Disability Arts History Australia

Items

• "Una Rey (2022) Art and sensoria: Whose disability? ArtLink, 42(2), pp.8–11."
  "SENSORIA: Access & Agency is ArtLink’s effort to affect this swell by providing a platform for divergent perspectives and nuanced articulations of being an artist. Whatever the prevailing conditions. It also invites a discussion within contemporary art discourse that is not driven by fear (of getting it wrong, of ‘the other’, of adding injury to trauma). Art is our place of intersectionality: if you’re reading ArtLink, you’re already on the margins, and quite possibly on the spectrum."
• National Disability Insurance Scheme (NDIS)
• DADAA Network
• "Arts and Disability: A research summary"
  Australia Council - Arts and Disability: A research summary, 2018 - reads, in part "The great art created by artists with disability, and participation of people with disability in the arts, are integral to the artistic and cultural life of Australia. This summary brings together findings from Australia Council research publications and a research overview compiled by the Meeting of Cultural Ministers to build the evidence base about disability and the arts."
• "Interview with Emiko Artemis"
  Dr Emiko Artemis is a visual artist with a PhD and a history of both solo and group exhibitions. Interview Summary Emiko Artemis identifies as a non-binary queer disabled visual artist. Emiko acknowledges their work essentially reflects their personal experiences with disability and comments on society. Despite interpersonal challenges due to disabilities, Emiko cherishes occasional collaborations, facilitated by clear structures or supportive relationships. Their artwork, often seen as "weird" to the public, aims to be thought-provoking rather than being particularly political. Emiko values the growing visibility of disability in the arts and the increase in acceptance of diversity in society. They proudly embrace their own identity as an integral aspect of their creative practice
• "Interview with Jenny Simpson"
  Jenny is CEO and Artistic Director of AWESOME Arts Australia while also a Musical Director of the Mighty Camelot Community Choir and a Sessional Academic at the Western Australian Academy of Performing Arts at Edith Cowan University. Interview Summary Jenny Simpson is the CEO and Artistic Director of AWESOME Arts Australia. She grew up in a musical family and always had an interest in the arts. After working in the corporate world, she decided to pursue a role in the arts to make a difference in the community. She has since focused on engaging young people with disabilities in the arts, and has worked on projects and festivals that promote inclusivity and accessibility. She believes that the perception of disability arts is changing and hopes to see more individuals with disabilities involved in arts management.
• "Interview with Jeff Usher"
  Jeff Usher is a jazz and blues composer, arranger, pianist, vocalist, teacher, lecturer, and music consultant. Interview Summary Jeff Usher is a visually impaired Australian jazz musician with a rich history of playing music since childhood, influenced by a significant early encounter with the Jazz Action Society and key individuals like his high school music teacher Kathleen Kerr and his supportive family. Throughout his career, he has worked with a diverse range of musicians across many genres, including country, rock, and church music, and has expanded his repertoire to include political and spiritual themes, often infused with his synaesthetic experience of colour. Despite a broad professional experience, his engagement with the disability arts space developed over time, particularly through collaboration with other disabled artists, and he values working with good artists regardless of their backgrounds or disabilities. He is deeply committed to his craft, finding a balance between the aesthetic quality of his work and the joy it brings, both to himself and his audiences.
• "Interview with Mike Moshos"
  Mike Moshos is a creative director, writer, actor and disability advocate. Interview Summary Mike Moshos is an arts worker and creator living with achondroplasia who provides support to young adult artists with disabilities and engages in community theatre and interactive performances for children with special needs. His personal experiences and growing political awareness have led him to advocate for the rights of disabled individuals and strive for equity in the arts. Mike has a deep passion for storytelling and is currently writing a science fiction novel while enjoying his role as Bing in an interactive children's show. He believes that all art is inherently political and that every piece of work, whether overtly or subtly, expresses a stance on societal issues.
