Disability Arts History Australia

Items

• "David Throsby, Katya Petetskaya (2017) Making Art Work: An Economic Study of Professional Artists in Australia, Australia Council for the Arts, 2017."
  Reads, in part "Making Art Work: An Economic Study of Professional Artists in Australia by David Throsby and Katya Petetskaya is the sixth in a series carried out independently over thirty years by Professor Throsby at Macquarie University, with funding from the Australia Council. The series tracks trends in the lives and working conditions of Australian artists over 30 years and identifies challenges and opportunities for artists’ careers into the future."
• "DADAA Inc and Arts Access Australia (2012) Art Works: Employment in the Arts for People with Disability.  http://www.dadaa.org.au/wp-content/uploads/2017/01/Art-Works-Full-Report-Web.pdf"
  Reads, in part "This document provides a short overview of the full Art Works report, which captures the results from national research into employment levels, barriers and strategies around employment in the arts for people with disability. The report was produced in response to one of the key focus areas of the National Arts and Disability Strategy, released in 2009."
• "Ted Evans, Michelle Bellon, Brian Matthews (2017). Leisure as a human right: An exploration of people with disabilities’ perceptions of leisure, arts and recreation participation through Australian community access services. Annals of Leisure Research, 20(3), 331–348."
  Reads, in part "Community Access Services (CAS) are defined as ‘Services designed to provide opportunities for people with disability to gain and use their abilities to enjoy their full potential for social independence’ [Australian Institute of Health and Welfare. 2015. Disability Services National Minimum Data Set Collection: Data Transmission and Technical Guide. Canberra: AIHW]. A notable absence of international research regarding leisure, arts and recreation through CAS exists. This study explores perceptions of people with disabilities on their participation in leisure, arts and recreation through Australian CAS."
• "Bree Hadley (2017) Disability theatre in Australia: a survey and a sector ecology. Research in Drama Education, 22(3), pp. 305-324.”
• "Mary Hutchison (2005) Making the Journey: Arts & Disability in Australia. Sydney: Arts Access Australia."
  Reads, in part "A collection of inspiring examples of how to include people with disabilities in the arts, as participants, creators and organisers"
• "DADAA Annual Report 2012-2013"
  DADAA Annual Report 2012-2013 - information about Vision, Mission and Goals, Chairperson and Executive Director’s Reports, Staff list, Participation, Programs including the Lost Generation Project, Sculptures by the Sea Tactile Tours, StARTSpeak, Fusion Project, Esperance: The Emergence Project, HERE&N0W13, Aging & Disability, Fourth International Arts And Health Conference, Nexus Arts Grant, Regional Development and Consultancy, Partners, and Financials
• “Arts Access Victoria – The Present and the Future (2020 – present)”
  Arts Access Victoria – The Present and the Future (2020 – present)- increased technology and digital literacy training and online programs and projects including Alter State Festival and celebrated 50 years in 2024
• "Tutti Arts - Annual Report 2011"
  Tutti Arts Annual Report 2011 - includes Values, Artistic Director’s and President’s Report, Partnerships, Collaborations, and Programs, including Dance, Choral, Film and Outreach Programs, productions of ‘One’ and ‘Magic Flute,’ Financials, Artists and Staff
• "Tutti Ensemble - Membership Form/Flyer"
  Tutti Ensemble Membership Flyer - reads, in part "At the heart of Tutti's work is the mission to develop a pioneering approach to integrated methods of performing arts and choral training. Together, the Tutti Choir and Tutti Arts perform to thousands of people every year. Hundreds of people of all ages and abilities from all walks of life regularly participate in Tutti's local and regional choral workshops."
