Disability Arts History Australia

Items

• "NuunaRon Art Group - ‘Elder Journey’ Artwork Story by Paula Wootton"
  First Peoples Disability Network NuunaRon Art Group - ‘Elder Journey’ Artwork Story by Paula Wootton - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘My Healing Journey’ Artwork Story by Eve Kitchener"
  First Peoples Disability Network NuunaRon Art Group - ‘My Healing Journey’ Artwork Story by Eve Kitchener - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "Back to Back Theatre - You Tube - Small Metal Objects (2005), uploaded 2016"
  Back to Back Theatre YouTube - Small Metal Objects (2005) - reads, in part "An ingenious theatrical gem, small metal objects unfolds amid the pedestrian traffic against the backdrop of the city. On a raised seating bank with individual sets of headphones, the audience is wired in to an intensely personal drama being played out somewhere in the crowd."
• "Back to Back Theatre - You Tube - The Democratic Set (2012), uploaded 2013"
  Back to Back Theatre You Tube - The Democratic Set (Sydney 2012) - reads, in part "THE DEMOCRATIC SET is a rapid series of short live performances and screen-based video portraits created in collaboration with communities."
• "Back to Back Theatre - Ganesh Versus the Third Reich -(2011), uploaded 2013"
  Back to Back Theatre You Tube - Ganesh vs the Third Reich (2011) - reads, in part "GANESH VERSUS THE THIRD REICH is poignant, beautiful, disarming, full of vulnerability and sly transparency."
• "Access Arts - You Tube - 30th Anniversary Event Highlights"
  Access Arts - You Tube - 30th Anniversary Event Highlights - reads, in part "Guests attending the Access Arts' 30th Anniversary celebration give their thoughts on the importance of supporting Queensland artists with disability. The event was held at the Brisbane Powerhouse in November 2013" http://youtu.be/pV_XLZlkJnE
• "Blue Roo Theatre Company - You Tube - My Life, My Story Creative Development (2020)"
  Blue Roo Theatre Company - You Tube - creative development of first digital production My Life, My Story (2020) - reads, in part "My Life, My Story is a timely, poignant and uplifting narrative highlighting the personal journeys of four inclusive artists, from community isolation to public recognition for their creative abilities, determination and joyfulness."
• “Queensland Advocacy Incorporated spearhead campaigns to close institutions”
  In 1989, when the Bjelke-Petersen-Ahern Government was coming to an end, the newly established Queensland Advocacy Incorporated was spearheading campaigns around the state to close down institutions and provide financing for individual help for individuals with disabilities.
• "Arts Project Australia - Australiana Exhibition 2017 - Email Invitation - Promotional Flyer"
  Arts Project Australia - Australiana Exhibition 2017 - Email Invitation - Promotional Flyer - reads, in part "AUSTRALIANA is a collection of functional art products devoted to monumental Australian icons, landscapes and pop-culture legends which are exclusively available from the National Gallery of Victoria from 3 February 2017, and will be later revealed at Arts Project Australia on 4 February 2017. rhe collection will be further presented at Third Drawer Down on 17 March 2017. "
• “Creative Australia releases reports on arts participation, including d/Deaf, Disabled and Neurodivergent artists and audiences”
  A series of reports about arts and disability in Australia published in the mid-to-late-2010s are summarised on the Creative Australia website. Sources for the summary include Connecting Australians: Results of the National Arts Participation Survey (June 2017), Making Art Work: An Economic Study of Professional Artists in Australia (2017), Creating Pathways: Insights on support for artists with disability (2018), and Arts and Disability in Australia: Meeting of Cultural Ministers (2018). The overview of this research series demonstrates that disabled Australians’ participation in the arts had increased as access had grown, though equity for disabled artists, especially those with intersecting marginalised identities, continued to face barriers. It reports that work by disabled artists is innovative and transformative.
