Disability Arts History Australia

Items

• "Australia Council - Annual Report 1997-98"
  Australia Council Annual Report 1997-98 - discusses letter from chair of council, functions, profile, organisation chart, corporate overview, year in review, arts funding, main activities of Council and its Boards, and includes professional development activities, financial statements and lists of grants made including grants for programs, projects, information and advocacy with producing a set of Disability Fact Packs exploring the importance of accessibility for arts and cultural organisations and a guide to marketing arts to disabled audience
• "Australia Council - Annual Report 1994-95"
  Australia Council Annual Report 1994-95- discusses functions, organisation chart, year in review, work to overcome inequities experienced by artists with disabilities with a review of arts and disabilities developing into an action plan by 1997, artform development, main activities of Council and its Boards, and includes financial statements and lists of grants made including grants for programs, projects, creative development of organisations and an international cultural exchange program.
• "Australia Council - Annual Report 1999-2000"
  Australia Council Annual Report 1999-2000 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, programs, presentation and promotions, triennial grants to disability arts organisations in NSW, South Australia and Victoria and funding to Accessible Arts for audience development, as well as the New Media Arts Fund for Back to Back performance of “Soft”
• "Australia Council - Annual Report 2008-09"
  Australia Council Annual Report 2008-09 - discusses letter from chairman, year in review, from the CEO, How we achieved our outcomes, About the Australia Council, Governance, Organisation, Accountability, Workplace and Financial statements but no longer listing grants of organisations or individuals however discusses the DADAA WA radio play “The Proper Shoes” - a series of stories written by young women with a disability, was first broadcast nationally on ABC Radio and then invited to tour the play as part of the TRASNA Festival of Inclusive Theatre.
• "Australia Council - Annual Report 2003-04"
  Australia Council Annual Report 2003-2004 - discusses letter from chair of council, letter from CEO, corporate overview, year in review, financial statements, analysis of funding analysis and grants list, including funding for conduct national research to identify ways of addressing barriers to access for audiences with disabilities and their carers, funding for the publication, “Don’t Give Up Your Day Job”, included survey questions specifically related to artists with disabilities, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria as well as funding to conduct national research to identify ways of addressing barriers to access for audiences with disabilities and their carers and three year funding for Accessible Arts to continue Audience Development.
• "Australia Council - Annual Report 2001-02"
  Australia Council Annual Report 2001-2002 - discusses letter from chair of council, corporate overview, year in review, financial statements, analysis of funding and grants for projects, initiatives, new work, programs, presentation and promotions including funding for implementing the Commonwealth Disability Strategy by evaluating current and changing needs of people with disabilities in the arts sector and reflecting this in funding and policies, arts marketing and audience development and triennial grants to disability arts organisations in NSW, South Australia and Victoria as well as an image from Crossroad Arts for the exhibition “Shades of White” and the publication “Making the Journey”
• "Australia Council - Annual Report 1998-99"
  Australia Council Annual Report 1998-99 - discusses letter from chair of council, functions, profile, organisation chart, corporate overview, year in review, arts funding, main activities of Council and its Boards, and includes promoting the importance of accessibility in the arts for all people with and without disabilities with workshops for arts organisations and training for Australia Council staff, financial statements and lists of grants made including grants for programs, projects, information and advocacy with Restless Dance Company being the first youth dance company to receive a Triennial Grant.
• "Australia Council - Annual Report 1996-97"
  Australia Council Annual Report 1996-97- discusses letter from chair of council, functions, profile, organisation chart, corporate overview, year in review, arts funding, main activities of Council and its Boards, and includes professional development activities, financial statements and lists of grants made including grants for programs, projects, information and advocacy with an Arts and Disability action plan.
• "Australia Council - Annual Report 1982-83"
  Australia Council - Annual Report Australia Council Annual Report 1982-83 - discusses objectives, members of council, board members, organisation chart, staff list, council report, programs, board reports, financial statements, publications and grant lists including workshops, art production activities, production of magazine, award and performances.1982-83
• "Australia Council - Annual Report 1983-84"
  Australia Council Annual Report 1983-84 - discusses main activities of Council and its eight Boards, and includes financial statements and lists of grants made including artist fees, performances for handicapped, production of radio material for blind, and activities for Theatre of the Deaf.
