Disability Arts History Australia

Items

• "Tutti Arts - End of Year Concert: Everything Changes - Program"
  Tutti Arts 'End of Year Concert- Everything Changes' 2015 Program - reads, in part "’Everythlng changes, seasons will come and go Life rearranges all that we think we know’ from The Six Swans, by Jehane Markham and Richard Chew Welcome to the 2015 Tutti Christmas Concert! The above words taken from the finale of The Six Swans, a one act opera Tutti performed with UniSA students in June this year means a great deal to Tutti as we work for social change. They also remind us of the deep meaning in the story of the birth of Jesus and the themes of redemption, hope, salvation and love associated with Christmas. Let's make Christmas 2015 a time of caring, a celebration of true emancipation of the earth from racial and ethnic hatred. Regardless of our religious ties or other belief systems, this Christmas let's all take time to envision what kind of world we want to live in, and do what we can in our own lives to restore peace, love and goodwill to Australia and the world.”
• "Tutti Arts - The History of Autism - Promotional Card"
  Tutti Arts 'History of Autism' 2014 Promotional Card - reads, in part "In the Adelaide Fringe this year, Company@ Autistic Theatre, Australia's only theatre company for people on the autism spectrum, is presenting an exciting original work, History of Autism. Developed with actors on the autism spectrum, History of Autism was first performed at the 2013 Asia Pacific Autism Conference to standing ovations, drawing audience comments like "truly dynamic and highly entertaining" and "Chockablock full of endearing characters". Company@ is dedicated to presenting high quality authentic theatre which entertains and informs audiences and raises awareness about autism. Company@ works in partnership with renowned multi arts organisation Tutti Ensemble Inc. and is also proudly supported by Autism SA."
• "Tutti Arts - Kurt Bosecke - Into The Sea You And Me Exhibition- Promotional Card"
  Tutti Arts - Kurt Bosecke 'Into The Sea You And Me' Exhibition 2019 Promotional Card - reads, in part "Dive into the watery depths of award-winning Tutti Artist Kurt Bosecke's imaginings and discover a bold and quirky world of intricately rendered sea creatures in the form of paintings and sculptures. These works will float in the serene surroundings of Folklore Cafe inviting you to linger in the blue."
• "Tutti Arts - Rites Of Passage Concert - Program"
  Tutti Arts 'Rites Of Passage Concert' 2012 Program - reads, in part "Tutti is Australia's first Inclusive choir and takes its name from the musical term 'Tutti' meaning everyone. From Its origins as a small singing group at Minda, the original choir has grown into a vibrant independent multi arts organisation ( Tutti Inc), deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With Its strong commitment to access and inclusion, Tutti Is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, diverse communities and professional artists together for high quality performances and exhibitions.”
• "Tutti Arts - Shedding Light Installations and Performances - Program"
  Tutti Arts and Perspektiv - 'Shedding Light' Installations and Performances 2015 Program - reads, in part "“Shedding light is the result of an extraordinary collaboration between disabled artists from Tutti Arts in Adelaide and young people with disability in Yogyakarta, Indonesia. Working with professional artists we have created this series of installations and performances for the 2015 OzAsia Festival.”
• "Tutti Ensemble - History"
  Tutti Ensemble History - reads, in part "Tutti ~nsemble is a fully integrated choir including people with disabilities and members of the wider community in Adelaide. It has become known for its nonstereotypical music-theatre productions for the main stage and community events."
• “The Deaf Film Society creates the documentary ‘Our World’.”
  In 1970, the Deaf Film Society created a documentary called ‘Our World’ on the lived experience of people who were d/Deaf. The Adult Deaf Society assisted with the project.
• “Australian Caption Centre opened in 1982”
  The Australian Caption Centre was opened 13 September, 1982. A tour took place at the Australian Caption Centre in Sydney in the 1990s; the video (now available on YouTube) explains how the Centre worked. In 2005, the Centre sold its commercial operations including the captioning services to Red Bee Media and formed Media Access Australia.
