Disability Arts History Australia

Items

• "DADAA Annual Report 2022-2023"
  DADAA Annual Report 2022-2023 – Chair’s and Executive Director’s Reports, People, Partners, Arts and Client Services, Projects including 4:48 Psychosis, Digital Art for Life, Exhibitions, Financials
• "1963 and 1967 sees the introduction of the Disabled Persons Accommodation Act and Sheltered Employment (Assistance) Act, respectively."
  With increasing pressure to provide more services to people with disabilities, the 1960s was a decade of Commonwealth Government initiatives to support organisations providing work and accommodation to people with a disability, including the Disabled Persons Accommodation Act and Sheltered Employment (Assistance) Act.
• "Crossroad Arts StrategicPlan 2022-2025"
  Crossroad Arts Strategic Plan 2021-2025 - includes Vision, Mission, and Goals, Artistic Program and Artists, Community, Markets, Board and Staff, Partners, Impact
• "DADAA What's On Webpage, captured 2023"
  DADAA What's On Webpage, captured 2023 - includes a search function, with filters for venue accessible, blind/low vision accessible, audio described, and braile events
• "Indelability Arts - Theatre Ensemble for Artists With Disability"
  News article by Kymberly Martin in Freedom2Live reads, in part, "The company, founded in 2015 by Rebecca Alexander and Catarina Hebbard, was inspired by local and international trailblazers and identified a gap within the creative sector for students with disabilities interested in pursuing a career in the arts after leaving school."
• "Undercover Artist Festival Program Released 2021"
  Undercover Artist Festival 2021, curated by Festival Director Madeleine Little, including Lauren Watson’s Nerve, Andi Snelling’s Happy-Go-Wrong, Naavikaran’s Brown Church, Oliver Hetherington-Page’s The No Bang Theory in the ‘Creative’ program track, and work by Timothy Orton, Mitchell Runcie and Allycia Staples from The Sunshine Troupe in the ‘Community’ track.
• "Access Arts - Grants"
  Website reads "Access Arts can help you make the first, or next step through one of our grant funding opportunities. Provided with support and in partnership with other arts organisations, our grants and awards fund the development opportunities, guidance, and exposure artists with disability or disadvantage need to pursue their artistic practice."
• "Incite Arts - News, captured 2022"
  InCite Arts News, captured 2022 - Including a new location, and activities of 'Starts with a D' Performance Ensemble, and ‘Southern Ngalia’ intergenerational Warlpiri Women’s song and dance program
• "InCite Arts - History, and 2014, 2015 Annual Reports"
  InCite Arts history, and 2014, 2015 Annual Reports, captured 2017 - including starting as Alice Springs Youth Arts Group (ASYAG) in 1998, becoming InCite Youth Arts Inc in 2004, auspicing Arts Access Central Australia (AACA) 2005, then revising its constitution to reflect the broader scope of work as it became InCite Arts in 2013
• "Jodee Mundy Collaborations - Imagined Touch - Live Show"
  Reads, in part "Imagined Touch is a multi-sensory arts performance project exploring the fascinating world of Deafblind culture with its own tactile sign language, unique relationship to the senses, space and navigation of the world."
• "Rawcus Public Projects, captured 2024"
  Links to information about Rawcus Public Projects, from 2006 forward, captured 2024 - including In the Making, A Resourceful Hero, Exquisite Chaos, Rawcus Engagement Program, Dance It Out, Portal, Fanaticus, Becoming, Symphonic Sites, Encounters, In Our Shoes, Now You See Me, Portraits, Singular, By You, Me and the Light, Cross my heart ( and hope), (it’s no) drama 2016, I AM, Beyond the Room, Shadow Tales, Imagine me there, Emporium of Treasures, Flashmob, Cherish, Sticky, RAWCUS at Artplay
• “Australia Council - Artists with Disability Program 2014”
  The website reads “The Artists with Disability Program provides funding for Australian artists with disability (including Deaf artists) to create, develop, present, produce, exhibit and/or tour their work”
• “Australia Council – The Arts, captured 2010”
  Website includes: The arts, Aboriginal and Torres Strait Islander Arts, Artists and organisations, Community partnerships, Dance, Inter-arts, Literature, Market development, Music, Theatre, Visual arts
• "Restless Dance - Central Workshop"
  Restless Dance Theatre website, 'Central Workshop,' captured 2020 – reads, in part, "Restless Dance Theatre presents a series of dance workshops, for people aged 15-26 years with and without disability. The workshops involve creating movement in a safe and fun environment where the participants’ ideas become dance. No experience is necessary, just the desire to take part. Workshops are open to people with and without disability and are led by highly experienced tutors in an accessible space."
