Disability Arts History Australia

Items

• “Arts Access Victoria – Annual Report 1999-2000”
• “Arts Access Victoria – Annual Report 2000-01”
• “Arts Access Arts Access Art Day Number 1 1994”
  Arts Access Arts Access Art Day Number 1, 1995 – Description of Arts Access programs for people with intellectual disabilities, Description of the Artistic Program, the Resource and training unit and the EASE program, Art Beat - Performance Art Options for People with Intellectual Disabilities – workshops, Big Bag rock band and Back to Back theatre company - Barbara Doherty, Carol Downey, Claire Teisen, David (no last name listed), Dean Michael, John Tonso, Kerrie (no last name listed), Lyndsay Mason, Maria (no last name listed), Sonia Teuben
• “Arts Access Victoria EASE Entertainment Access Service Newsletter Summer 1993-1994"
  Arts Access Victoria EASE Entertainment Access Service Newsletter Summer 1993-1994 - EASE Managers and Promoters forum, Melbourne Theatre Company 1994 Season
• “Arts Access Victoria EASE Entertainment Access Service Newsletter June 1993"
  Arts Access Victoria EASE Entertainment Access Service Newsletter June 1993 - EASE Consumers Group feedback on Melbourne venues, Venue Managers Fair, Regional Theatre seasons
• “Arts Access Victoria EASE Entertainment Access Service Newsletter Summer 1994-1995"
  Arts Access Victoria EASE Entertainment Access Service Newsletter Summer 1994-1995 - Playhouse Access Policy, venue profile, CUB Malthouse, improved wheelchair seating at Melbourne Theatre Company Fairfax Theatre
• “Arts Access Victoria - Access Newsletter Winter 1994”
• “Arts Access Victoria - Access Newsletter Spring 1995”
• “Arts Access Victoria - Access Newsletter Winter 2000”
• "Arts Access Victoria - Stretch Theatre - Nicety - Promotional Flyer"
• “Arts Access Victoria - Arts Access Society Inc.- EASE Entertainment Access Service Newsletter August 1990”
  Arts Access Victoria EASE Entertainment Access Service Newsletter August 1990 - The Last Laugh Theatre venue notes
• “Arts Access Victoria - Arts Access Society Inc. - EASE Entertainment Access Service Newsletter August 1991”
  Arts Access Victoria EASE Entertainment Access Service Newsletter August 1991 - The 1991 Melbourne International Festival of the Arts 1991, Melbourne Theatre Company season shows
• “Arts Access Victoria - Arts Access Society Inc.- EASE Entertainment Access Service Newsletter February 1991”
  Arts Access Victoria EASE Entertainment Access Service Newsletter February 1991 - Information about history of Athenaeum Theatre, shows at various venues, and 19 entertainment venues in Melbourne Venue Guide
• “Arts Access Victoria - Arts Access Society Inc.- EASE Entertainment Access Service Newsletter December 1990”
  Arts Access Victoria EASE Entertainment Access Service Newsletter December 1990 - The Palais Theatre venue notes, Free events at the Sidney Myer Music Bowl and Victorian Arts, including Melbourne Summer Music Series
• "FusionTheatre_Dramability-Memories_1999"
  Promotion for Fusion Theatre Dramability Program movement, music, and storytelling performance 'Memories'
• "FusionTheatre - Big Frog"
  Promotion for Fusion Theatre Dramability Program mask and puppet performance 'Big Frog'
• "Restless Dance - Program 2022"
  Restless Dance Theatre Program 2022 – information about works Seeing Through Darkness, Ecoute Pour Voir (Listen To See), Exposed, and Home, and promotion of tour ready works Guttered and Intimate Space
• "Restless Dance - Celebrating 30 Years - Poster"
  Restless Dance Celebrating 30 Years Poster - reads, in part "A celebration of dance, film and live music showcasing the works of Restless Dance Theatre."
• “Restless Dance – Counterpoise: Dancing Against The Odds Program"
  Restless Dance Theatre ‘Counterpoise: Dancing Against The Odds’ Program 2023 – reads, in part “The work features 9 artists with and without disability from two ground-breaking companies, 'Restless Dance Theatre' and '29Dong Dance Theater', KOREAN MUSIC PROJECT collaborating on music. The collaboration process is documented by 'University of South Australia Connect2Abilities', for submission and screening at the 2024 Adelaide Film Festival.”
• “Restless Dance – Annual Report 2008"
  Restless Dance Theatre Annual Report 2008 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘The Heart of Another is A Dark Forrest,’ ‘Safe From Harm,’ ‘Necessany Games,’ Reviews, Supporters
• “Restless Dance – Annual Report 2011"
  Restless Dance Theatre Annual Report 2011 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Take Me There,’ ‘Superhero Island,’ ‘Debut 3: The Dancers Direct,’ ‘Howling Like A Wolf,’ other performances and workshops, Supporters
• “Restless Dance – Annual Report 2013"
  Restless Dance Theatre Annual Report 2013- Company history, Chair's, Artistic Director’s and Company Manager’s Reports, Productions including ‘Salt,’ Debut 4 – the dancers direct,’ Community workshop programs, Financials, Staff and Board, Supporters
• “Restless Dance – Annual Report 2006"
  Restless Dance Theatre Annual Report 2006 - Chair's, Artistic Director’s, Dancers’, and Company Manager Reports, Members and Board, Financials, information about productions ‘Continual Unfolding of Now,’ ‘Within these lines,’ Reviews, Supporters
• “Restless Dance – Howling Like A Wolf Promotional Card"
  Restless Dance 'Howling Like A Wolf' Promotional Card - reads, in part, “How do I know what you are thinking? Why are some of your facial expressions harder to read than others? How can I tell when you are lying to me? Why do I bite people I feel affection towards? Restless Dance Theatre's new work Howling Like A Wolf examines the science of non-verbal communication between humans.”
• “Restless Dance – Howling Like A Wolf Program"
  Restless Dance Theatre 'Howling Like a Wolf' Program - reads, in part "In Howling Like A Wolf humans are both the observer and the observed. The work explores facial expressions, our body language and the way our brains process complex and subtle information. The performers have shared their experiences of connection and isolation, the joy and confusion of human interactions, and how we all prepare ourselves for "this terribly significant business of 'other people'."