• Brisbane Outsider Artists (BOA)
• Downs Syndrome Association of Victoria
• “In 2014, the Australia Council introduces its first grant specifically for artists with disabilities”
  In 2014, the Australia Council introduces its first grant specifically for artists with disabilities. Then Australia Council CEO Tony Grybowski announced “the Artists with Disability Pilot Program; the Council’s Disability Action Plan for 2014-2016; and additional funding for Arts Access Australia to increase career development and employment opportunities for artists with disability.” The pilot program granted $300,000 to disabled artists to develop and present their work. Following this, the program was extended for another three years. The “million dollar investment” would “provide development grants of up to $25,000 and project grants of up to $50,000 for individuals and groups.” That same year, the Australia Council received its first ever grant application in Australian Sign Language (Auslan). However, in 2019, Australia Council ended its dedicated funding program for disabled artists and replaced it with the National Arts and Disability Awards.
• ”Bree Hadley, Janice Rieger, Katie Ellis, Eddie Paterson (2024) Cultural safety as a foundation for allyship in disability arts. Disability & Society, 39(1), pp. 213-233.”
  "In this article, we argue that cultural safety, respect, and trust is a precursor to good allyship in the creative industries. We outline factors that influence feelings of safety or non-safety for disabled arts and media makers, and the way the legacy of the medical model makes it difficult for many arts and media workers to appreciate and enact enablers of safety as part of an allyship relationship."
• "Bree Hadley (2022) Disability and the Arts, Creative, and Cultural Industries in Australia. Australian Academy of Humanities"
  "This week saw the release of Ensuring Occupations are Responsive to People with Disabilities, a landmark report by the Australian Council of Learned Academies (ACOLA) commissioned by the Australian Government Department of Social Services. As part of the Academy of Humanities’ support for the project, Professor Bree Hadley provided a study of disability in the arts, creative, and cultural industries for the project, and Professor Gerard Goggin was a member of the Expert Reference Group. In this week’s Five-Minute Friday Read, they explain why disability training needs fundamental reform now."
• "Australia Council for the Arts (2018) Creating Pathways: Insights on support for artists with disability. 19 September 2018"
  Reads, in part "This report brings together findings and insights from a range of research undertaken in 2017–18 to inform the Council’s approach to future support for artists with disability."
• "Australia Council for the Arts (2014) A Million Dollar Commitment to Artists with Disability. Australia Council for the Arts. 28 October 2014"
  Reads, in part "Australia Council Chief Executive Officer Tony Grybowski made the announcement today at the Arts Activated Conference in Chatswood, Sydney. Mr Grybowski said the decision to extend the dedicated arts and disability funding was made after a successful pilot was run earlier this year."
• "Katie Ellis, Gerard Goggin, Beth Haller, Rosemary Curtis ed. (2019) Routledge Companion to Disability and Media. London & New York: Routledge."
  Reads, in part "An authoritative and indispensable guide to disability and media, this thoughtfully curated collection features varied and provocative contributions from distinguished scholars globally, alongside next-generation research leaders."
• "Rachel Carling-Jenkins, Mark Serry (2014) Disability and social movements: learning from Australian experiences. Burlington : Ashgate Publishing Company"
  Reads, in part "This book provides the reader with a ground-breaking understanding of disability and social movements. By describing how disability is philosophically, historically, and theoretically positioned, Carling-Jenkins is able to then examine disability relationally through an evaluation of the contributions of groups engaged in similar human rights struggles. The book locates disability rights as a new social movement and provides an explanation for why disability has been divided rather than united in Australia.."
• "Jung Hyoung Yoon, Caroline Ellison, Peggy Essl (2020). Shifting the perspective from ‘incapable’ to ‘capable’ for artists with cognitive disability; case studies in Australia and South Korea. Disability & Society, 36(3), 443–467. https://doi.org/10.1080/09687599.2020.1751079"
  Reads, in part "This study examined four inclusive arts organisations in Australia and South Korea, providing creative services for artists living with cognitive disability, including autism, intellectual and mental disability. This research study focused on exploring what support inclusive arts organisations and society have provided for artists living with cognitive disability to pursue professional careers."
