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"The Other Film Festival - Creating Change" The Other Film Festival Creating Change webpage, captured 2022 - reads, in part "The Other Film Festival is a groundbreaking disability-led program that has put Deaf and Disabled people at the centre of the Australian screen industry for almost 20 years. The days of Deaf and Disabled people being erased, misrepresented or under-employed by the mainstream have gone. We encourage the screen sector to embrace inclusive production structures and processes, including paid employment opportunities and career pathways for Deaf and Disabled screen practitioners and performers." - QUT Art Museum
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"Rawcus - Small Odysseys - Program" Program for Rawcus work 'Small Odysseys, reads, in part, "Small Odysseys grew out of an interest in working with scale and how our sense of our own size, significance and power can shift sometimes very quickly. We have been inspired by the sculptural work of artists Ron Mueck and Slinkachu (Little People in the City) , both of whom employ scale to reveal the emotional world of their subjects and inform our relationship to them." -
“Restless Dance – Annual Report 1997" Restless Dance Theatre Annual Report 1997 - reads, in part "The Company's activities were evenly distributed between high profile performance and community based workshops. Restless hos consolidated itself os on independent leader in youth performing arts in Australia. It is well managed and well skilled using local, interstate and overseas artistic talent to blend the skills of the Company members. Highlights include Sex Juggling, the tour of northern South Australia and the Northern Territory and Kin" - includes Financials and News Clippings -
"Incite Arts Disability Engagement Policy and Action Plan 2020-25" InCite Arts Disability Engagement Policy & Action Plan, reads, in part "People with disability are a key focus of InCite Arts. When we say we work with people with disability, we mean anyone with sensory or physical impairments, hidden impairments, intellectual or neurological impairments or mental health issues. We welcome and value the participation of people with disability in all areas of our work, and we aim to make sure that people with disability have full access to our program, organisation and venues." -
"Artability - Access Arts' Programs, Practice and Perspectives" Explains history, members rights, policies, arts pathways, training, classes, and planning to support these activities, plus information on programs – including Caberet Erratica, Cartoon Advocacy, Melrose Park Project, New Farm Park Mosaics, Visual Arts Exhibition, Explaining Discrimination Video Project – and examples of writing by Access Arts members -
"Indelability Arts - Wilbur The Optical Whale - Digital Program" Digital Program for Indelability Arts show by Karen Lee Roberts, Wilbur the Optical Whale - reads, in part, “Wilbur the Optical Whale" is a 'tale' about friendship, acceptance and celebrating difference. Wilbur and Cecil are BFF's. They are inseparable...or are they? One day while playing hide and seaweed, they are set upon by the Starfish Meanie Gang! How do they get out of this one? Join Wilbur and Cecil and help them in their quest.” -
"Betsy and I" Page reads, in part, "BETSY AND I: CONVERSATIONS WITH MY WALKER By Alexandra Ellen is indelabilityarts latest production. Led by ensemble member Alexandra Ellen, BETSY AND I is a live performance piece that follows the relationship between Ivy and her wheelie walker, Betsy." -
"Arts Project Australia - Annual Report 2005" Arts Project Australia - Annual Report 2005 - Board and staff, supporters,about arts project australia, president's report, director's report, studio manager's report, exhibitions report, financial reports - reads, in part "Arts Project Australia was founded in 1974 as an organisation dedicated to supporting people with disabilities to become practitioners in the visual arts and to promote their work as integral to the broad spectrum of contemporary arts practice" -
"Accessible Arts - Annual Report 2015" Accessible Arts - Annual Report 2015 - From the Chair, From the CEO, Sector Development, Arts Development, Access Development, Communications, Board, Staff and Volunteers - Arts Access Victoria
- Arts Access Society Inc. (Victoria)
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"High Beam Festival Program 2004" High Beam Festival Program 2004 reads "Welcome to evolve High Beam 2004 – A stimulating and inspiring seven-day cultural experience for people with a disability, families, friends and support workers, artists with a disability, professionals working in the disability sector, art workers and others." -
"Tutti Arts - Say No More - Program" Tutti Arts - Say No More' 2018 Program - reads, in part “To create this unique work over 60 women from Malaysia. Indonesia and Australia. of all ages wirh and wirhour disabilities came together in mid 2017 to talk about what is happening for them as women now. The stories sha1·ed by women in all three countries shared the common themes of family. Marriage and women's relationship to the state. This informed the conceit of the wedding reception as a setting for the theatre work. and also became a starting point for the films and installations that grew from the later workshops.” -
"Tutti Arts - Kimberley Sellers and Scott Pyle - Monsters and Fairytales Exhibition - Invitation - Promotional Card" Tutti Arts - Kimberley Sellers and Scott Pyle 'Monsters and Fairytales' Exhibition 2012 Invitation / Promotional Card -
