Disability Arts History Australia

Items

• "Interview with Tina Fielding"
  Tina is a writer, actor, film maker and disability advocate Interview Summary Tina is an actress with Down Syndrome who identifies strongly with her art form, viewing her disability as an ability that enhances her talent and quality in storytelling through acting. She enjoys the process of acting and finds joy in watching her family perform, which inspired her to pursue the craft; however, she acknowledges that there are difficult moments that can be challenging but ultimately rewarding. Her artistic journey has involved working with various local companies in Perth and her work has evolved by adapting to new roles, with the aim of authenticity in her performances. Tina's influence and acknowledgment in the field are growing, noted by positive media attention, and she encourages other artists with disabilities to embrace and identify with their unique abilities.
• "Interview with Michael Noble"
  Michael Noble is a professional dancer and performer and has been with Restless Dance Theatre since 2015. Interview Summary Michael Noble is an ex-foster kid turned contemporary dancer at Restless Dance Theatre, who started in arts as an outlet for expression. His dance style has evolved from literal interpretations to more abstract movements, as Restless has supported his growth and mental health needs. Being in a company that accommodates artists with disabilities has led Michael to explore his own neurodivergence, specifically relating to being on the autism spectrum. He believes art, including the political, is less about the message itself and more about being the messenger for another's vision or interpreting and sharing one's own perspectives.
• "Interview with Andy Jackson"
  Andy Jackson is a published poet focusing on disability and difference, has completed a PhD and is a lecturer of poetry and creative writing. INTERVIEW SUMMARY This is an oral history interview with poet Andy Jackson. Andy, who has Marfan syndrome, discusses how disability and visible difference have shaped his writing and poetry, explaining that he often writes about the meaning of the body within society. He emphasizes the importance of Disability Arts, noting a growing community of disabled writers and expressing the need for both disability-specific literary spaces and mainstream recognition. Andy also highlights the transformative role of online communities in creating networks for disabled individuals and the emergence of disability-focused literary journals, anticipating an anthology from a collaborative writing project he is involved with.
• "Chameleon - Presenter Pack"
  Presenter Pack for Indelability Arts show by Karen Lee Roberts, Chameleon - reads, in part, "Chameleon brilliantly portrays a new point of view of the norms of mental illness through heartfelt stories of a woman’s journey to mental wellness. With original music from the world of the blues, jazz, folk and rock, Chameleon packs a healthy dose of funny for the mind, body and soul."
• "Bree Hadley, Katherine Dionysius, Sarah Boulton (2019) Vis-Ability: Audio descriptions. In Vis-ability: Artworks from the QUT Art Collection. QUT Art Museum, Brisbane, Qld, pp. 45-53."
  "Bringing together a selection of recent acquisitions from the QUT Art Collection ,Vis-ability has been conceived as a project to broaden understanding of the lived experiences of people who are blind and people with low vision. Drawing on research in QUT's Creative Industries Faculty, Vis-ability proposes alternative ways of engaging with the collection, considering how technologies can deepen our understanding of vision and challenging our sight-driven experience of art. In this essay, QUT artist scholar and audio description author Associate Professor Bree Hadley, curator Katherine Dionysius, and blind artist and exhibition guide Sarah Boulton examine the principles, processes, and challenges of producing audio descriptions and associated engagement strategies to enable creative new forms of audio encounter with visual art works."
• "Rawcus Website, captured 2014"
  Rawcus website, captured 2014, reads, in part, "Rawcus is an ensemble of performers with and without disabilities. Collaborating with a core creative team led by Artistic Director Kate Sulan, Rawcus aims to devise new work that expresses the imaginative world of the ensemble. Drawing on dance, theatre and visual art disciplines, the work is crafted with a precision that supports the performers but allows space for their inherent sense of anarchy. A series of moving pictures, Rawcus’ work is sculptural, unexpected, beautiful, funny and tender."
• "VisAbility Exhibition"
  Reads, in part "Bringing together a selection of recent acquisitions from the QUT Art Collection, Vis-ability: Artworks from the QUT Art Collection has been conceived as a project to broaden understanding of the lived experiences of people who are blind or with low vision."
• "Rawcus Website, captured 2024"
  Rawcus website, captured 2024, reads, in part "Rawcus is a critically acclaimed long term ensemble of 14 performers with diverse minds, bodies and imaginations. For over 22 years, the company has been creating audacious performances and arts experiences." Links to productions, public program, watch, and archive sections.
