Disability Arts History Australia

Items

• "Interview with Jenny Simpson"
  Jenny is CEO and Artistic Director of AWESOME Arts Australia while also a Musical Director of the Mighty Camelot Community Choir and a Sessional Academic at the Western Australian Academy of Performing Arts at Edith Cowan University. Interview Summary Jenny Simpson is the CEO and Artistic Director of AWESOME Arts Australia. She grew up in a musical family and always had an interest in the arts. After working in the corporate world, she decided to pursue a role in the arts to make a difference in the community. She has since focused on engaging young people with disabilities in the arts, and has worked on projects and festivals that promote inclusivity and accessibility. She believes that the perception of disability arts is changing and hopes to see more individuals with disabilities involved in arts management.
• "Interview with Matthew Shilcock"
  Matthew Shilcock is a stage and film performer, dancer, director, choreographer, producer, project planner, manager, consultant and disability advocate. Interview Summary Matthew Shilcock, a contemporary dancer, lives with osteogenesis imperfecta, a condition that led him to discover dance as an affordable alternative to physiotherapy. His 12-year dance career has been shaped by working with both disabled and non-disabled artists, including elite companies and individual dancers, where he found a passion for the unique problem-solving and rewarding experiences that come with working with disabled dancers. As he transitions from performer to dance maker, Matthew's motivation has shifted from personal excitement and self-discovery to a focus on the next generation, aiming to pass on his unique experiences and methodologies. He acknowledges that while being on stage as a disabled artist can be inherently political, he values his authenticity and the impact of his work over the perceptions and labels placed upon disability in the arts.
• "Interview with Nick Hughes"
  Nick has worked as an actor, director, writer, artistic director, dramaturg and was the Company Manager for Restless Dance Theatre Interview Summary Nick Hughes is a retired arts administrator who has worked in various capacities within the arts industry, including as an actor, writer, stage manager, and notably as the company manager for Restless Dance Theatre. Nick gained degrees in drama, and sociology, and moved from the UK to Australia in 1973. During the interview, Nick reflects on his significant contributions to the arts and disability sectors. Despite being unfamiliar with disability arts in the beginning, Nick says he became deeply involved and committed to the field, valuing disability arts for the social and political aspects. Nick discusses witnessing first-hand the growth and development of individuals through creative expression. Throughout his career, Nick says he has seen the evolution and increasing recognition of disability arts as a legitimate and powerful art form capable of altering people’s perceptions and advocating for inclusivity and equality in society.
• "DADAA - The Proper Shoes - Radio Play 2007"
  DADAA - 'The Proper Shoes' Radio Play 2007 - reads, in part "In 2005 & 2006 DADAA Inc worked in partnership with ABC radio to develop "The Proper Shoes", a radio play to be broadcast nationally. In 2005 & 2006 DADAA Inc worked in partnership with ABC radio to develop "The Proper Shoes", a radio play to be broadcast nationally.  In 2007 DADAA Inc has been invited to take a reworking of Proper Shoes to be part of TRASNA Festival of Inclusive Theatre.  The Proper Shoes will be broadcast in Callan, Kilkenny Ireland with a live site specific component developed to extend the work from its previous incarnation. The festival runs from 26th - 28th Oct 07 with two production staff and two performers attending and devising the work for the festival."
• "Indelability Arts - Classes"
  Website reads "Students will learn the ins-and-outs of theatre performance from industry trained professionals."
• "Jodee Mundy Collaborations - Imagined Touch - IMBD"
  Reads, in part, "When two Deafblind women asked a theatre director to help them make a show about being deaf and blind, never in their wildest dreams did they imagine it would become an award-winning show."
• "Undercover Artist Festival Program Released 2021"
  Undercover Artist Festival 2021, curated by Festival Director Madeleine Little, including Lauren Watson’s Nerve, Andi Snelling’s Happy-Go-Wrong, Naavikaran’s Brown Church, Oliver Hetherington-Page’s The No Bang Theory in the ‘Creative’ program track, and work by Timothy Orton, Mitchell Runcie and Allycia Staples from The Sunshine Troupe in the ‘Community’ track.
• "Access Arts - You Tube - Undercover Artist Festival 2015 - Captured in Three Minutes"
  Access Arts - You Tube - Undercover Artist Festival 2015 in 3 minutes
• "Access Arts - YouTube Undercover Artist Festival - 2021"
  Access Arts - You Tube - Undercover Artist Festival 2021 - reads, in part "Undercover Artist was developed by Access Arts who have been working to support people with disability to take part and excel in the arts for more than 38 years"
• "Access Arts - The Divine Kiss, website captured 2004"
  Access Arts - The Divine Kiss, website captured 2004"- reads, in part "The Divine Kiss - The Evil is Always and Everywhere - is a music theatre work exploring the imagery of the Seven Saving Virtues. This is not a traditional text driven narrative, but a collection and superimposing of images with text. Although the perimeters may seem fluid, the work is structured around a base of Seven Virtues with twelve images per virtue of either sound, light and/or singing. Seven sections equal the Seven Virtues, each section to explore one virtue in its quarternity. The sections build one on another using the device of a palimpset of images to reinforce and deepen the audience experience through thematic reiterations."
