summary Graham, an emerging artist with spina bifida whose father inspired his passion for art, has pursued various art forms including painting, music, and digital art, now calls Mparntwe/Alice Springs home, and is venturing into theatre and filmmaking. His digital artwork, through the creation of the indigemoji app, helps teach the Arrernte, the language of the First Nations people of Mparntwe/Alice Springs. He now seeks to expand his impact through acting and creating films. Graham's motivation is to both celebrate and inspire people with disability, aiming for recognition as an artist rather than focusing solely on his disability. Graham shares his journey with Incite Arts, highlighting his involvement in music workshops, acting classes and script development, emphasizing the importance of representation and empowerment for individuals with disability. Ultimately, he aims to document his experiences and create impactful performances that leave a legacy to encourage others to pick up where he leaves off, ensuring the continuity of artistic expression within his community.
• "Access Arts Annual Report 2014"
  Access Arts Annual Report 2014 - Exhibition, Playwriting, Performance, Workshops, Indigenous Projects, Mentorship, Creative, and Professional Development, Awards
• "Australia Council - Annual Report 1992-93"
  Australia Council Annual Report 1992-93- discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, projects, writers fees and expenses and resource development
• "Tutti Ensemble - History"
  Tutti Ensemble History - reads, in part "Tutti ~nsemble is a fully integrated choir including people with disabilities and members of the wider community in Adelaide. It has become known for its nonstereotypical music-theatre productions for the main stage and community events."
• "Crossroad Arts Annual Report 2017"
  Crossroad Arts Annual Report 2017 - Artistic Director/CEO Report, Partnerships, Professional Development/Mentoring Opportunities, Major Outcomes: Artistic, International, Succession
• "Let Me See - review by Keiran Finnane 2015, captured 2016"
  Describes InCite Arts ‘Starts with D Performance Ensemble’ members Tiffany Malthouse, Matt Woodham, Brandon Williams, Martin Armstead and director Kat Worth’s production of ‘ Meet You at the Edge’, as part of ‘Let Me See’ produced by Red Hot Arts Central Australia at Araluen Centre for the Arts, including film, use of audio description, writing, and choreography
• "DADAA Opportunity and Awareness Report"
  Opportunity & Awareness Report prepared by Gay McCormick-Saunders for Disability in the Arts, Disadvantage in the Arts (WA) Inc. (DADAA) in 1995, includes information on Disabled artists in database, trainers willing to work with disability groups, accessible workshops, including organisations developing programs, support, resources, and funding required, and recommendations.
• "Australia Council - Annual Report 1991-92"
  Australia Council Annual Report 1991-92 - discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, artists and playwrights in residence and resource development and an award for the Royal Blind Society's Talking Book of the Year for “Poppy”
• "Tutti Arts - Standing Up Standing Out - Promotional Card"
  Tutti Arts 'Standing Up Standing Out' Exhibition 2018 Promotional Card - reads, in part "Standing Up, Standing Out will see Tutti Arts visuals artists come tog.ether with the Sikh community to engage in cultural discourse. Artists will embellish turban cloth with their art, engaging in a mutual exchange of sacred objects, turbans and_ art. Gracing the gallery •n their unwrapped state, these turbans will be accompanied by a series of photographic works that capture this dewtoping relationship. Reflecting the different styles of the artists, the works willl be bold and colourful with details and textures that invite the viewer to take a closer look."
• "Australia Council - Annual Report 2013-14"
  Australia Council Annual Report 2013-2014 – discusses year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council; financial review and discussion of funding for numerous programs including a new Artists with Disability Program grant which funded development opportunities and creative projects for practitioners with disability and the dance board funded development and presentation of new work, workshops and residency programs, and strategic initiatives that focus on leadership, development and collaboration with a highlight being the “Torque Show” supported for the Melbourne premiere of “Intimacy”, a collaboration with Michelle Ryan presented as part of the Unlimited Festival in London which celebrates originality of artists with disability.