• "Second Echo Ensemble - Chair's, Creative Producer's and Financial Reports 2020"
  Second Echo Ensemble Chair’s, Creative Producer’s and Financial Reports for 2020, including reports on work during the year (Let Me Dry Your Eyes, The CHAIN, What Makes You Beautiful), and reflections on the impact of Covid 19 Pandemic
• "DADAA No Fixed Address - Promotion Card"
  DADAA No Fixed Address 2017-2020 promotion card - Coverreads, in part "No Fixed Address was a project developed by DADAA in partnership with and a group of Perth-based contemporary artists and filmmakers. Centred in Fremantle’s East End, an area currently undergoingmass gentrification, is St. Patrick’s Community Support Centre, which for the past 40 years has worked to support those who are experiencing homelessness or at risk of becoming homeless."
• “Studio A – Emily Crockford – The Phantom – Sydney Opera House 2021”
  Information about the Sydney Opera House's Diversity, Inclusion & Belonging Strategy for 2021-23, and Emily Crockford's artwork "The Phantom (Sydney) Opera House" which was liscenced for the cover, along with other words by Sally M. Nangala Mulda and Jason Phu.
• "Studio A website - captured 2015"
  Studio A website, captured 2015
• "Studio A website - captured 2025"
  Studio A website, captured 2025
• "Salubrious Productions - Black Box Sculptures"
  Promotion Flyer for Salubrious Productions Black Box Sculptures
• "Salubrious Productions - Majority In Minority Exhibition"
  Promotion Card for Salubrious Productions Majority In Minority Exhibition
• "Back to Back Theatre - Light Letters"
  Back to Back Theatre Light Letters - artist statements, script sketches, and other materials - reads, in part “In mid-2007 Back to Back Theatre invited schools and community groups from the Corio Bay area to enter into collaboration with the company under the direction of Marcia Ferguson. The company was very excited to welcome into the creative venture Nelson Park Schol, Norlane West Primary School, Cloverdale Community Centre and Dorthy Thompson Centre as well as collaborating local Geelong artists Leane Stein, Ross Meuller, David Dellafiora, Mark Cuthbertson and Stephen Oakes.”
• “Studio A – Inside Studio A – Promotional Flyer 2020”
  Information about project 2020, in which creative producer Amelia B created "Inside Studio A" as an ‘about’ video featuring the work of artists, including interviews with Mathew Calandra, Thom Roberts, Catherine McGuiness, Jaycee Kim, and Meagan Pelham. Photograph by Cybele Malinowski.
• “Studio A – And Romance Was Born - Promotional Card 2020"
  Information about Studio A collaboration with fashion design label Romance Was Born. Photograph by Tanja Bruckner.
• “Studio A – One Another Homewares – 2018”
  Information about a range of homewares, using hand weaving and embroidery, created by Studio A and in collaboration with One Another in 2018. Photograph by Rick Carter.
• "It's Fine, I'm Fine - IMDB"
  It's Fine, I'm Fine' Internet Movie Database (IMDB) entry - reads, in part "A suburban psychologist and her patients explore love, loss, obsession, anxiety, and an uncertain future, while grappling with how to persist and find magic in the world."
• "The Other Film Festival - Website, captured 2013"
  The Other Film Festival website, captured 2013 - with an Auslan welcome, About, Program, Tickets, and News links, including news of a recent screening in New York which included BEAUTIFUL (Australia, Dir: Genevieve Clay-Smith) and JUST BE FRANK (Australia, Dir: Elise Bialylew)
• "The Other Film Festival - Website, captured 2011"
  The Other Film Festival website, captured 2011 - including a links to 2010 Festival Program in standard, plain text and Vision Australia formats, and a report on the 2010 Festival
• "The Other Film Festival - Website, captured 2018"
  The Other Film Festival website, captured 2018 - with links to About and Archive pages, and 2016 Festival report
• “Australia Council - Disability Action Plan 2017–19”
  The website reads “Our current Disability Action Plan 2017–19 sets out actions in detail, building on the achievements of our previous DAP and stretching us further across our three goals of accessibility, leadership and arts practice.”
• "Australia Council - Annual Reports 2010-2022"
  Australia Council - Annual Reports 2010-2023