• "Accessible Arts and Tin Sheds Gallery - AART-BOXX 2008 - Program"
  Accessible Arts and Tin Sheds Gallery- AART-BOXX 2008 Program - reads, in part "AART.BOXX is an exhibition and cultural initiative that highlights the current and diverse art practices of young and emerging artists with a disability. Initiated by Accessible Arts, the peak arts and disability body in NSW, AART.BOXX aims to extend and challenge current discourses within contemporary art by including art practices that are informed by cultures of disability. These artists are a creative force whose unique voices are often marginalized within the broader cultural context."
• "Juliet London and Des Walsh (1995) Arts & Disability: Report Australia Council: Surry Hills."
  Juliet London and Des Walsh - Arts & Disability, Australia Council 1995 - Reads, in part "The Australian Bureau of Statistics estimates that 18 per cent of the Australian population has a disability. There is a basic lack of data on participation in the arts by artists with a disability. No figures were available on the number of people with disabilities applying for grants from the Australia Council or from State or Territory arts agencies. The current dearth of statistical information needs to be overcome by systematic and sustained research."
• "Australia Council - Annual Report 1991-92"
  Australia Council Annual Report 1991-92 - discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, artists and playwrights in residence and resource development and an award for the Royal Blind Society's Talking Book of the Year for “Poppy”
• "Australia Council - Annual Report 1994-95"
  Australia Council Annual Report 1994-95- discusses functions, organisation chart, year in review, work to overcome inequities experienced by artists with disabilities with a review of arts and disabilities developing into an action plan by 1997, artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, projects, creative development of organisations and an international cultural exchange program.
• "Australia Council - Annual Report 2012-13"
  Australia Council Annual Report 2012-2013 – discusses year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council; financial review and discussion of Access Champions group focused on key actions from the 2011–13 Disability Action Plan, including programs for increased participation by artists with disabilities and to develop technical capacity and digital literacy for both operational and artistic activities, funding for exhibition of artists with disability work, premises and Australia Council website accessibility, and participation at national and international arts and disability forums.
• "Australia Council - Annual Report 2013-14"
  Australia Council Annual Report 2013-2014 – discusses year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council; financial review and discussion of funding for numerous programs including a new Artists with Disability Program grant which funded development opportunities and creative projects for practitioners with disability and the dance board funded development and presentation of new work, workshops and residency programs, and strategic initiatives that focus on leadership, development and collaboration with a highlight being the “Torque Show” supported for the Melbourne premiere of “Intimacy”, a collaboration with Michelle Ryan presented as part of the Unlimited Festival in London which celebrates originality of artists with disability.
• "DADAA Annual Report 2013-2014"
  DADAA Annual Report 2013-2014 - information about Vision, Mission and Goals, Chairperson and Executive Director’s Reports, Staff list, Staff training and development, Capital works, Participation, Programs including Sculptures by the Sea Tactile Tours, StARTSpeak, Art Link Be Active Program for Children and Young People, Esperance: The Emergence Project, HERE&N0W13, Aging & Disability, Regional Arts Australia Summit, Nexus Arts Grant, Regional Development and Consultancy, Partners, and Financials
• "Tutti Arts - History of Autism - Program"
  Tutti Arts 'History of Autism' 2014 Program - reads, in part "History of Autism is about two things, firstly it is about the evolution of Autism as a clinical diagnosis in the Twentieth Centurv, ax well a giving an overview of a "Nut Shell" explanation of how Autism can be viewed. Secondly, it's the untold story of what generations of forgotten people went through. The pain, anguish and ridicule suffered by people when diagnosis a was not an option, as well as the constant striving tor an identity. About Company @ (Autistic Theatre) Company @ began as AAA Theatre group run by Autism SA in the 1990's and it is believed to be the only wholly Autistic run and led Theatre Company in the world. Company @ inspires and connects people with an Autism Spectrum Disorder through the process of creating and presenting powerful theatre pieces. The company contributes to the creative and cultural life of the Australian and broader communities through collaboration, innovation and education.”
