Disability Arts History Australia

Items

• "Tutti Arts - Christmas Concert: It All Starts Now - Program"
  Tutti Arts 'Christmas Concert- It All Starts Now' 2013 Program - reads, in part “For sixteen years the Tutti Choir has been a passionate force for change through the creation of music and theatre which surprises, entertains and reveals a different world view. Since 2001, the collaborative relationship between singers with a disability, community singers and professional musicians and composers has supported the development of several award winning music theatre works, exhilarating performances here and overseas, and to the formation of three choirs who are all performing this afternoon; the original Tutti Choir, Poco Tutti, a small choir for advanced singers, and Club Tutti, for those who enjoy social singing. This afternoon we also introduce the Tutti Kids and Youth Ensemble who are opening the concert with an original song. Our organisation also supports choirs based on the Tutti model and this afternoon the Gathering Wave Choir from lnkpot Arts, Mount Barker is delighted to be sharing their theme song with us.”
• "Tutti Arts - Kurt Bosecke - Into The Sea You And Me Exhibition- Promotional Card"
  Tutti Arts - Kurt Bosecke 'Into The Sea You And Me' Exhibition 2019 Promotional Card - reads, in part "Dive into the watery depths of award-winning Tutti Artist Kurt Bosecke's imaginings and discover a bold and quirky world of intricately rendered sea creatures in the form of paintings and sculptures. These works will float in the serene surroundings of Folklore Cafe inviting you to linger in the blue."
• "Tutti Arts - Rites Of Passage Concert - Program"
  Tutti Arts 'Rites Of Passage Concert' 2012 Program - reads, in part "Tutti is Australia's first Inclusive choir and takes its name from the musical term 'Tutti' meaning everyone. From Its origins as a small singing group at Minda, the original choir has grown into a vibrant independent multi arts organisation ( Tutti Inc), deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With Its strong commitment to access and inclusion, Tutti Is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, diverse communities and professional artists together for high quality performances and exhibitions.”
• "Tutti Arts - End of Year Concert: Everything Changes - Program"
  Tutti Arts 'End of Year Concert- Everything Changes' 2015 Program - reads, in part "’Everythlng changes, seasons will come and go Life rearranges all that we think we know’ from The Six Swans, by Jehane Markham and Richard Chew Welcome to the 2015 Tutti Christmas Concert! The above words taken from the finale of The Six Swans, a one act opera Tutti performed with UniSA students in June this year means a great deal to Tutti as we work for social change. They also remind us of the deep meaning in the story of the birth of Jesus and the themes of redemption, hope, salvation and love associated with Christmas. Let's make Christmas 2015 a time of caring, a celebration of true emancipation of the earth from racial and ethnic hatred. Regardless of our religious ties or other belief systems, this Christmas let's all take time to envision what kind of world we want to live in, and do what we can in our own lives to restore peace, love and goodwill to Australia and the world.”
• "Tutti Ensemble - History"
  Tutti Ensemble History - reads, in part "Tutti ~nsemble is a fully integrated choir including people with disabilities and members of the wider community in Adelaide. It has become known for its nonstereotypical music-theatre productions for the main stage and community events."
• "Australia Council - Annual Report 1992-93"
  Australia Council Annual Report 1992-93- discusses objectives, organisation chart, year in review, support for artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, projects, writers fees and expenses and resource development
• "Interview with Julie Moralee"
  Julie Moralee is the Chief Executive Officer of Restless Dance Theatre, bringing a wealth of experience in marketing, business development, and festival organisation within the arts sector. Her leadership focuses on showcasing the talents of artists with disability and ensuring sustainable employment opportunities in the arts. Interview Summary Julie Moralee is the CEO of Restless Dance Theatre, where she has focused on promoting the talent and abilities of artists with disability. With a commitment to ensuring sustainable full-time employment in the arts for these artists, she emphasises the importance of audience impact and high-quality performances as measures of success. Julie is mindful of the challenges and perceptions within the disability arts sector and envisions a future where the label "disability art" becomes obsolete, as the quality of the work transcends its creators
• "Interview with Michael Noble"
  Michael Noble is a professional dancer and performer and has been with Restless Dance Theatre since 2015. Interview Summary Michael Noble is an ex-foster kid turned contemporary dancer at Restless Dance Theatre, who started in arts as an outlet for expression. His dance style has evolved from literal interpretations to more abstract movements, as Restless has supported his growth and mental health needs. Being in a company that accommodates artists with disabilities has led Michael to explore his own neurodivergence, specifically relating to being on the autism spectrum. He believes art, including the political, is less about the message itself and more about being the messenger for another's vision or interpreting and sharing one's own perspectives.
