Disability Arts History Australia

Items

• "Interview with Mike Moshos"
  Mike Moshos is a creative director, writer, actor and disability advocate. Interview Summary Mike Moshos is an arts worker and creator living with achondroplasia who provides support to young adult artists with disabilities and engages in community theatre and interactive performances for children with special needs. His personal experiences and growing political awareness have led him to advocate for the rights of disabled individuals and strive for equity in the arts. Mike has a deep passion for storytelling and is currently writing a science fiction novel while enjoying his role as Bing in an interactive children's show. He believes that all art is inherently political and that every piece of work, whether overtly or subtly, expresses a stance on societal issues.
• "Interview with Michael Hodyl"
  Michael Hodyl is a multifaceted artist, dancer and performer and has been with Restless Dance Theatre since 2018. Interview Summary Michael Hodyl, with Polish, Chinese, and Russian heritage, is a multifaceted artist who began his journey in the performing arts with a deep-rooted affinity for ballroom dancing. He transitioned into contemporary dance while maintaining his diverse dancing background and enjoys creating his own dance moves, which express his vibrant charisma and heritage. Facing challenges such as injuries, Michael finds ways to recuperate and return to dance, aiming to elicit happiness and pride from his audience through his performances. He cherishes the supportive friendships he's made in the arts community, holds his performances in high regard, and aspires to be recognized for his talents and hard work.
• "Interview with Darcy Carpenter"
  Darcy Carpenter is a professional dancer and has performed with Restless Dance Theatre since 2014. Interview Summary: Darcy is a professional dancer with a family history in dance, who works with Restless Dance Theatre and has worked with the Riverland Youth Theatre. Darcy expressed her passion for dance and acting, mentioning her desire to share emotional experiences with her audience and her personal growth as an artist through the support of Restless Dance Theatre organisation. Throughout the interview, Darcy’s pride as a third-generation dancer shone through, along with her aspirations to continue developing her artistry.
• "Interview with Roz Hervey"
  Roz Hervey is a Creative Producer with Restless Dance Theatre and is also a director, dance theatre performer and lecturer. Interview Summary: Roz Hervey, the creative producer of Restless Dance in Adelaide, previously worked as a dancer and dance theatre artist in Australia and the UK. Her approach with Restless Dance involves creating personal and reflective dance theatre by giving dancers specific tasks. Roz does not view the performers as disabled but as exceptional artists telling unique stories, and she aspires to change societal attitudes and encourage diversity in art. Despite progressing towards inclusive perceptions, she still encounters patronizing attitudes and misconceptions about artists with disabilities.
• "The Other Film Festival Program 2024"
  The Other Film Festival Program 2024 – Australian works screened include Rewards for the Tribe 90 Minutes | 2023 Director Rhys Graham ; 14 in February 9 Minutes | 2023 Director/WriterProducers Victoria Singh-Thompson, Lily Warland, Pip Smart, Anna Mannix; Revolver Baby 12 Minutes |2024 Director/ ProducerProducer James Di Martino and Daniel Facciolo; Bokeh 12 Minutes | 2024 Director/ WriterProducer Christian Misuraca and Daniel Shao; Carer 19 Minutes | 2024 Director/ Writer CompanyProducer Victorian College of the Arts Oliver Wicks; Dungeons, Goblins and Broccoli 8 Minutes | 2023 Director Dan Sanguineti; The Flower Man 8 Minutes | 2024 Director/ Writer/ Producer Evangeline Read;Threshold 8 Minutes | 2023 Director/ Writer Sofya Gollan; The Water of the Womb 9 Minutes | 2023 Director/ Writer/ Producer Baris Ulusoy
• "Interview with Michèle Saint-Yves"
  Michèle Saint-Yves is a playwright, filmmaker, poet, and director. Interview Summary Michèle Saint-Yves’ background includes a colonial upbringing in Pacific territories, a Scottish boarding school education, and a complex personal journey of confronting her own inherent racism and colonial legacy, particularly through her writing. Her work as an artist with disability is deeply informed by her sense of otherness and focuses on creating inclusive performance-based work that challenges mainstream audiences and systems, aiming for transformative experiences that impact disability justice and community. Michèle actively embraced the social model of disability, which shifted her understanding of herself and her art, and has received recognition for her pioneering work with the prize-winning show "Clock for No Time." However, recognising the social model’s limitations, her current creative endeavours are concerned with 'access intimacy' and evaluating the lasting impact of her performances, in collaboration with other artists and through research grants.
• "History of Queensland Theatre of the Deaf"
  History of Queensland Theatre of The Deaf. Queensland Deaf Society Superintendent Leslie Abnett’s proposal for a Queensland Theatre of the Deaf in 1974, initiated via arrangement with the Australian Elizabethan Theatre Trust to have the National Theatre Trust perform in Brisbane and for a workshop at La Boite Theatre in 1974. Formation Founding Committee (Kerry Prior, Mary Gibbs, John O’Donnell, Leslie Abnett as Office Bearers, Lloyd Nickson as Artistic Director, Keith Puddlefoot as Technical Director, and N. Bricknell, R. Hilsdon, K. Donnell, M. Bergman, P. Arnold, A. Lynch, D. Villis as Committee Members). Company Aims, Workshops at the Queensland School for the Deaf, rehearsals for a core adult group and a junior group at the new D.M. Chadwick Hall at the Queensland Deaf Society at Newmarket in Brisbane – production history including changes in Artistic Director (from Llyod Nickson in 1975, to Nickky Bricknell in 1977, to Ken Donnell in 1979). Company technique, stated as “Our Technique is a combination of Visual Language, Sign-Mime (visual vernacular), Mime and the Spoken Word – a blending of hearing actors and conventional acting ideals with imaginative mime, expression and manual language of the Deaf.”
