Disability Arts History Australia

Items

• "Restless Dance - Program 2022"
  Restless Dance Theatre Program 2022 – information about works Seeing Through Darkness, Ecoute Pour Voir (Listen To See), Exposed, and Home, and promotion of tour ready works Guttered and Intimate Space
• "Tutti Arts - The History of Autism - Promotional Card"
  Tutti Arts 'History of Autism' 2014 Promotional Card - reads, in part "In the Adelaide Fringe this year, Company@ Autistic Theatre, Australia's only theatre company for people on the autism spectrum, is presenting an exciting original work, History of Autism. Developed with actors on the autism spectrum, History of Autism was first performed at the 2013 Asia Pacific Autism Conference to standing ovations, drawing audience comments like "truly dynamic and highly entertaining" and "Chockablock full of endearing characters". Company@ is dedicated to presenting high quality authentic theatre which entertains and informs audiences and raises awareness about autism. Company@ works in partnership with renowned multi arts organisation Tutti Ensemble Inc. and is also proudly supported by Autism SA."
• "Weave Movement Theatre - Born in a Taxi - One Lump Or Two - 2012"
  Image of work - Weave Movement Theatre - Born in a Taxi - One Lump Or Two - 2012
• "Weave Movement Theatre - White Day Dream - 2016"
  Image of work - Weave Movement Theatre - White Day Dream - 2016
• “Arts Access Victoria – On Tour (mid – late 1990s)”
  Arts Access Victoria – Sharing knowledge (early – mid 1990s) – growth in programs, training, consultancy and developed the first AAV website. Weave Movement Theatre and Club Wild (Wild at Heart) emerged and toured exhibition of “BodySuits” created new artist commissions and opportunities.
• “Arts Access Victoria – Growth and Opportunity (Early 1980s)”
  Arts Access Victoria – Growth and Opportunity (Early 1980s) – Funding from Australia Council for the Arts enabled program and performance for IYPD AAV – “Theorem” a theatre show with Chilean Theatre Director Aldo Gennaro including over 100 performers. 
• "Arts Access Victoria - History, captured 2011"
• "Restless Dance - Gallery"
  Restless Dance Theatre website, 'Gallery', captured 2020 - images of past works
• "Restless Dance - Our Work"
  Restless Dance Theatre website, ‘Our Work,’ captured 2020 – links to pages on history, performances, workshops, resources, gallery, shop, and bequests – information about the core Company, workshop programs, and other opportunities
• "Restless Dance - Past Shows 2012 - 2016"
  Restless Dance Website, information about past shows 2012-2016, captured 2020 – information about Debut 5: the dancers direct (five short works from Youth/Senior ensembles), In The Balance (at Adelaide Cabaret Festival) Touched (directed by Michelle Ryan with Youth ensemble), What’s a Nice Girl Like You Doing in a Place Like This? (directed by Emma Stokes with the Senior ensemble), Naturally (directed by Michelle Ryan with Youth ensemble), Salt (touring work developed by Rob Tannion), Debut 4 – the dancers direct 2013 (short works by five company members), high voltage 2012 (short work directed by Lorcan Hopper, as part of Debut 3 – the dancers direct and toured to Port Moresby) and Howling Like A Wolf (creative via collaborations between Restless and Melbourne based Rawcus Theatre led by Kate Sulan).
• "Restless Dance - Dot to Dot"
  Restless Dance Theatre website, 'Dot to Dot', captured 2020 - reads, in part "The Dot To Dot project is a series of workshops aimed at broadening awareness, developing skills and teaching how to run accessible and inclusive performing arts workshops."
• "Restless Dance - Master Classes"
  Restless Dance Theatre website, 'Master Classes,' captured 2020 – reads, in part, "In 2019 Restless Impulse dancers and Company dancers will take part in workshops with Sydney Dance Company and Bangarra Dance Company."
• "Restless Dance - Past Workshops"
  Restless Dance Theatre website, 'Past Workshops', captured 2020 - reads, in part, "Leaps and Bounds was a terms worth of open access dance workshops in 2012 for young people with autism in the 8 – 12 age range."
• "DADAA Publications Webpage, captured 2021"
  DADAA Publications Webpage, captured 2021 - Annual Reports 2014-2019, Newsletters 2016-2019, and research reports, including Art Works: Employment in the Arts for People with Disability (2012), and Same Drum CACD Project With Young People from Migrant and Refugee Backgrounds (2018), Oddysea project with Sensorium Theatre (2014), the Lost Generation project (2011)
• "Interview with Matthew Shilcock"
  Matthew Shilcock is a stage and film performer, dancer, director, choreographer, producer, project planner, manager, consultant and disability advocate. Interview Summary Matthew Shilcock, a contemporary dancer, lives with osteogenesis imperfecta, a condition that led him to discover dance as an affordable alternative to physiotherapy. His 12-year dance career has been shaped by working with both disabled and non-disabled artists, including elite companies and individual dancers, where he found a passion for the unique problem-solving and rewarding experiences that come with working with disabled dancers. As he transitions from performer to dance maker, Matthew's motivation has shifted from personal excitement and self-discovery to a focus on the next generation, aiming to pass on his unique experiences and methodologies. He acknowledges that while being on stage as a disabled artist can be inherently political, he values his authenticity and the impact of his work over the perceptions and labels placed upon disability in the arts.