• “Activism leads to a Disability Royal Commission”
  Decades of activism led to a 2019 Senate motion calling for a Disability Royal Commission. The first public hearing of the Royal Commission took place on 16th September, 2019 at Brisbane’s Convention and Exhibition Centre. The Commission resulted in a report in 12 volumes. Several volumes include Volume 3: Nature and extent of violence, abuse, neglect and exploitation, Volume 6: Enabling autonomy and access, Volume 7: Inclusive education, employment and housing, Volume 9: First Nations people with disability, and Volume 10: Disability services. Overall, the Commission presented “222 recommendations on how to improve laws, policies, structures and practices to ensure a more inclusive and just society that supports the independence of people with disability and their right to live free from violence, abuse, neglect and exploitation.” In 2023, the final report of the Royal Commission into Violence, Abuse, Neglect and Exploitation of People with Disability was published with 220 recommendations for a more inclusive nation to reduce exploitation, violence, abuse and neglect of people with disabilities.
• ”Bree Hadley, Janice Rieger, Sarah Barron, Sarah Boulton, Catherine Parker (2023) Codesigning Access: A New Approach to Cultures of Inclusion in Museums and Galleries. In Cachia, Amanda (Ed.) Curating Access: Disability Art Activism and Creative Accommodation. Routledge, Abingdon, Oxon, pp. 183-195.”
  "In museums and galleries, access is often designed and implemented by staff and informed by regulations and guidelines. Codesign approaches have the potential to shift this understanding away from designing access “for” visitors and toward access as a creative process developed “with” visitors. This chapter focuses on the exhibition and practice-led research project Vis-ability: Artworks from the QUT Art Collection, which was presented at the Queensland University of Technology (QUT) Art Museum in Australia in 2019. Vis-ability represented the culmination of five years of international research into access in museums and galleries for visitors who are blind or have low vision."
• "Bree Hadley (2017) Disability, Sustainability, Austerity: The Bolshy Divas Arts-Based Protests Against Policy Paradoxes. Centre for Sustainable Practice in the Arts Journal 18 Spring. http://www.sustainablepractice.org."
  "In this short article, I want consider some of the ways theatrical artists, activists and advocates in Australia are tackling the paradoxical relationship between sustainability and austerity discourses, and, as a result, some changes this may be starting to produce in disabled people’s aesthetic prerogatives. For the last 30 years, artists, activists and scholars in Australia and beyond have avoided casting disability in terms of trauma, crisis, catastrophe and disaster. Accounts of the way disability theatre challenges stereotypes , as well as analysis of disability signifiers in screen, stage, and social performance , have expressed concern about deploying disability as a metaphor for disaster, or defining disabled people as monstrous, tragic, stoic, or inspirational, the way the medical model of disability traditionally defines us. Instead, modern disabled artists and the scholars who analyse them have advocated for work that deploys live art, performance art, and performative intervention in public space to challenge stereotypes, oppressive institutional systems, and other factors the social model of disability sees as the cause of disability oppression .In the last few years, though, there has been an increase in work that does associate disability with trauma, tragedy and disaster, in what seems to be a response to austerity, accountability and economic sustainability agendas that call for cuts to disability services spending to make our societies more sustainable going forward."
• "Sarah Austin, Kath Duncan, Gerard Goggin, Lachlan MacDowall, Veronica Pardo, Eddie Paterson, Jax Jacki Brown, Morwenna Collett, Fiona Cook, Bree Hadley, Jess Kapuscinski-Evans, Donna McDonald, Julie McNamara, Gayle Mellis, Kate Sulan (2019). The last avant garde? In B. Hadley, D. McDonald ed. The Routledge Handbook of Disability Art, Culture, and Media. London & New York: Routledge, 251-262."
  "“The Australian Research Council project Disability and the Performing Arts in Australia: Beyond the Social Model – known to collaborators as the last avant garde – is mapping disability performing arts in Australia. We open up this chapter, and our ongoing research project, with the words of the late Tobin Siebers. In researching disability and performance here in Australia, we also acknowledge that since Siebers’ 2010 text, we have seen new experiments and emerging companies pushing the bounds of how bodies feel – in a sector which embraces differences in bodies, but also in thinking, in neurodiversities, in being, in articulating, in appearing, in sensing, in intersectionalities, and in the experiences for audiences. As such, this chapter aims to explore ‘disability aesthetics’ not as a set of specific techniques, themes, or politics, but in order to position disability at the centre of ‘future conceptions of what art is’ and what it can be.”