• "Restless Dance - Dot to Dot"
  Restless Dance Theatre website, 'Dot to Dot', captured 2020 - reads, in part "The Dot To Dot project is a series of workshops aimed at broadening awareness, developing skills and teaching how to run accessible and inclusive performing arts workshops."
• "Fusion Theatre Governance and Support, captured 2022"
  Fusion Theatre Governance and Support page, captured 2022 - Board, governance, and funding arrangements
• "Second Echo Ensemble - Performance, captured 2024"
  Second Echo website 'Performances' page, with information about past projects including 'The Stare', '[in]security', 'The Beauty Project, 'The Bridge', 'Outside Boy', 'Let Me Dry Your Eyes', 'The Chain', 'Right of Spring,' 'Contested Land', 'By My Hand'
• "Second Echo Ensemble - About, captured 2024"
  Second Echo website 'About' page, captured 2024 reads, in part, "At the heart of Second Echo Ensemble are the artists who make and perform the work. Some live with disabilities, and some do not. Our work is not simply about access or equality. We are about new ways of thinking and creating."
• "Blue Roo Theatre Company - Productions"
  Blue Roo Theatre Company Productions 2009-2017, including Orpheus and Eurydice with Opera Queensland (2016), The Bulimba Opera with Opera Queensland (2015), a new touring Commedia dell’Arte production Hotel Pantelone (2015), a street theatre ensemble A Waddle of Ducks (2015), Song Circle with Opera Queensland (2014), parody, satire and music performance Darcy O and the Browbeat Factory (2013), small scale touring Commedia dell’Arte group production Capitano Pretends Again (2013), Flood Country (2012), The Last Night at the Grand (2011), Sugar Cane Ball (2010), and Lily Pilly Letters (2009)
• "Arts Project Australia - Publications, captured 2022"
  Arts Project Australia - Publications - Includes information about SINCERELY YOURS ZINE 2022, ART ET AL. BROADSHEET ISSUE 1 2021 (inclusive, curated international art platform that commissions and presents collaborations between artists from supported studios, artist peers and arts professionals), ANTIDOTE 2021, REACHING POTENTIAL (REPORT 2021 (including exhibition essay by Dr Marion Piper Words Make Worlds), A SENSE OF PLACE 2003 (including The Significance of Space, The Meaning of Place by Dr Cheryl Daye and Kitty Ginter), VALERIO CICCONE: PERIPHERAL OBSERVER 2012 (including Peripheral Observer catalogue essay ‘This is me – some thoughts on the art of Valerio Ciccone’ by curator Glenn Barkley pp. 8-10), VIDEO DOCTOR 2013 (including essay by Geoff Newton), SO FAR… eight artists / eight stories 2014, IT TAKES MORE THAN 140 CHARACTERS TO WRITE A NOVEL (2015 (Including exhibition essay by curator Dr Vincent Alessi), AUTO BODY WORKS 2018, FEM-aFFINITY 2019 (including FEM-aFFINITY catalogue essay If Collaboration is the Method, Activism is the Intention by curator Dr Catherine Bell pp. 19-24), POP UP STALL: The Festival of the Photocopier Zine Fair
• "Making the arts work for everyone: a resource and information kit about arts and disabilities produced in 1995"
  Arts Access Victoria and Australia Council published 'Making the Arts Work for Everyone: A Resource and Information Kit about Arts and Disabilities' in 1995.