• "History of Queensland Theatre of the Deaf"
  History of Queensland Theatre of The Deaf. Queensland Deaf Society Superintendent Leslie Abnett’s proposal for a Queensland Theatre of the Deaf in 1974, initiated via arrangement with the Australian Elizabethan Theatre Trust to have the National Theatre Trust perform in Brisbane and for a workshop at La Boite Theatre in 1974. Formation Founding Committee (Kerry Prior, Mary Gibbs, John O’Donnell, Leslie Abnett as Office Bearers, Lloyd Nickson as Artistic Director, Keith Puddlefoot as Technical Director, and N. Bricknell, R. Hilsdon, K. Donnell, M. Bergman, P. Arnold, A. Lynch, D. Villis as Committee Members). Company Aims, Workshops at the Queensland School for the Deaf, rehearsals for a core adult group and a junior group at the new D.M. Chadwick Hall at the Queensland Deaf Society at Newmarket in Brisbane – production history including changes in Artistic Director (from Llyod Nickson in 1975, to Nickky Bricknell in 1977, to Ken Donnell in 1979). Company technique, stated as “Our Technique is a combination of Visual Language, Sign-Mime (visual vernacular), Mime and the Spoken Word – a blending of hearing actors and conventional acting ideals with imaginative mime, expression and manual language of the Deaf.”
• "Incite Arts - NT Arts Access Awards Media Release 2013"
  Media release reads, in part, "Through honoring the valuable partnerships that exist between the disability and arts sectors, award winners were selected based on their initiative, leadership, and involvement in projects that embody the spirit of genuine partnership and the benefits for people with disability and the communities we live in."
• "Incite Arts - NT Arts Access Awards and Certificates of Commendation 2017"
  InCite Arts and Arts Access Darwin announcement of NT Arts Access Awards and Certificates of Commendation 2017
• "Accessible Arts - Annual Report 2010"
  Accessible Arts - Annual Report 2010 - Overview, Rewarding Excellence, Skills Development, Policy and Research, Providing a Service
• "New works by Nathaniel Edington and Too Many Legs by Bryan Tingey and Freight by DADAA"
  Flyer reads "You are invited to the launch of new works by Nathanael Edginton," and "Adelaide artist Bryan Tingey presents a new body of work that exhibits the varied influences of philosophy, history and psychology informing his work and his experimentation with the artforms of graffiti and , iconography and hieroglyphics. Freight is the latest shipment of outsider art on the move from WA. The exhibition showcases the work of three Western Australian artists working in textiles, photography and digital media."
• "Tutti Arts - Mouth Music - Program"
  Tutti Arts 'Mouth Music' 2006 Program - reads, in part "Jem has recently made a big decision, and Mouth Music is his story. Because Jem is non-verbal, the idea of speaking and not being heard is a major theme. Jem has some important things he wants to say to the world, not least that we must look after the earth and also learn a thing or two about looking after each other. Mouth Music has involved Tutti in the very roots of vocal music-making and has strong emotional resonance for anyone concerned about the voice of the individual and the state of the world. It has been a pleasure to develop this very different new work with Jem and poets.“
• "Tutti Arts - I Want It All - Program"
  Tutti Arts 'I Want It All' 2014 Program - reads, in part "Tutti is Australia's first indusive choir and takes its name from the musical term. ‘'Tutti', means everyone. From its origins in 1997 as a small singing group at Minda, the choir has grown into a vibrant independent multi arts organisation, deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With its strong commitment to access and inclusion, Tutti is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, and community and professional artists together for performances and exhibitions.”
• "Tutti Ensemble - Partnerships in Healthy Communities Program - 2006 Program Review"
  Tutti Ensemble 'Partnerships in Healthy Communities Program'-2006 Program Review - reads, in part "2006 was an exceptionally productive and exciting year for the Tutti Ensemble. The Funds from the Arts SA Partnerships in Healthy Communities Program alowed us to appoint a Development Manager enabling the organisation to extend its range of programs and contribute to its ongoing financial viability by attracting corporate sponsorship, managing several very successful fund raising events and identifying performance opportunities for the ensemble."