• DADAA National Network
• "Interview with Matthew Shilcock"
  Matthew Shilcock is a stage and film performer, dancer, director, choreographer, producer, project planner, manager, consultant and disability advocate. Interview Summary Matthew Shilcock, a contemporary dancer, lives with osteogenesis imperfecta, a condition that led him to discover dance as an affordable alternative to physiotherapy. His 12-year dance career has been shaped by working with both disabled and non-disabled artists, including elite companies and individual dancers, where he found a passion for the unique problem-solving and rewarding experiences that come with working with disabled dancers. As he transitions from performer to dance maker, Matthew's motivation has shifted from personal excitement and self-discovery to a focus on the next generation, aiming to pass on his unique experiences and methodologies. He acknowledges that while being on stage as a disabled artist can be inherently political, he values his authenticity and the impact of his work over the perceptions and labels placed upon disability in the arts.
• "Australia Council - Annual Report 1981-82"
  Australia Council Annual Report 1981-82 - discusses objectives, members of council, board members, organisation chart, staff list, council report, programs, board reports, financial statements, publications and grant lists incuding Arts Access Society (Vic) theatre performance of “Theorem” as well as funding for workshops in Artreach, Southern Media Co-operative, disabled playwright in residence, travel costs and artists fees as well as salaries of deaf artists and mime directors and research publication.
• "Australia Council - Annual Report 1982-83"
  Australia Council - Annual Report Australia Council Annual Report 1982-83 - discusses objectives, members of council, board members, organisation chart, staff list, council report, programs, board reports, financial statements, publications and grant lists including workshops, art production activities, production of magazine, award and performances.1982-83
• "Australia Council - Annual Report 1986-87"
  Australia Council Annual Report 1986-87- discusses functions and objectives, structures, process and membership of Council, Council Committees and members, board members, assessment panels, staff lists, organisation chart, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, workshops for disabled people in community arts, funding for posters on theme of disability, grant for Theatre of the Deaf Braille Book of the Year award and Sound Pot Purri literary magazine for Royal Blind Society
• "Australia Council - Annual Report 1990-91"
  Australia Council Annual Report 1990-91 - discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for Self Advocacy tor Intellectually Disabled, programs, artists and playwrights in residence and resource development and an increase of Australia Council staff with disabilities following Equal Opportunity Employment program.
• "Australia Council - Annual Report 2000-01"
  Australia Council Annual Report 2000-2001 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, initiatives, new work, programs, presentation and promotions including funding for music development, implementing the Commonwealth Disability Strategy by evaluating current and changing needs of people with disabilities in the arts sector and reflecting this in funding and policies, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria
• “An ABC video series explores the experiences of deaf and disabled musicians”
  A 2021 video series by ABC Classic featured interviews with four deaf and disabled musicians. The series, made in honour of International Day of People with Disability, explored the musicians’ experiences of the music industry.
• "NuunaRon Art Group - ‘Tracks in the Sand’ Artwork Story by Brendan Ball"
  First Peoples Disability Network NuunaRon Art Group - ‘Tracks in the Sand’ Artwork Story by Brendan Ball - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Mungo Man’ Artwork Story by Paul Constable-Calcott"
  ‘Mungo Man’ Artwork Story by Paul Constable-Calcott - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"
• "NuunaRon Art Group - ‘Wisdom of the Ancestors’ Artwork Story by Robyn Lennox"
  First Peoples Disability Network NuunaRon Art Group - ‘Wisdom of the Ancestors’ Artwork Story by Robyn Lennox - reads, in part "The 'Culture is Inclusion' art exhibition showcases art work by the NuunaRon First Nations art group, with a lived experience of disability, telling their stories of resilience and strength through connecting to their culture"