Disability Arts History Australia

Items

• “Tutti Arts – Tutti Choir – Christmas Celebration 2014 - No More Turníng Away - Program”
  Tutti Arts – Tutti Choir Christmas Celebration 2014 'No More Turníng Away' Program- reads, in part "“The Tutti Choir is Australia's first inclusive choir and takes its name from the musical term Tuti', meaning everyone. From its origins in 1997 as a small singing group at Minda, the choir has grown into a vibrant independent multi arts organisation, deeply connected into the disability and mainstream arts worlds of South Australia and beyond. With its strong commitment to access and inclusion, Tutti is both a grass roots nurturer of disabled artists and a creator and presenter of high quality work which brings disabled artists, and community and professional artists together for performances and exhibitions.”
• "Tutti Arts - Christmas Concert: It All Starts Now - Promotional Card"
  Tutti Arts 'Christmas Concert- It All Starts Now' 2013 Promotional Card
• "Tutti Arts - Christmas Concert: It All Starts Now - Promotional Poster"
  Tutti Arts 'Christmas Concert- It All Starts Now' 2013 Promotional Poster
• "Tutti Arts - The History of Autism - Promotional Card"
  Tutti Arts 'History of Autism' 2014 Promotional Card - reads, in part "In the Adelaide Fringe this year, Company@ Autistic Theatre, Australia's only theatre company for people on the autism spectrum, is presenting an exciting original work, History of Autism. Developed with actors on the autism spectrum, History of Autism was first performed at the 2013 Asia Pacific Autism Conference to standing ovations, drawing audience comments like "truly dynamic and highly entertaining" and "Chockablock full of endearing characters". Company@ is dedicated to presenting high quality authentic theatre which entertains and informs audiences and raises awareness about autism. Company@ works in partnership with renowned multi arts organisation Tutti Ensemble Inc. and is also proudly supported by Autism SA."
• "Tutti Arts - Emily Steel - Impersonal Space - Program"
  Tutti Arts - Emily Steel 'Impersonal Space' 2019 Program - reads, in part "When I started work with Company AT, I thought I was investigating a very different sort of mind to my own. The idea for Impersonal Space, about a little girl with Einstein and Newton as her imaginary friends, came from Julian Jaensch. The methods we found for representing an Autistic mind, showing a largely neurotypical audience how the world can look through Autistic eyes, came from workshops with the company. But, to my surprise, I ended up putting quite a lot of myself in this play."
• "Tutti Arts - The Magic Flute - Program"
  Tutti Arts 'The Magic Flute' 2011 Program - reads, in part "Set in the colourful world of the circus, with beautiful music sung by Tutti and state Opera soloists and enhanced by the extraordinary skills of Cirkidz, this OperaTU production of The Magic Flute will bring Mozart's dream of an opera for the people to life.”
• "Tutti Arts - The Magic Flute - Promotional Postcard"
  Tutti Arts 'The Magic Flute' 2011 Promotional Postcard
• "Tutti Arts - Saltwater Songs Concert - Program"
  Tutti Arts ‘Saltwater Songs’ 2013 Program – reads, in part “Tutti is Australia's first inclusive choi r and takes its name from the musical term 'Tutti' meaning everyone. From its origins as a small singing group at Minda, the original choir has grown into a vibrant independent multi arts organisation (Tutti Inc) deeply connect- into the disability and mainstream arts worlds of South Australia and beyond.”
• "Incite Arts - Unbroken Land 2020 Episode Three - Flood Audio Described"
  Incite Arts - Unbroken Land 2020 Episode Three 'Flood' Audio Described - Reads, in part "As part of the Unbroken Land 2020 program, the ‘stArts with D’ Performance Ensemble have created a series of short films, telling their stories about water. From the dramatic storms with thunder and lightning, water flowing from the sky and flooding the rivers, to that good feeling of the rain on your skin…Water everywhere!"
• "Incite Arts - Unbroken Land 2020 Episode Four – Storm Audio Described"
  Incite Arts - Unbroken Land 2020 Episode Four 'Storm' Audio Described - Reads, in part "As part of the Unbroken Land 2020 program, the ‘stArts with D’ Performance Ensemble have created a series of short films, telling their stories about water. From the dramatic storms with thunder and lightning, water flowing from the sky and flooding the rivers, to that good feeling of the rain on your skin…Water everywhere!"
• "Incite Arts - Unbroken Land 2020 Episode One - Water"
  Incite Arts - Unbroken Land 2020 Episode One 'Water' Audio Described - Reads, in part "As part of the Unbroken Land 2020 program, these Connect2Culture films show the importance of water and fire in the desert. First Nations Disabled Artists Tiffany Malthouse and Lizzie Trew want the audience to experience how vital both fire and water are to them, their ancestors and their culture. Portraying this through the mediums of dance, film and music enables their thoughts, ideas and visions be understood and heard."