• "Interview with Janelle Colquhoun"
  Janelle Colquhoun is an opera-jazz singer; corporate and community speaker; MC; producer; and writer. Interview Summary Janelle Colquhoun is a passionate and dedicated former opera singer, who in the interview speaks about, starting an entertainment agency to provide professional opportunities for artists with disabilities after losing her sight. She has produced over 1400 events, performed in a variety of concerts, and worked tirelessly to promote inclusivity in the arts, often by showcasing talented disabled artists to mainstream audiences. Janelle talks about how her work challenges the way people think about disability arts and inclusion, and strives to give equal performing opportunities by advocating for the recognition of artists with disabilities as professionals with the same quality of performance as any other artist.
• Janice Rieger
• "Kath Duncan, Gerard Goggin (2002). 'Something in Your Belly': Fantasy, Disability and Desire in My One Legged Dream Lover. Disability Studies Quarterly 22 (4), pp: 127-144."
  In this article we explore fantasy, disability and desire in the groundbreaking 1998 Australian TV documentary My One-Legged Dream Lover. Based upon self-reflexive documentary conventions, the video uncovers journalist-cum-freak raconteur Kath Duncan's explorations into the world of amputee fetish. Duncan is a double congenital amputee. She says," I've tried most things men, women, sex toys, unusual locations, dominance and submission games but I wanted to know what it was like to be desired because of my impairments." Gerard Goggin is a temporarily able-bodied (or TAB) academic with his own history of queer desire and a personal investment in exploring issues of difference. Duncan's and Goggin's collaboration includes accessing each other's edgier fantasies, aiming to give voice to some of the negotiations, anxieties, pleasures, and risks we have taken, speaking across the chasm of our personal histories, different genders and respective bodies.
• "Liz Ferrier (2000) Vulnerable Bodies: Creative Disabilities in Contemporary Australian Film. In Ian Craven ed. Australian Cinema in the 1990s. Routledge. https://doi.org/10.4324/9780203045022"
  Reads, in part "The internationally-acclaimed film Shine is one of a number of contemporary Australian movies which portray embattled artists or performers. Reminiscent of earlier works such as Starstruck (1982), Man of Flowers (1983), Malcolm (1986) and Sweetie (1989), and several more recent productions – Proof (1991), Strictly Ballroom (1992), Bad Boy Bubby (1994), The Adventures of Priscilia, Queen of The Desert (1994), Muriel's Wedding (1994), Cosi (1996), Lilian's Story (1996), and Jane Campion's New Zealand/Australian films, An Angel at My Table (1990) and The Piano (1993) – it depicts a disadvantaged individual overcoming setbacks through the passionate and eccentric expression of his creativity. The film and the cycle to which it belongs offers a peculiar vantage point from which to examine the problems and possibilities of Australian cinema in the 1990s."
• "DADAA Inc. (2014). An evaluation of a year-long mentoring program for artists with disability in western Australia. Perth, Western Australia: Department of Family and Community Services."
• "Australia Council for the Arts (2018) Creating Pathways: Insights on support for artists with disability. 19 September 2018"
  Reads, in part "This report brings together findings and insights from a range of research undertaken in 2017–18 to inform the Council’s approach to future support for artists with disability."
