Disability Arts History Australia

Items

• "Hot Pink Goanna Studios - Deadly With Disabilities, Website captured 2024"
  Hot Pink Goanna Studios: Deadly With Disabilities, website captured 2024 - with About, Gallery, Commisions, and Prints sections - reads, in part "Hot Pink Goanna was developed by Uncle Paul Constable Calcott a proud Wiradjuri man and artist living with a disability on Gubbi Gubbi Country. Hot Pink Goanna showcases the works of Uncle Paul and other First Nations artists living with a disability."
• "Interview with Peter Vance"
  Peter Vance is a singer, songwriter, musician, performer, facilitator and disability arts advocate. Interview Summary: Peter Vance is a songwriter, performer, musician and singer. Peter suggested disability arts in the last 20 years has become more visible and popular reflecting a positive shift in how society views disability as part of the rich tapestry of human experience. This is reflected in how the arts now tell the stories of individuals with disabilities, not simply as artists with a disability, but as whole people whose varied experiences - visible and invisible - inform and enrich their creative expression. However, there are still challenges with funding and accessibility and ongoing struggles for recognition and support of disability art. Changes in how organisations operate to suit new funding such as the NDIS have potentially limited the spontaneity and personal touch that smaller, community-driven organizations once offered. Peter said it is essential to continue to push for better understanding, support, and visibility for people with all kinds of disabilities in every aspect of life, including the arts, to truly embrace inclusivity.
• "InCite Arts Annual Report 2006"
  InCite Arts Annual Report 2006 - includes Chairperson and Artistic Director's Messages, Projects, Guest Hip Hop Artists Monkey Marc & Elf Tranzporter, Memberships, Partners
• "Incite Arts Annual Report 2014 - Online"
  InCite Arts Annual Report 2014 - Chairperson, Artistic Director and Community Cultural Development Manager Messages, Projects (SPRUNG Youth Dance, Partnership with Warlpiri Youth Development Aboriginal, ‘Red Sand Culture’ Music & Dance Mentoring, ‘Southern Ngalia’ Cultural Dance, ‘stArts with D’ Performance Ensemble, School Partnerships - Artists in Residence program: Acacia Hill School & Centralian Middle School)
• "Incite Arts Annual Report 2014"
  Incite Arts Annual Report 2014 - Chairperson, Artistic Director and Community Cultural Development Manager Messages, Projects (SPRUNG Youth Dance, Partnership with Warlpiri Youth Development Aboriginal, ‘Red Sand Culture’ Music & Dance Mentoring, ‘Southern Ngalia’ Cultural Dance, ‘stArts with D’ Performance Ensemble, School Partnerships - Artists in Residence program: Acacia Hill School & Centralian Middle School)
• "Accessible Arts - Activated Arts Podcasts"
  Accessible Arts - Activated Arts Podcasts - reads, in part "Get turned on to a different kind of creativity! The Activated Arts podcasts, produced in association with Accessible Arts and 2RPH Radio, explore and showcase the unconventional talent and distinctive work of professional arts practitioners with disability."
• "InCite Arts - Programs, and 2012, 2013, 2014 Annual Reports"
  InCite Arts programs, and 2012, 2013, 2014 Annual Reports, captured 2018 - ‘Red Sand Culture’ youth focused music and dance mentoring program, ‘SPRUNG Youth Dance’, ‘Southern Ngalia’ intergenerational Warlpiri Women’s song and dance program, ‘stArts with D’ Performance Ensemble
• "Incite Arts Disability Engagement Policy and Action Plan 2020-25"
  InCite Arts Disability Engagement Policy & Action Plan, reads, in part "People with disability are a key focus of InCite Arts. When we say we work with people with disability, we mean anyone with sensory or physical impairments, hidden impairments, intellectual or neurological impairments or mental health issues. We welcome and value the participation of people with disability in all areas of our work, and we aim to make sure that people with disability have full access to our program, organisation and venues."
• "Australia Council - Annual Report 1974-75"
  Australia Council Annual Report 1974-75 lists funding to Spectrum Films for a screenplay on social pressures of deaf mute, grant to Lloyd Nickson to attend theatre for deaf children (USA & UK), funding to Wheelchair and Disabled Association (as it was known 19for jewellery making tools and equipment, and Arts Council of Australia/Victoria (as it was known 1966-1998, before name changed to Regional Arts Australia) for salary of assistant and utilities for Arts Access Program
• "Australia Council - Awards - National Arts and Disability Awards 2019-2021"
  The website reads “The Australia Council National Arts and Disability Awards 2019-21 celebrate the work and achievements of both established and young artists, and the significant contribution of artists with disability to the vibrancy of Australian arts”
• "Australia Council - Annual Report 2021-22"
  Australia Council - Annual Report 2021-22 - reads, in part "Following a review of our 2019–21 arts and disability initiatives, the Council expanded support for sustainable careers and the celebration of the achievements of artists with disability. We have committed investment of almost $1 million over 2022–24 through the National Arts and Disability Awards, Mentoring Initiatives, as well as a new fellowship for d/Deaf and Disabled artists. We will also continue our partnership with Arts Access Australia on the awards." and "Safe in Sound is an exploratory concert series for people with disability and their families and supporters. The group offers real-time, in-person interaction, connection and communication through sound as an alternative to listening to recorded music or watching television."