• "Hot Pink Goanna Studios - Deadly With Disabilities, Website captured 2024"
  Hot Pink Goanna Studios: Deadly With Disabilities, website captured 2024 - with About, Gallery, Commisions, and Prints sections - reads, in part "Hot Pink Goanna was developed by Uncle Paul Constable Calcott a proud Wiradjuri man and artist living with a disability on Gubbi Gubbi Country. Hot Pink Goanna showcases the works of Uncle Paul and other First Nations artists living with a disability."
• "Hot Pink Goanna Studios - Deadly With Disabilities, Gallery captured 2024"
  Hot Pink Goanna Studios: Deadly With Disabilities, Gallery captured 2024 - featuring imagews of works by Paul Constable Calcott
• "Hot Pink Goanna Studios - Deadly With Disabilities - Walu Win Series by Uncle Paul Constable Calcott, Episode 1"
  Walu Win Series by Uncle Paul Constable Calcott, episode 1 - reads, in part "A mini-series exploring the benefits of art and how it is halping as a tool in the healing process. This episode is about Uncle Paul Calcott, a Wiradjuri man who is now living on Gubbi Gubbi country."
• "Second Echo Ensemble - Performance, captured 2024"
  Second Echo website 'Performances' page, with information about past projects including 'The Stare', '[in]security', 'The Beauty Project, 'The Bridge', 'Outside Boy', 'Let Me Dry Your Eyes', 'The Chain', 'Right of Spring,' 'Contested Land', 'By My Hand'
• "Access2Arts Access Resources Audio Description"
  Access2Arts Access Resources Audio Description - includes video example of audio described performance, and information about services and training - reads, in part "Access2Arts has a pool of highly trained and experienced Audio Describers. Our service operates on a fee-for-service basis. We are happy to provide custom quotes for any job, large or small, in any medium and artform. Information about audio describer training can be found on our training page."
• "DADAA Program - Cover"
  DADAA Program 2009 - Cover
• "DADAA Service Directory - Cover"
  DADAA Service Directory 2005 - Cover
• "Rawcus - Song for a Weary Throat"
  DL promotional card for Rawcus work, presented at Melbourne International Arts Festival, 'Song for a weary throat'
• “Studio A – Lisa Scott – Two Love Birds 2024 - Promotional Card”
  Information about Studio A artist Lisa Scott who works in media including painting, screen printing, quilting and installation, and has shown her work at Underbelly Arts Festival, Beams Festival, and a sole exhibition at the Australia Design Centre in 2019.
• "DADAA - The Lost Generation Project"
  DADAA - The Lost Generation Project 2007 - reads, in part "The project was conceived from a partnership between DADAA and the WA Disability Services Commission, which began in 2002. After working on 15 small projects, the partners decided to develop a large-scale project in 2007 to continue developing arts and cultural interventions with and for people with intellectual disability living in supported accommodation across the Perth metropolitan area. The project's rich CACD strategy has seen numerous successful workshops, exhibitions and related projects come to fruition in partnership with local governments and other community arts organisations.?
• "Australia Council - Annual Report 2019-20"
  Australia Council - Annual Report 2019-20
• "Blue Roo Theatre Company - You Tube - A Midsummer Night Dream (2021)"
  Blue Roo Theatre Company - You Tube - A Midsummer Night Dream (2021) QPAC Cremorne Theatre - reads, in part "Blue Roo Theatre Company Inc. proudly presents A Midsummer Night's Dream. Introduced by the Variety Kids Choir singing an original song, Blue Roo Theatre Company’s A Midsummer Night’s Dream is a unique re-imagining of Shakespeare’s classic tale set in regional Australia after a catastrophic bush-fire. Audiences will be taken on a journey as the ghost of Shakespeare himself wakes to watch yet another adaptation and retelling of his prized story."
• "Bec Young Chief Executive"
  Announcement of new CEO of Access2Arts, South Australia, Rebecca (Bec) Young, in 2022
• "Access2Arts Events"
  Access2Arts news, events, and program information as at 2022
• "Access2Arts Projects"
  Access2Arts current projects as at 2022
• "Back to Back Theatre - Information Pack"
• "The Other Film Festival Program 2006"
  The Other Film Festival Program 2006 - Australian work screened include SHARING STORIES ACMI and Rural Access, 2005, 36min, Digital Storytelling, Australia; WELCOME 2 MY DEAF WORLD Helen Gaynor, 2005, 52min, Documentary, Australia; HOW DO YOU EAT AN ELEPHANT? Neami NE, 2006, 20min, Documentary, Australia
• "The Other Film Festival Program 2008"
  The Other Film Festival Program 2008 - Australian work screened includes WHITE SOUND Sarah Tracton 2007, 6min; YOLK Stephen Lance 2008, 14min; IT'S A BLIND CHICK THING Kate Gillick 2008, 21 min; DARREN AND JAMES DOWNUNDER MYSTERY TOUR Michael Noonan, 26min; THE LOST GENERATION DADAA WA 2007, 30min; SEIZE THE DAY Alex Chomicz 2007, 12min; TUESDAY David Norris 2007, 14min; HAMISH Hannah Moon 2008, 7min.