• "DADAA Find A Program Webpage, captured 2023"
  DADAA Find A Program Webpage, captured 2023 – includes information about Visual Art, Digital Art, Dance and Performance, Music, Children and Young Adult, and Mentorship programs
• "DADAA Accessibility Services Webpage, captured 2023"
  DADAA Accessibility Services Webpage, captured 2023 - reads, in part "Working towards larger social and political goals of cultural democracy, DADAA offers services that are designed to facilitate access to arts and cultural activity for artists and audiences with disability."
• "Hot Pink Goanna Studios - Deadly With Disabilities, Website captured 2024"
  Hot Pink Goanna Studios: Deadly With Disabilities, website captured 2024 - with About, Gallery, Commisions, and Prints sections - reads, in part "Hot Pink Goanna was developed by Uncle Paul Constable Calcott a proud Wiradjuri man and artist living with a disability on Gubbi Gubbi Country. Hot Pink Goanna showcases the works of Uncle Paul and other First Nations artists living with a disability."
• "VisAbility Exhibition"
  Reads, in part "Bringing together a selection of recent acquisitions from the QUT Art Collection, Vis-ability: Artworks from the QUT Art Collection has been conceived as a project to broaden understanding of the lived experiences of people who are blind or with low vision."
• "InCite Arts - Programs, and 2012, 2013, 2014 Annual Reports"
  InCite Arts programs, and 2012, 2013, 2014 Annual Reports, captured 2018 - ‘Red Sand Culture’ youth focused music and dance mentoring program, ‘SPRUNG Youth Dance’, ‘Southern Ngalia’ intergenerational Warlpiri Women’s song and dance program, ‘stArts with D’ Performance Ensemble
• "Crossroad Arts Website 2021"
  Crossroad Arts Website, captured 2021. Includes home, employment, about us, programs, blog, partners, videos, outreach, contact us, and support us links, and information about “what we do,” “how we do it,” who we work with,” and “why we do it,” with the latter stating “We want to challenge the traditional spaces where art making takes place; and to challenge the notion of who participates in that process and how they participate.”
• "Crossroad Arts About 2021"
  Crossroad Arts About page, Crossroads Arts website, captured 2021. Includes information about Crossroad Arts Vision, Mission, and Values, across “Artistic Development,” “Community Development,” and “Outreach” pillars, and an Auslan Described and Captioned “Community Voices” video about the company’s work (Crossroad Arts Vimeo available here https://vimeo.com/crossroadarts?msockid=07261a89129e61112e290e3e137360f5 as at 2024). Includes link to information about past projects 2015-2020, and images of past projects 1996-2020.
• "Rawcus Reviews and Articles, captured 2024"
  Rawcus Reviews and Articles, captured 2024 - links to reviews and articles about Rawcus's work
• "Australia Council - Access and audience development in Australia"
  Australia Council - 'Access and audience development in Australia' reports - reads, in part "These reports were commissioned in 2004 to assess what is currently being done, and what needs to be done, to increase access to the performing arts and museums & galleries in Australia for people with a disability."
• "Accessible Arts - International Day of People With Disability, captured 2022"
  Accessible Arts - International Day of People With Disability - reads, in part "The International Day of People with Disability (IDPwD) on December 3 provides a valuable opportunity every year to acknowledge, honour and celebrate people with disability and the vital contributions they make to arts and culture here in Australia and throughout the world."
• "Accessible Arts - Creative Initiatives, captured 2022"
  Accessible Arts - Creative Initiatives - reads, in part "The unique perspectives and experiences of artists with disability – as well as the intersection of cultural identities across all types of disability – present exciting avenues for new artistic possibilities right across the spectrum of visual, performing, literary, screen and digital arts. We’re here to work with arts and cultural organisations, government agencies and other funding partners to deliver creative initiatives focused on providing development and production opportunities for all kinds of artists with disability or who are d/Deaf."