• "Australia Council - Annual Report 1983-84"
  Australia Council Annual Report 1983-84 - discusses main activities of Council and its eight Boards, and includes financial statements and lists of grants made including artist fees, performances for handicapped, production of radio material for blind, and activities for Theatre of the Deaf.
• "Arts Project Australia - Commissions, captured 2022"
  Arts Project Australia - Commissions - reads, in part "re you seeking a specific work of art, or perhaps looking for a unique and personal gift idea? Have you ever thought about commissioning an artwork from an Arts Project artist? Many of our artists have worked on artwork commissions for clients and friends of Arts Project. Artists will often create works from images supplied by the client and, to date, our artists have painted and sculpted portraits, family members, pets, animals and homes."
• "Interview with Roz Hervey"
  Roz Hervey is a Creative Producer with Restless Dance Theatre and is also a director, dance theatre performer and lecturer. Interview Summary: Roz Hervey, the creative producer of Restless Dance in Adelaide, previously worked as a dancer and dance theatre artist in Australia and the UK. Her approach with Restless Dance involves creating personal and reflective dance theatre by giving dancers specific tasks. Roz does not view the performers as disabled but as exceptional artists telling unique stories, and she aspires to change societal attitudes and encourage diversity in art. Despite progressing towards inclusive perceptions, she still encounters patronizing attitudes and misconceptions about artists with disabilities.
• "Australia Council - Annual Report 1978-79"
  Australia Council Annual Report 1978-79 discusses membership, members of boards, senior staff list, principals and precautions of grants, grant lists, programs including funding for multi arts camps for handicapped children, salaries and travel for NSW and QLD Theatre of the Deaf, and presentation and production costs for Braille and Talking Book Award for 1979.
• "Interview with Alex Creece"
  Alex Creece is writer, poet, editor, collage artist, and average kook living on Wadawurrung land. Interview Summary Alex Creece, focused on her experiences and journey as a disabled artist and writer in Australia. Alex discussed the importance of building a community and the challenges of balancing personal identity with maintaining professionalism in art. Alex expressed a desire for increased accessibility and recognition in the industry, highlighting the need for continued support of disabled artists. Throughout the conversation, the complexity of disability arts' visibility, identity politics, and the definition of creative success were explored, with Alex providing insight into her own work as well as broader industry trends and challenges.
• "Access2Arts Artist Profiles as first added to website in 2017"
  Access to Arts Artist Profiles as first added to website in 2017
• "Australia Council - Disability Fact Pack 1998"
  The website reads “Outlines a variety of issues for arts organisations regarding people with disabilities including access, attitude, employment and discrimination” - Noelene Gration
• "Incite Arts - News, captured 2018"
  InCite Arts News, captured 2018 – Awards, Announcement of plan to host Arts Access Australia Meeting Place Arts and Disability Forum in 2018, new ‘Sounds Good to Me’ music program, visit from Tutti Arts’s Choir and Sisters of Invention music group, and ‘stArts with D’ Performance Ensemble
• "Interview with Matthew Shilcock"
  Matthew Shilcock is a stage and film performer, dancer, director, choreographer, producer, project planner, manager, consultant and disability advocate. Interview Summary Matthew Shilcock, a contemporary dancer, lives with osteogenesis imperfecta, a condition that led him to discover dance as an affordable alternative to physiotherapy. His 12-year dance career has been shaped by working with both disabled and non-disabled artists, including elite companies and individual dancers, where he found a passion for the unique problem-solving and rewarding experiences that come with working with disabled dancers. As he transitions from performer to dance maker, Matthew's motivation has shifted from personal excitement and self-discovery to a focus on the next generation, aiming to pass on his unique experiences and methodologies. He acknowledges that while being on stage as a disabled artist can be inherently political, he values his authenticity and the impact of his work over the perceptions and labels placed upon disability in the arts.
• "Arts Project Australia - Annual Report 2014"
  Arts Project Australia - Annual Report 2014 - President's Report, Executive Director's Report, Board & Staff, Personal Perspectives, 40 Years of Highlights, Our Artists, Exhibition Report, Studio Philosophy, Financial Statements - reads, in part "OUR MANIFESTO We march to the beat of our own drum and map our own future. Fuelled by an unwavering belief in our artists, we're buoyed by the creativity and authenticity that exists in our space, and heartened by those who delight in sharing in it."
• "Access Arts Newsletter 1998"
  Access Arts Newsletter, 1998 - Executive Director, Program Manager, Regional Indigenous Project Officer reports, information about workshops, events, and touring
• “Tutti Arts 2018 Highlights”
  Tutti Arts 2018 Highlights – information about The Sisters of Invention , Sit Down Shutup and Watch Film Festival, Company AT, OzAsia Festival
• "DADAA Annual Report 2011-2012"
  DADAA Annual Report 2011-2012 - information about Vision, Mission and Goals, Chairperson and Executive Director’s Reports, Staff list, Participation, Programs including the Lost Generation Project, Sculptures by the Sea Tactile Tours, StARTSpeak, Art Link Children and Young People’s programs, Aging & Disability, Fourth International Arts And Health Conference, WA Disability Arts Grants Program, Regional Development and Consultancy, Partners, and Financials
• "Access Arts News June 2002"
  Access Arts Newsletter, 2002 - Member profiles, touring, performing arts workshops, Brisbane Outsider Artists (BOA) activities, regional activities