• “Restless Dance – Guttered Promotional Poster”
  Restless Dance Theatre 'Guttered' Promotional Poster
• "Interview with Mike Moshos"
  Mike Moshos is a creative director, writer, actor and disability advocate. Interview Summary Mike Moshos is an arts worker and creator living with achondroplasia who provides support to young adult artists with disabilities and engages in community theatre and interactive performances for children with special needs. His personal experiences and growing political awareness have led him to advocate for the rights of disabled individuals and strive for equity in the arts. Mike has a deep passion for storytelling and is currently writing a science fiction novel while enjoying his role as Bing in an interactive children's show. He believes that all art is inherently political and that every piece of work, whether overtly or subtly, expresses a stance on societal issues.
• "Intimacy- Torque Show and Michelle Ryan"
  Intimacy- Torque Show and Michelle Ryan' - reads, in part "Intimacy is a dance-theatre piece created by Michelle Ryan, Ingrid Weisfelt, Ross Ganf and Vince Crowley. Our lighting design responded to the traverse seating arrangement, the content of the show and the set design by Adrienne Chisholm, creating a space that worked for the dance performance, music integrated into the show (by the duo Lavender vs Rose) and text based theatre elements."
• "Interview with Veronica Pardo"
  Veronica Pardo is a disability arts ally and has been a disability advocate with previous leadership positions in organisations such as Arts Access Victoria and Multicultural Arts Victoria, Interview Summary Veronica Pardo, former Executive Director of Arts Access Victoria, discussed the evolution and impact of Disability Arts in Australia, detailing the political dimensions of the field and the importance of genuine representation and intersectionality. Pardo highlighted the importance of leadership transitions in arts organizations informed by a spirit of solidarity and mutual support, particularly citing Caroline Bowditch's role as significant in the sector. She emphasized a need for systems-level change within the arts to reflect true diversity, beyond tokenism, advocating for dismantling exclusive structures and creating new ones informed by those marginalized. Finally, Pardo stressed the importance of acknowledging the work of predecessors in Disability Arts to honour their legacy and inform current artistic and cultural practices.
• "Interview with Julie Moralee"
  Julie Moralee is the Chief Executive Officer of Restless Dance Theatre, bringing a wealth of experience in marketing, business development, and festival organisation within the arts sector. Her leadership focuses on showcasing the talents of artists with disability and ensuring sustainable employment opportunities in the arts. Interview Summary Julie Moralee is the CEO of Restless Dance Theatre, where she has focused on promoting the talent and abilities of artists with disability. With a commitment to ensuring sustainable full-time employment in the arts for these artists, she emphasises the importance of audience impact and high-quality performances as measures of success. Julie is mindful of the challenges and perceptions within the disability arts sector and envisions a future where the label "disability art" becomes obsolete, as the quality of the work transcends its creators
• "Interview with Jenny Simpson"
  Jenny is CEO and Artistic Director of AWESOME Arts Australia while also a Musical Director of the Mighty Camelot Community Choir and a Sessional Academic at the Western Australian Academy of Performing Arts at Edith Cowan University. Interview Summary Jenny Simpson is the CEO and Artistic Director of AWESOME Arts Australia. She grew up in a musical family and always had an interest in the arts. After working in the corporate world, she decided to pursue a role in the arts to make a difference in the community. She has since focused on engaging young people with disabilities in the arts, and has worked on projects and festivals that promote inclusivity and accessibility. She believes that the perception of disability arts is changing and hopes to see more individuals with disabilities involved in arts management.
