Disability Arts History Australia

Items

• "Sprung!! Integrated Dance Theatre - Dis-Coball"
  Page reads, in part "Dis-Co Ball is Sprung’s new annual disability community ball, bringing people together for an evening of unashamed joyous dancing, inspired by and featuring our Community Artists."
• "Sprung!! Integrated Dance Theatre - Shift Shape Initiate"
  Page reads, in part "This dynamic and inclusive contemporary dance workshop builds skills for movement based play"
• "Sprung!! Integrated Dance Theatre - Pop Icons"
  Page reads, in part "Find your pose and make it pop! Join artists Sarah Lewis and Tora Crockford for a 4-day costume making and pose creating workshop. Exploring pop and celebrity culture, you will get to design, make and wear an iconic outfit ready for the dance floor and runway."
• "Salubrious Productions Website, captured 2007"
  Salubrious Productions website, captured 2007, promoting a diverse range of artists and entertainers - bands and ensembles - across genres.
• "Restless Dance - Celebrating 30 Years - Promotional Flyer"
  Restless Dance - Celebrating 30 Years - Promotional Flyer - reads, in part "Now in its 30th year, Restless collal)orates with some of the industry's most renowned choreographers, companies and artists. We create performance work that is presented at prestigious festivals and venues around Australia and internationally. Our workshop program continues to be an incubator for dancers, It creates a pathway for artists to pursue a career in dance. It is the past successes of Restless that have caused the arts sector to be devastated by the news that The Australia Council for the Arts will no longer fund the company through the multi-year funding program (2022 - 2024). It is important that Australia understands the impact this decision will have on the company. Whilst we have funding to continue to produce work, our operational funding ceases at the end of 2021."
• “Restless Dance – Annual Report 2011"
  Restless Dance Theatre Annual Report 2011 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Take Me There,’ ‘Superhero Island,’ ‘Debut 3: The Dancers Direct,’ ‘Howling Like A Wolf,’ other performances and workshops, Supporters
• “Restless Dance – Annual Report 2015"
  Restless Dance Theatre Annual Report 2015 - Company history, Chair's, Artistic Director’s, Dancer’s and Company Manager’s Reports, Productions including ‘Touched’ ‘What’s a Nice Girl Like You Doing in a Place Like This?,’ Community workshop programs, Financials, Staff and Board, Supporters
• “Restless Dance – Annual Report 2018"
  Restless Dance Theatre Annual Report 2018 - Company history, Chair's, Artistic Director’s, and Company Manager’s Reports, Productions including ‘Intimate Space,’ ‘Shared Visions,’ Community workshop programs, Financials, Staff and Board, Supporters
• “Restless Dance – Annual Report 1997"
  Restless Dance Theatre Annual Report 1997 - reads, in part "The Company's activities were evenly distributed between high profile performance and community based workshops. Restless hos consolidated itself os on independent leader in youth performing arts in Australia. It is well managed and well skilled using local, interstate and overseas artistic talent to blend the skills of the Company members. Highlights include Sex Juggling, the tour of northern South Australia and the Northern Territory and Kin" - includes Financials and News Clippings
• “Restless Dance – Annual Report 2003"
  Restless Dance Theatre Annual Report 2003 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Starry Eyed,’ ‘Home,’ ‘Singing of Angels,’ Reviews, Supporters
• “Restless Dance – Annual Report 2005"
  Restless Dance Theatre Annual Report 2005 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions Sustenance,’ ‘Vocabulary,’ ‘Present Tense,’ ‘Unspoken Out Loud,’ Reviews, Supporters
• “Restless Dance – Annual Report 2006"
  Restless Dance Theatre Annual Report 2006 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Continual Unfolding of Now,’ ‘Within these lines,’ Reviews, Supporters
• "Blue Roo Theatre Company - AnnualReport 2018-19"
• "Betsy and I"
  Page reads, in part, "BETSY AND I: CONVERSATIONS WITH MY WALKER By Alexandra Ellen is indelabilityarts latest production. Led by ensemble member Alexandra Ellen, BETSY AND I is a live performance piece that follows the relationship between Ivy and her wheelie walker, Betsy."
• "Back to Back Theatre - Annual Report 2022"
  Back to Back Theatre Annual Report 2022 - Chair’s Report, international premiere of film SHADOW, continued international touring of original stage show THE SHADOW WHOSE PREY THE HUNTER BECOMES, continued touring GANESH VERSUS THE THIRD REICH and THE DEMOCRATIC SET, premieres of new screen works FIRST RESPONDERS (ABC) and WHATEVER SCARES YOU (SBS), immersive installation DREAMS FEEL REAL WHEN YOU'RE IN THEM from Theatre of Speed, CAMP training weekends, creative development of new Back to Back work MULTIPLE BAD THINGS, ensemble member development of their own works.