• "Tutti Arts - Between the Worlds - Program 2007"
  Tutti Arts - 'Between the Worlds' 2007 Program - reads, in part “The first stage of Between the Worlds In May 2004 was called Circles and was about relationships with significant people In our lives. The second stage development this year Involved Interviewing all our actors to explore deeper relationship themes. One of these interviews was with our talented male lead, Alistair Brasted who said: "I've always felt between the worlds, not knowing where I really belong". This Insight resonated with all our artists and became the theme of the whole script because they had all experienced feelings of exclusion. The story of Romeo and Juliet and their love which transcends hate and divisiveness served as inspiration for Between the Worlds. In our story the Innocence of Isabella and Oliver's love In the face of adversity has allowed us to explore universal questions of discrimination and difference which lie at the heart of violence. Such stories have been with us since the beginning of time. Like the script, the songs and music for Between the Worlds are the expression of the Individual voices of our actors.”
• "Australia Council - Annual Report 1977-78"
  Australia Council Annual Report 1977-78 discusses membership, members of boards, senior staff list, report of Ten Years in the Arts, financial statements, grant lists and programs including funding for arts of deaf children, travel of mime artist to work with deaf artists, salaries of staff, production and presentation costs of Theatre of the deaf staff and production costs for Braille and Talking Book for 1978
• "Australia Council - Annual Report 1999-2000"
  Australia Council Annual Report 1999-2000 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, programs, presentation and promotions, triennial grants to disability arts organisations in NSW, South Australia and Victoria and funding to Accessible Arts for audience development, as well as the New Media Arts Fund for Back to Back performance of “Soft”
• "Australia Council - Annual Report 1975-76"
  Australia Council Annual Report 1975-76 discusses membership, the year in review, National theatre of the Deaf from New York show and directors development program assisting Theatre of the Deaf, programs including salary and costs for Arts Access (Vic), Salaries, equipment and materials for program of multi-arts activities to Adult Deaf Society, Braille Book of the Year Award and funding program of entertainment for the old, sick and handicapped in homes.
• "Interview with Michael Hodyl"
  Michael Hodyl is a multifaceted artist, dancer and performer and has been with Restless Dance Theatre since 2018. Interview Summary Michael Hodyl, with Polish, Chinese, and Russian heritage, is a multifaceted artist who began his journey in the performing arts with a deep-rooted affinity for ballroom dancing. He transitioned into contemporary dance while maintaining his diverse dancing background and enjoys creating his own dance moves, which express his vibrant charisma and heritage. Facing challenges such as injuries, Michael finds ways to recuperate and return to dance, aiming to elicit happiness and pride from his audience through his performances. He cherishes the supportive friendships he's made in the arts community, holds his performances in high regard, and aspires to be recognized for his talents and hard work.
• ACE Magazine
• "ARTAbility Conference"
  The national Disability and Arts Disadvantage and the Arts Australia (DADAA) committee was established in Melbourne, Victoria, in 1991, and – as described in the Access Arts Annual Report 1992 – at the inaugural meeting of this group in 1991, Access Arts offered to organise a conference for the group in 1992, with funding from the Queensland Performing Arts Trust, at the Queensland Cultural Centre - the Access Arts Annual Report 1992 says “Drawing on the experience of the Queensland ARTability conference of 1990 enabled Access Arts staff and members to be fully involved in the planning of the conference. It was a big success. Access Arts has also set up the Queensland DADAA network.”
• "From Dust to Dust - Prologue"
  Reads, in Part, "A hybrid artist-curatorial project, inviting experimentation and conversations amongst Benjamin Hancock, Bryan Phillips, Jen Bervin, Shelley Lasica, Katie West, Simon Charles, Pippa Samaya, Gabriel Curtin, Adam Leslie, Zeno d'Evie, Anna Seymour, Ravi Vasavan, and in absentia, Aaron McPeake, Andy Slater, Jennifer Justice, and Lucreccia Quintanilla. Welcome to Country by Uncle Rick Nelson and Aunty Paulette Nelson.Afternoon tea by Murnong Mammas."