"Australia Council - Annual Report 2010-11" Australia Council Annual Report 2010-2011 – discusses year in review, letter from chairman, vision, list of council staff, message from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including governance, boards, organisation, accountability, workplace; financial review and discussion of the Commonwealth Disability Strategy with a review of how the Disability Action Plan 2008–2010 addresses Australia Council roles of policy adviser, purchaser, provider and employer and how Council is committed to the National Arts and Disability Strategy adopted in October 2009 with ministers agreeing on four priority areas of action -addressing barriers, supporting practice, developing audiences and improving policy. -
"Australia Council - Annual Report 2007-08" Australia Council Annual Report 2007-08 - discusses letter from chairman, year in review, from the CEO, Excellent and Distinctive Art from various artforms, Access for all Australians from various artforms, A strong and vibrant arts sector including artist’s earnings, philanthropic support and arts sector development, About the Australia Council, Governance, Organisation, Accountability, Workplace and Financial statements but no longer listing grants of organisations or individuals however discusses the DADAA WA radio play “The Proper Shoes” - a series of stories written by young women with a disability, was first broadcast nationally on ABC Radio and then invited to tour the play as part of the TRASNA Festival of Inclusive Theatre. -
"Australia Council - Annual Report 1974-75" Australia Council Annual Report 1974-75 lists funding to Spectrum Films for a screenplay on social pressures of deaf mute, grant to Lloyd Nickson to attend theatre for deaf children (USA & UK), funding to Wheelchair and Disabled Association (as it was known 19for jewellery making tools and equipment, and Arts Council of Australia/Victoria (as it was known 1966-1998, before name changed to Regional Arts Australia) for salary of assistant and utilities for Arts Access Program - Back to Back Theatre
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“The National Disability Strategy 2010–2020 is launched and, later, Australia’s Disability Strategy 2021-2031” The Australian Government launched the National Disability Strategy 2010–2020 in 2011. All levels of government were involved in a united national approach to improving life for people with disabilities, their families and carers. The National Disability Insurance Scheme (NDIS) was an outcome of this process. In 2021, the Disability Strategy Advisory Council was established and the most recent iteration of the strategy, Australia’s Disability Strategy 2021-2031, outlines a vision for a more inclusive and accessible Australian society where all people with disability can fulfil their potential as equal members of the community.
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“Genni Batterham stages a protest at the opening of Bondi Junction railway station 1979, makes film in 1980” When Bondi Junction railway station opened in 1979, Genni Batterham staged a protest about the lack of accessible transportation options for individuals with disabilities. After receiving a multiple sclerosis diagnosis in 1978, Genni became severely disabled very quickly. She did everything in her power to stop the disease's progression and was furious at being "consigned to the world of the disabled." The 1979 Bondi Junction protest was an important moment in the history of the Disability Rights Movement in New South Wales. The Premier, Neville Wran, later said that the experience led him to developing the Disability Taxi Service, the first public transport system designed for people with disability to be launched in Australia. Batterham then made the film ‘Pins and Needles’ (1980) with her husband Kim. Under the direction of Barbara Chobocky and with funding from the Australian Film Commission's Women's Film Fund, the film was screened in five different countries, took home first place at the 1980 Canadian Film Festival, and took home second place at the 1980 New York Film Festival. Genni and Kim would then collaborate on three further films about the phases of her life: Where's the Give and Take? (1981), Artreach (1982), and Riding the Gale (1987).
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"Sally Northfield (2014) Canvassing the Emotions: Women, Creativity and Mental Health in Context" PhD Thesis Victoria University, Melbourne, https://vuir.vu.edu.au/29985/, Australia, https://vuir.vu.edu.au/29985/1/NORTHFIELD%20Sally-thesis_nosignature.pdf " Reads, in part, "A multimedia movement-theatre show, incorporating dance, video- and slide- projections, a life-sized puppet and an original soundtrack. A diary come to life, portraying the true story of an Australian dancer who – after paralysing one of his arms in a motorcycle accident – journeys through the worlds of medicine, rehabilitation and disability, in recovery of self-expression. He finds new angles on perceiving the body, and new ways to move. "Body image" and concepts of "normality" are questioned."
- "Australian Institute of Health and Welfare (1993) Australia's welfare 1993: services and assistance. Canberra: AGPS."
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"Katie Ellis (2016) Disability Media Work: Opportunities and Obstacles. London: Palgrave." Reads, in part "Elevates disability media discussions beyond representation and access by considering employment and discriminatory attitudes in the media industry"
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"Bree Hadley (2021) Ex/centric Fixations Project (theatrical play). In Sefel, John Michael, Slamcik Lassetter, Amanda, & Summerville, Jill (Eds.) At the Intersection of Disability and Drama: A Critical Anthology of New Plays. McFarland Publishers, Jefferson, USA, pp. 317-344.” "The Ex/Centric Fixations Project is a postdramatic performance work which renders the feeling of otherness visceral for spectators, without anchoring it any specific singlular experience of otherness, with the text unfolding with the musical flow and rhythm of a fugue state."