Disability Arts History Australia

Items

• Bernie Clifford
• Bee Feldman
• Avni Dauti
• Alice Ewing
• Alexander Straub
• Alex Warman
• Tutti Arts
• Tutti Ensemble
• Jody Mundy
• Accessible Arts
• Victoria Singh-Thompson
• Victoria Thompson
• Kasimir Burgess
• Dan Sanguineti
• “The Bolshy Divas present ‘The Other 100 Conversations’ to Australian governments heads”
  In 2011, a group of disability activists called the Bolshy Divas presented a 100-page document, ‘The Other 100 Conversations,’ to heads of all Australian governments who had gathered in Canberra for a Council of Australian Governments (COAG) meeting. The document was addressed “to our elected representatives”. ‘The Other 100 Conversations’ comprised of 100 first-person accounts of participants of disability services in Western Australia, highlighting the lack of support and waiting times experienced.
• David King
• Dave King
• Focus on Ability Film Festival
• “Arts Access Victoria – Art Everywhere (2010-2015)"
  Between 2010 and 2015, Arts Access Victoria (AAV) received $2.5 million to support audio description and captioning in film as part of its worth with The Other Film Festival, launched Write-ability with Writers Victoria, the mobile, accessible arts space Nebula in Melbourne’s Federation Square in 2012, and collaborated in research such as the ‘Beyond Access’ project with University of Melbourne and Dance Haptics with Deakin University.
• “Arts Access Victoria – A New Millennium (early – mid 2000s)”
  Arts Access Victoria – A New Millennium (early – mid 2000s)– online artist’s register, “Artability” festival, Deaf Arts Network started in 2001, new programs including regional areas, audio description of first TV production, AAV hosted Inclusion International World Congress, The Other Film Festival started,
• “Restless Dance – Annual Report 2009"
  Restless Dance Theatre Annual Report 2009 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Bedroom Dancing,’ ‘Necessary Games,’ ‘DEBUT 2: The Dancers Direct,’ Reviews, Supporters
• Access2Arts
• Michelle Ryan
• "Interview with Michelle Ryan"
  Michelle Ryan is the artistic director of Restless Dance Theatre and has extensive experience as a dancer and performer. Interview Summary Michelle Ryan, the artistic director of Restless Dance Theatre, shares her journey from being a successful dancer diagnosed with multiple sclerosis at 30 to becoming an advocate for artists with disabilities. Despite her initial hesitations to perform with her disability, a positive experience dancing with a European company reignited her passion and led her to Restless Dance Theatre, where she aims to change perceptions of who can create art. Michelle emphasizes the importance of providing professional opportunities and proper compensation for disabled artists, challenging the notion that disability work is charity or hobbyist. She advocates for representation that is genuine and not tokenistic, ensuring the inclusion of people with disabilities is meaningful and respectful.
• “Genni Batterham stages a protest at the opening of Bondi Junction railway station 1979, makes film in 1980”
  When Bondi Junction railway station opened in 1979, Genni Batterham staged a protest about the lack of accessible transportation options for individuals with disabilities. After receiving a multiple sclerosis diagnosis in 1978, Genni became severely disabled very quickly. She did everything in her power to stop the disease's progression and was furious at being "consigned to the world of the disabled." The 1979 Bondi Junction protest was an important moment in the history of the Disability Rights Movement in New South Wales. The Premier, Neville Wran, later said that the experience led him to developing the Disability Taxi Service, the first public transport system designed for people with disability to be launched in Australia. Batterham then made the film ‘Pins and Needles’ (1980) with her husband Kim. Under the direction of Barbara Chobocky and with funding from the Australian Film Commission's Women's Film Fund, the film was screened in five different countries, took home first place at the 1980 Canadian Film Festival, and took home second place at the 1980 New York Film Festival. Genni and Kim would then collaborate on three further films about the phases of her life: Where's the Give and Take? (1981), Artreach (1982), and Riding the Gale (1987).