• "High Beam Festival - The Tutti Ensemble Holdfast Choir in Concert with David Helfgott"
  Flyer reads "The Tutti Ensemble Holdfast Choir in Concert with David Helfgott with special guests Brian Gilbertson and Jennifer Kneale"
• "High Beam Awards For Literature And Music"
  Held concurrent with the High Beam Festival 2004, "The Awards are open to any person who has been resident in South Australia for a period of not less than one year prior to the closing date, who has a permanent disability and is eligible to be a client of Options Co-ordination."
• "Australia Council - Annual Report 2013-14"
  Australia Council Annual Report 2013-2014 – discusses year in review, report from the CEO, Strategic priorities, funding overview, statement of outcome, about the Australia Council including The Governing Council and the Board, Structure of the Australia Council; financial review and discussion of funding for numerous programs including a new Artists with Disability Program grant which funded development opportunities and creative projects for practitioners with disability and the dance board funded development and presentation of new work, workshops and residency programs, and strategic initiatives that focus on leadership, development and collaboration with a highlight being the “Torque Show” supported for the Melbourne premiere of “Intimacy”, a collaboration with Michelle Ryan presented as part of the Unlimited Festival in London which celebrates originality of artists with disability.
• "Interview with Astrid Edwards"
  Astrid Edwards is a writer, publisher, lecturer, podcast host and disability advocate. Interview Summary Astrid Edwards, a former teacher and policy consultant, discusses in the interview how she pivoted her career towards writing and literature after being diagnosed with multiple sclerosis at 32, inspiring her to focus on work she loves. Astrid talks about writing at RMIT University, working with a diverse cohort of students, (many of whom have disabilities or are writing about trauma), which she finds rewarding. Though her work includes advocacy roles and a focus on disability, she does not wish to be defined solely by her illness, emphasizing the importance of allowing disabled individuals the freedom to explore and create beyond their disabilities. Currently, Astrid says she is a judge for the Stella Prize and discusses exploring a potential PhD about publishing and climate fiction, expressing a passion for addressing climate change within her work.
• "Santa Claus Is Autistic"
  Reads, in part "Santa Claus is Autistic He makes a list and checks it twice Featuring the Spectrum Singers." Santa Claus is Autistic was independently created by Oliver Hetherington-Page.
• "Blue Roo Theatre Company - SongCircleReport"
  The Song Circle Evaluation Report (2014), written by Kirsty Martin, reads "In 2013 a creative partnership was formed between Blue Roo Theatre Company Inc. and Opera Queensland’s Open Stage. The Arts Queensland and Centacare Disability Services Queensland funded partnership resulted in ‘Song Circle’, a song-based production performed over three days at the Judith Wright Centre of Contemporary Arts, Fortitude Valley, Brisbane."
• "Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Denise Green's 'Saar elegy: Opposites' 2014."
  "This is an audio description of Denise Green’s artwork, ‘Saar elegy: opposites’ (2014) narrated by Dr Bree Hadley. This recording was produced in partnership with QUT Creative Industries Faculty for the exhibition, 'Vis-ability' at QUT Art Museum, from 11 May to 4 August 2019."
• "Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Karla Marchesis' artwork, 'Trashout' (2010)."
  "This is an audio description of Karla Marchesi's painting, 'Trashout' (2010), narrated by Dr Bree Hadley and recorded by Michael Whelan. This recording was produced in partnership with QUT Creative Industries Faculty for the exhibition, 'Vis-ability' at QUT Art Museum, from 11 May to 4 August 2019."
• "Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan, Megan Strickfaden(2019) VIS-ABILITY: Audio Description of Karla Dicken's artworks, 'Bottom feeder I-IV' (2018)."
  "This is an audio description of Karla Dickens' artworks, 'Bottom feeder I-IV' (2018), narrated by Dr Bree Hadley and recorded by Michael Whelan. This recording was produced in partnership with QUT Creative Industries Faculty for the exhibition, 'Vis-ability' at QUT Art Museum, from 11 May to 4 August 2019."
• "Janice Rieger, Bree Hadley, Katherine Dionysius, Michael Whelan (2019) VIS-ABILITY: Audio Description of Brown, Green and Cattapan's 'War and peace #7: Empire' (2011)."
  "This is an audio description of Lyndell Brown, Charles Green and Jon Cattapan's artwork 'War and peace #7: Empire', narrated by Dr Bree Hadley and recorded by Michael Whelan. This recording was produced in partnership with QUT Creative Industries Faculty for the exhibition, 'Vis-ability' at QUT Art Museum, from 11 May to 4 August 2019."