• "Commonwealth of Australia (2017) “National Arts Disability Strategy Evaluation Report 2013–2015.” Canberra: Meeting of Cultural Ministers."
  Reads, in part "The second Evaluation Report was endorsed by cultural ministers in September 2017. It concludes that progress continues to be made against the Strategy. It also identifies that there have been significant changes to the arts and disability sector since the release of the Strategy in 2009 such as the introduction of the National Disability Insurance Scheme."
• "DADAA Inc. (2014). An evaluation of a year-long mentoring program for artists with disability in western Australia. Perth, Western Australia: Department of Family and Community Services."
• "Liz Ferrier (2000) Vulnerable Bodies: Creative Disabilities in Contemporary Australian Film. In Ian Craven ed. Australian Cinema in the 1990s. Routledge. https://doi.org/10.4324/9780203045022"
  Reads, in part "The internationally-acclaimed film Shine is one of a number of contemporary Australian movies which portray embattled artists or performers. Reminiscent of earlier works such as Starstruck (1982), Man of Flowers (1983), Malcolm (1986) and Sweetie (1989), and several more recent productions – Proof (1991), Strictly Ballroom (1992), Bad Boy Bubby (1994), The Adventures of Priscilia, Queen of The Desert (1994), Muriel's Wedding (1994), Cosi (1996), Lilian's Story (1996), and Jane Campion's New Zealand/Australian films, An Angel at My Table (1990) and The Piano (1993) – it depicts a disadvantaged individual overcoming setbacks through the passionate and eccentric expression of his creativity. The film and the cycle to which it belongs offers a peculiar vantage point from which to examine the problems and possibilities of Australian cinema in the 1990s."
• "Gerard Goggin, Christopher Newell (2003). Digital disability: The social construction of disability in new media. Rowman and Littlefield."
  Media representation of and for the disabled has been recharged in recent years with the expansion of new media worldwide. Interactive digital communications--such as the Interact, new varieties of voice and text telephones, and digital broadcasting--have created a need for a more innovative understanding of new media and disability issues. This engaging analysis offers a global perspective on how people with disabilities are represented as users, consumers, viewers, or listeners of new media, by policymakers, corporations, programmers, and the disabled themselves.
• "Kath Duncan, Gerard Goggin (2002). 'Something in Your Belly': Fantasy, Disability and Desire in My One Legged Dream Lover. Disability Studies Quarterly 22 (4), pp: 127-144."
  In this article we explore fantasy, disability and desire in the groundbreaking 1998 Australian TV documentary My One-Legged Dream Lover. Based upon self-reflexive documentary conventions, the video uncovers journalist-cum-freak raconteur Kath Duncan's explorations into the world of amputee fetish. Duncan is a double congenital amputee. She says," I've tried most things men, women, sex toys, unusual locations, dominance and submission games but I wanted to know what it was like to be desired because of my impairments." Gerard Goggin is a temporarily able-bodied (or TAB) academic with his own history of queer desire and a personal investment in exploring issues of difference. Duncan's and Goggin's collaboration includes accessing each other's edgier fantasies, aiming to give voice to some of the negotiations, anxieties, pleasures, and risks we have taken, speaking across the chasm of our personal histories, different genders and respective bodies.
• "Victoria : disability fact pack for arts and cultural organisations - DADAA National Network and Australia Council (1998)"
  Disability fact pack for arts and cultural cultural organisations in Victoria
• "Office for the Arts (2013) Creative Australia: National Cultural Policy. https://www.arts.gov.au/publications/creative-australia-national-cultural-policy-2013"
  Reads, in part, "Creative Australia (2013) celebrates Australia’s strong, diverse and inclusive culture. It describes the essential role arts and culture play in the life of every Australian and how creativity is central to Australia’s economic and social success: a creative nation is a productive nation."