• "Jodee Mundy Collaborations - Imagined Touch - Live Show"
  Reads, in part "Imagined Touch is a multi-sensory arts performance project exploring the fascinating world of Deafblind culture with its own tactile sign language, unique relationship to the senses, space and navigation of the world."
• "Jodee Mundy Collaborations - Imagined Touch - Documentary"
  Reads, in part "When two deafblind women Heather Lawson and Michelle Stevens approached director Jodee Mundy to make a show, they pulled off the impossible. They turned their small community performance into IMAGINED TOUCH, a theatre production that became a sell-out success at the Sydney Festival, going on to win at the Victorian Green Room Awards. This documentary has followed Imagined Touch with cameras from the very beginning."
• "Accessible Arts - Activated Arts Podcasts"
  Accessible Arts - Activated Arts Podcasts - reads, in part "Get turned on to a different kind of creativity! The Activated Arts podcasts, produced in association with Accessible Arts and 2RPH Radio, explore and showcase the unconventional talent and distinctive work of professional arts practitioners with disability."
• "Rawcus Website, captured 2024"
  Rawcus website, captured 2024, reads, in part "Rawcus is a critically acclaimed long term ensemble of 14 performers with diverse minds, bodies and imaginations. For over 22 years, the company has been creating audacious performances and arts experiences." Links to productions, public program, watch, and archive sections.
• "Rawcus Website, captured 2014"
  Rawcus website, captured 2014, reads, in part, "Rawcus is an ensemble of performers with and without disabilities. Collaborating with a core creative team led by Artistic Director Kate Sulan, Rawcus aims to devise new work that expresses the imaginative world of the ensemble. Drawing on dance, theatre and visual art disciplines, the work is crafted with a precision that supports the performers but allows space for their inherent sense of anarchy. A series of moving pictures, Rawcus’ work is sculptural, unexpected, beautiful, funny and tender."
• “Australia Council – The Arts, captured 2010”
  Website includes: The arts, Aboriginal and Torres Strait Islander Arts, Artists and organisations, Community partnerships, Dance, Inter-arts, Literature, Market development, Music, Theatre, Visual arts
• “Australia Council - Grants, captured 1997”
  Australia Council (Creative Australia) grants captured December 1997. Website reads “extracted from the Australia Council Grants Handbook 1997” and includes Grant Categories: an Overview, Aboriginal and Torres Strait Islander Arts Board, Community Cultural Development Fund, Dance Fund, Literature Fund, Major Organisations Fund, Music Fund, New Media Arts Fund, Theatre Fund, Visual Arts/Craft Fund, Awards
• "Tutti Arts - Website - History, captured 2008"
  Tutti Arts Website History captured 2008 - reads, in part "“Founded by South Australian playwright/composer Pat Rix, Tutti began as a small singing group for people with an intellectual disability at Minda Inc in August 1997."
• "Tutti Arts - Website - Strategic Plan 2023-2026 captured 2023"
  Tutti Arts Annual Reports 2023-2026, captured 2023 - reads, in part "Established in 1997, Tutti Arts is South Australia’s only multi-arts organisation where learning disabled, and neurodiverse artists create visual art, theatre, music, screen, dance and experiment with art and technology. Tutti Arts has grown, changed, rearranged, and developed over time. Tutti now works with more than 200 learning disabled and neurodiverse artists, with over 340 artist engagements every week across 3 Creative Hubs (Brighton, Port Adelaide, and the Barossa), and online. Tutti is the home for renowned disability-led collectives The Sisters of Invention, Company AT and Sit Down Shutup and Watch Film & Media Festival and has supported the career paths of many disabled artists. The Tutti Arts Centre was opened in Brighton 2020. In 2022 Tutti opened a new Regional Hub in Nuriootpa."
• "The Arts and Disability"
• "DADAA Annual Report 2012-2013"
  DADAA Annual Report 2012-2013 - information about Vision, Mission and Goals, Chairperson and Executive Director’s Reports, Staff list, Participation, Programs including the Lost Generation Project, Sculptures by the Sea Tactile Tours, StARTSpeak, Fusion Project, Esperance: The Emergence Project, HERE&N0W13, Aging & Disability, Fourth International Arts And Health Conference, Nexus Arts Grant, Regional Development and Consultancy, Partners, and Financials
• “Arts Access Victoria – Arts Access Society Annual Report 1984”
• “Arts Access Victoria - Arts Access Society Inc. - Access Newsletter Christmas Edition1988”
• “Arts Access Victoria EASE Entertainment Access Service Newsletter Spring 1993"
  Arts Access Victoria EASE Entertainment Access Service Newsletter Spring 1993 - Overview of Disability Discrimination Act, EASE Consumers Group projects, Melbourne International Festival of the Arts
• “Arts Access Victoria EASE Entertainment Access Service Newsletter Spring 1994"
  Arts Access Victoria EASE Entertainment Access Service Newsletter Spring 1994 - Disability Discrimination Act, Melbourne International Festival of the Arts, Melbourne Fringe Festival, training on BASS ticketing system, venue profile The Last Laugh Theatre Restaurant