• "Let Me See - review by Keiran Finnane 2015, captured 2016"
  Describes InCite Arts ‘Starts with D Performance Ensemble’ members Tiffany Malthouse, Matt Woodham, Brandon Williams, Martin Armstead and director Kat Worth’s production of ‘ Meet You at the Edge’, as part of ‘Let Me See’ produced by Red Hot Arts Central Australia at Araluen Centre for the Arts, including film, use of audio description, writing, and choreography
• "Incite Arts - Central Australian Arts organisation recognised for breaking down barriers 2017, captured 2018"
  Reads, in part, "Human rights advocates in the Northern Territory were recently recognised at the 2017 NT Human Rights Awards Night at the Supreme Court in Darwin. This year Central Australia’s InCite Arts won the Fitzgerald Diversity Award, for their contributions working with a diverse range of communities and community members in and around Alice Springs."
• "InCite Arts - Programs, and 2012, 2013, 2014 Annual Reports"
  InCite Arts programs, and 2012, 2013, 2014 Annual Reports, captured 2018 - ‘Red Sand Culture’ youth focused music and dance mentoring program, ‘SPRUNG Youth Dance’, ‘Southern Ngalia’ intergenerational Warlpiri Women’s song and dance program, ‘stArts with D’ Performance Ensemble
• "Access Arts - Performing Arts Workshops"
  Website reads "Access Arts’ Performing Arts Workshops offer a supportive environment for performers of all abilities."
• "Incite Arts - News, captured 2022"
  InCite Arts News, captured 2022 - Including a new location, and activities of 'Starts with a D' Performance Ensemble, and ‘Southern Ngalia’ intergenerational Warlpiri Women’s song and dance program
• "Australia Council - Annual Report 2018-19"
  Australia Council - Annual Report 2018-19 - reads, in part "This year the Council made a new commitment of $750,000 over three years to support structured mentorships and two new national awards for artists with disability. Empowering and celebrating artists with disability is imperative in ensuring that Australia’s rich diversity is truly reflected across the breadth of our arts."
• "Interview with CB Mako"
  CB Mako is a non-fiction, fiction and fanfiction writer and disability advocate. Interview Summary cubbie||CB Mako is a creative practitioner and disability advocate who emphasizes the importance of accessibility in the arts, advocating for digital inclusivity and the elimination of ableist practices. cubbie pushes for systemic change so that future generations, like their disabled child, don't have to fight for access to art and literature. Success for cubbie is defined by the progress made when institutions include disability in their funding, competitions, and programming. Using the pen name CB Mako and going by pronouns cubbie/they/them, urges non-disabled artists, particularly from communities of colour, to proactively incorporate access in their work.
• "Interview with Michelle Ryan"
  Michelle Ryan is the artistic director of Restless Dance Theatre and has extensive experience as a dancer and performer. Interview Summary Michelle Ryan, the artistic director of Restless Dance Theatre, shares her journey from being a successful dancer diagnosed with multiple sclerosis at 30 to becoming an advocate for artists with disabilities. Despite her initial hesitations to perform with her disability, a positive experience dancing with a European company reignited her passion and led her to Restless Dance Theatre, where she aims to change perceptions of who can create art. Michelle emphasizes the importance of providing professional opportunities and proper compensation for disabled artists, challenging the notion that disability work is charity or hobbyist. She advocates for representation that is genuine and not tokenistic, ensuring the inclusion of people with disabilities is meaningful and respectful.
• "Accessible Arts - ACE Arts Creativity Expression -2001 May - Iss5"
  Accessible Arts - ACE Arts Creativity Expression News Publication Issue 5 May 2001 - information/reviews of Creative Writing, Music, Dance, Theatre and Performance programs,opportunities, resources
• "Accessible Arts - ACE Arts Creativity Expression - Grants And Competitions- List - 2001 Mar. Pg18-20"
  Accessible Arts - ACE Arts Creativity Expression - Grants And Competitions- List - 2001 Mar. Pg18-20
• "Accessible Arts - ACE Arts Creativity Expression -Grants And Competitions- List - Iss19, Pg13"
  Accessible Arts - ACE Arts Creativity Expression - Grants And Competitions- List - Iss19, Pg13
• "Accessible Arts - ACE Arts Creativity Expression - Grants And Competitions- List - Iss21, Pg24"
  Accessible Arts - ACE Arts Creativity Expression - Grants And Competitions- List - Iss21, Pg24
• "Accessible Arts - ACE Arts Creativity Expression - Grants And Funding- List - 2002 Jul, Pg24-29"
  Accessible Arts - ACE Arts Creativity Expression - Grants And Funding - List - 2002 Jul, Pg24-29
• "Accessible Arts - ACE Arts Creativity Expression -Grants And Training -List - 2002 Nov, Pg54-67"
  Accessible Arts - ACE Arts Creativity Expression - Grants And Funding - List - 2002 Nov, Pg54-67