• "The Australia Council establishes the Community Arts Committee in 1973 and the Community Arts Board in 1978"
  The Australia Council established the Community Arts Committee in 1973 and the Community Arts Board in 1978. The purpose of the latter was to encourage wider participation in the arts, especially for groups with little social capital. The Board was “the first funding body to identify the community arts phenomenon and respond with definition and policy." This occurred under the directorship of Rosalie Bower, the first director of the Community Arts Board, who wrote in a paper entitled 'The Case for a Community Arts Centre': “The activities within a centre should be accessible to children, aged people, the physically handicapped, ethnic groups and those whose time is severely restricted by work and family ties. The activities supplied by the centre should be conducted free from competitive elements which otherwise might discourage people from participation, and they must be inexpensive and accessible at almost any time. They must not pre-suppose education or income levels which would cut them off from any section of the community.'" (Australia Council 1979/1980 Annual Report, page 32)
• “Australia Council grants funding for projects about disability or for disabled participants throughout the 1970s”
  The 1974/75 Australia Council annual report states $1,350 in funding granted to Spectrum Films (NSW) to "develop a screenplay for a feature film of the social pressures on a deaf mute”, as well as a $4,500 travel/study grant to Lloyd Nickson (QLD) "to attend summer schools in children's theatre and theatre for deaf children (USA and UK) for six months". In the same year, the Council reported Bryan Gracey as one of numerous individuals in receipt of Experimental Film funding for his short film ‘The World of a Blind Child’ (1975) about the emotional and physical difficulties 10-year-old Peter faces and how he navigates his disability. In the 1974/75 financial year, Australia Council’s crafts board awarded $1,288 to the Wheelchair and Disabled Association (NSW) for "Jewellery making tools and equipment". The 1979/1980 Australia Council annual report describes the following funding: "As in previous years, a grant was given to the Braille and Talking Book Library for its Braille Book of the Year.”
• “Australia Council praises NSW Theatre of the Deaf and provides some funding to the Deaf theatres throughout the 1970s”
  The 1976/77 Australia Council annual report stated: "The NSW Theatre of the Deaf is a significant achievement. The only funded organisation in Australia working in nonverbal theatre, its production of King Lear received widespread praise. This company is now accepted as operating in a legitimate area of theatre rather than performing mime works for the deaf. This offers wide scope for innovation." The Council’s 1977/78 annual report recorded that it granted funding to the NSW Theatre of the Deaf “towards salaries of artistic director, deaf director, and tutors’ fees in 1978” for $25,000; the “presentation of theatre pieces (mime, clowning, puppetry) in public performance” for $2,500, and “towards costs of a production in 1978” for $4,000. It also awarded $1,980 to Queensland Theatre of the Deaf “towards the cost of transporting company to Sydney for seminar with NSW Theatre of the Deaf”. Drama Resource Centre (Victoria) received $2,840 “to develop student theatre at Victoria School for Deaf Children” and $630 went to Children’s Activities Time Society (Western Australia) for the “cost of deaf mime artist, Rae Gibson, to undertake four week visit to Melbourne and Sydney to work with deaf artists”. The following annual report for 1978/79 recorded that the Council granted $25,000 to the NSW Theatre of the Deaf “towards salaries of artistic director, administrator and tutors” in 1979. The Council also awarded $1,800 to the Queensland Theatre of the Deaf towards a salary for Geoffrey Rush to work with the company in 1979. The 1979/1980 Australia Council annual report mentions funding “provided for a playwright-in-residence at the NSW Theatre of the Deaf.”
• “Melbourne venue guides published in the 1990s”
  Arts Access Victoria published the ‘Melbourne Venue Guide: A Description of Access for People with Disabilities to Some of Melbourne's Major Entertainment Venues’ in 1992. They published an updated guide in 1998: ‘The Vic Venue Guide: A Guide to Access and Facilities at Over 75 Victorian Entertainment, Sporting and Cultural Venues’. This updated guide was produced in conjunction with VicHealth and supported by Arts Victoria. The guide provided information about where to make bookings, parking and public transport, facilities and access for disabled patrons, and seating.