• "Tutti Arts - Tutti Voice Newsletter December 2009"
  Tutti Arts - Tutti Voice Newsletter December 2009 - reads, in part "It is great to be back in South Australia with the Tutti team who made the trip to Minnesota. Northern Lights, Southern Cross was a marvellous experience complete with huge challenges and moments of exhilaration, and it was wonderful working both with Interact and at the ultra-modern and very accessible Guthrie Theater. We were delighted that our South Aussie patron's film The Boys are Back opened around the same time and that both Scott and Tutti won critical acclaim from the Minneapolis press. In fact, Northern Lights, Southern Cross broke all box office records for the Guthrie and attracted a broad mainstream, Native American, and African American audience. Dozens remained behind after every performance for post-show discussions looking at themes of trauma and healing central to the show and by closing night Northern Lights, Southern Cross had truly succeeded in raising awareness about barriers that exclude. We also knew that audiences everywhere are hungry for original work created through the melting pot of radical inclusion."
• "The Other Film Festival Program 2010 - A Broken Puzzle by Dianne Reid (2010)"
  The Other Film Festival Program 2010 - A Broken Puzzle by Dianne Reid - reads, in part "Performers from Weave Movement Theatre create a physically and vocally evocative story about place."
• "The Other Film Festival Program 2010 - Be My Brother by Genevieve Clay (2008)"
  The Other Film Festival Program 2010 - Be My Brother by Genevieve Clay (2008) - reads, in part "A young man's charm and charisma enchants a stranger at a bus stop. But someone else's heart is at stake."
• "The Other Film Festival Program 2010 - Anything You Can Do by Emma Buckley (2009)"
  The Other Film Festival Program 2010 - Anything You Can Do by Emma Buckley (2009) - reads, in part "Game on! Two boys face off in a back room. The competition is fierce. Faces are pulled and burps unleashed. But when victory is at hand, will it still taste sweet?"
• "The Other Film Festival Program 2010 - Necessary Games by Sophie Hyde (2009)"
  The Other Film Festival Program 2010 - Necessary Games by Sophie Hyde (2009) - reads, in part "A triptych from Restless Dance Company about our human need to connect and the urgent games we play."
• "Tutti Ensemble - Department of Collective Laughter - Promotional Flyer"
  Tutti Arts - Tutti Ensemble - 'Department of Collective Laughter' 2006 Promotional Flyer - reads, in part "Join Laughter mass every weekend. Check out examples of contagious laughter. Watch laughter-explosions spread like prairie fire through the city. Become infected! Converted!"
• “2023 Screen industry report ‘Disability and Screen Work in Australia’ finds disabled people fulfil a range of roles in the screen industry, despite facing prejudice and exclusion, and should be treated as experts of their access requirements”
  ‘Disability and Screen Work in Australia: Report for Industry’ (2023) was compiled by researchers Radha O’Meara, Laura Dunstan, Anna Debinski and Catherine Ryan. The study was supported by Melbourne Disability Institute and A2K Media. The authors summarise that disabled people fulfil a range of roles in the screen industry, despite facing prejudice and exclusion, and should be treated as experts of their access requirements. They find that “Disabled people experience a more precarious, lower paid, and less powerful position in the screen industry than their non-disabled counterparts.” O’Meara and her colleagues call for widespread change in the industry to expand access.
• "Queensland Government releases Arts & Disability Plan 2024-2026"
  Reads, in part "The Queensland Government acknowledges the rights of people with disability to participate equally in the state’s cultural life and to have the opportunity to develop and use their creative, artistic and intellectual potential, as recognised in the United Nations Convention on the Rights of Persons with Disability."
• "Creative Australia (2024) releases 'Equity: Arts and Disability Associated Plan"
  Reads, in part "The Australia Council for the Arts have released their critical new report Towards Equity: A research overview of diversity in Australia’s arts and cultural sector. This overview gathers published and unpublished data and research on representation within the arts and cultural sector in Australia."