• "Interview with Matthew Shilcock"
  Matthew Shilcock is a stage and film performer, dancer, director, choreographer, producer, project planner, manager, consultant and disability advocate. Interview Summary Matthew Shilcock, a contemporary dancer, lives with osteogenesis imperfecta, a condition that led him to discover dance as an affordable alternative to physiotherapy. His 12-year dance career has been shaped by working with both disabled and non-disabled artists, including elite companies and individual dancers, where he found a passion for the unique problem-solving and rewarding experiences that come with working with disabled dancers. As he transitions from performer to dance maker, Matthew's motivation has shifted from personal excitement and self-discovery to a focus on the next generation, aiming to pass on his unique experiences and methodologies. He acknowledges that while being on stage as a disabled artist can be inherently political, he values his authenticity and the impact of his work over the perceptions and labels placed upon disability in the arts.
• "Interview with Nick Hughes"
  Nick has worked as an actor, director, writer, artistic director, dramaturg and was the Company Manager for Restless Dance Theatre Interview Summary Nick Hughes is a retired arts administrator who has worked in various capacities within the arts industry, including as an actor, writer, stage manager, and notably as the company manager for Restless Dance Theatre. Nick gained degrees in drama, and sociology, and moved from the UK to Australia in 1973. During the interview, Nick reflects on his significant contributions to the arts and disability sectors. Despite being unfamiliar with disability arts in the beginning, Nick says he became deeply involved and committed to the field, valuing disability arts for the social and political aspects. Nick discusses witnessing first-hand the growth and development of individuals through creative expression. Throughout his career, Nick says he has seen the evolution and increasing recognition of disability arts as a legitimate and powerful art form capable of altering people’s perceptions and advocating for inclusivity and equality in society.
• "DADAA - The Proper Shoes - Radio Play 2007"
  DADAA - 'The Proper Shoes' Radio Play 2007 - reads, in part "In 2005 & 2006 DADAA Inc worked in partnership with ABC radio to develop "The Proper Shoes", a radio play to be broadcast nationally. In 2005 & 2006 DADAA Inc worked in partnership with ABC radio to develop "The Proper Shoes", a radio play to be broadcast nationally.  In 2007 DADAA Inc has been invited to take a reworking of Proper Shoes to be part of TRASNA Festival of Inclusive Theatre.  The Proper Shoes will be broadcast in Callan, Kilkenny Ireland with a live site specific component developed to extend the work from its previous incarnation. The festival runs from 26th - 28th Oct 07 with two production staff and two performers attending and devising the work for the festival."
• "Indelability Arts - Classes"
  Website reads "Students will learn the ins-and-outs of theatre performance from industry trained professionals."
• "Jodee Mundy Collaborations - Imagined Touch - IMBD"
  Reads, in part, "When two Deafblind women asked a theatre director to help them make a show about being deaf and blind, never in their wildest dreams did they imagine it would become an award-winning show."
• "Undercover Artist Festival Program Released 2021"
  Undercover Artist Festival 2021, curated by Festival Director Madeleine Little, including Lauren Watson’s Nerve, Andi Snelling’s Happy-Go-Wrong, Naavikaran’s Brown Church, Oliver Hetherington-Page’s The No Bang Theory in the ‘Creative’ program track, and work by Timothy Orton, Mitchell Runcie and Allycia Staples from The Sunshine Troupe in the ‘Community’ track.
• "Access Arts - You Tube - Undercover Artist Festival 2015 - Captured in Three Minutes"
  Access Arts - You Tube - Undercover Artist Festival 2015 in 3 minutes
• "Access Arts - YouTube Undercover Artist Festival - 2021"
  Access Arts - You Tube - Undercover Artist Festival 2021 - reads, in part "Undercover Artist was developed by Access Arts who have been working to support people with disability to take part and excel in the arts for more than 38 years"
• "Access Arts - The Divine Kiss, website captured 2004"
  Access Arts - The Divine Kiss, website captured 2004"- reads, in part "The Divine Kiss - The Evil is Always and Everywhere - is a music theatre work exploring the imagery of the Seven Saving Virtues. This is not a traditional text driven narrative, but a collection and superimposing of images with text. Although the perimeters may seem fluid, the work is structured around a base of Seven Virtues with twelve images per virtue of either sound, light and/or singing. Seven sections equal the Seven Virtues, each section to explore one virtue in its quarternity. The sections build one on another using the device of a palimpset of images to reinforce and deepen the audience experience through thematic reiterations."