• "Interview with Jenny Simpson"
  Jenny is CEO and Artistic Director of AWESOME Arts Australia while also a Musical Director of the Mighty Camelot Community Choir and a Sessional Academic at the Western Australian Academy of Performing Arts at Edith Cowan University. Interview Summary Jenny Simpson is the CEO and Artistic Director of AWESOME Arts Australia. She grew up in a musical family and always had an interest in the arts. After working in the corporate world, she decided to pursue a role in the arts to make a difference in the community. She has since focused on engaging young people with disabilities in the arts, and has worked on projects and festivals that promote inclusivity and accessibility. She believes that the perception of disability arts is changing and hopes to see more individuals with disabilities involved in arts management.
• "Interview with Julie Moralee"
  Julie Moralee is the Chief Executive Officer of Restless Dance Theatre, bringing a wealth of experience in marketing, business development, and festival organisation within the arts sector. Her leadership focuses on showcasing the talents of artists with disability and ensuring sustainable employment opportunities in the arts. Interview Summary Julie Moralee is the CEO of Restless Dance Theatre, where she has focused on promoting the talent and abilities of artists with disability. With a commitment to ensuring sustainable full-time employment in the arts for these artists, she emphasises the importance of audience impact and high-quality performances as measures of success. Julie is mindful of the challenges and perceptions within the disability arts sector and envisions a future where the label "disability art" becomes obsolete, as the quality of the work transcends its creators
• "Interview with Mike Moshos"
  Mike Moshos is a creative director, writer, actor and disability advocate. Interview Summary Mike Moshos is an arts worker and creator living with achondroplasia who provides support to young adult artists with disabilities and engages in community theatre and interactive performances for children with special needs. His personal experiences and growing political awareness have led him to advocate for the rights of disabled individuals and strive for equity in the arts. Mike has a deep passion for storytelling and is currently writing a science fiction novel while enjoying his role as Bing in an interactive children's show. He believes that all art is inherently political and that every piece of work, whether overtly or subtly, expresses a stance on societal issues.
• "Interview with Nick Hughes"
  Nick has worked as an actor, director, writer, artistic director, dramaturg and was the Company Manager for Restless Dance Theatre Interview Summary Nick Hughes is a retired arts administrator who has worked in various capacities within the arts industry, including as an actor, writer, stage manager, and notably as the company manager for Restless Dance Theatre. Nick gained degrees in drama, and sociology, and moved from the UK to Australia in 1973. During the interview, Nick reflects on his significant contributions to the arts and disability sectors. Despite being unfamiliar with disability arts in the beginning, Nick says he became deeply involved and committed to the field, valuing disability arts for the social and political aspects. Nick discusses witnessing first-hand the growth and development of individuals through creative expression. Throughout his career, Nick says he has seen the evolution and increasing recognition of disability arts as a legitimate and powerful art form capable of altering people’s perceptions and advocating for inclusivity and equality in society.
• "Interview with Veronica Pardo"
  Veronica Pardo is a disability arts ally and has been a disability advocate with previous leadership positions in organisations such as Arts Access Victoria and Multicultural Arts Victoria, Interview Summary Veronica Pardo, former Executive Director of Arts Access Victoria, discussed the evolution and impact of Disability Arts in Australia, detailing the political dimensions of the field and the importance of genuine representation and intersectionality. Pardo highlighted the importance of leadership transitions in arts organizations informed by a spirit of solidarity and mutual support, particularly citing Caroline Bowditch's role as significant in the sector. She emphasized a need for systems-level change within the arts to reflect true diversity, beyond tokenism, advocating for dismantling exclusive structures and creating new ones informed by those marginalized. Finally, Pardo stressed the importance of acknowledging the work of predecessors in Disability Arts to honour their legacy and inform current artistic and cultural practices.
• "Intimacy- Torque Show and Michelle Ryan"
  Intimacy- Torque Show and Michelle Ryan' - reads, in part "Intimacy is a dance-theatre piece created by Michelle Ryan, Ingrid Weisfelt, Ross Ganf and Vince Crowley. Our lighting design responded to the traverse seating arrangement, the content of the show and the set design by Adrienne Chisholm, creating a space that worked for the dance performance, music integrated into the show (by the duo Lavender vs Rose) and text based theatre elements."
• "High Beam Festival Program 2008"
  High Beam Program 2008 reads "Australia's international celebration of Arts and Disability - COMEDY | THEATRE| MUSIC | VISUAL ARTS | COMMUNITY EVENTS"
• "A Creative Leap: Beyond Disability"
  A Creative Leap: Beyond Disability provides “ … six examples of how others are creating access for people with a disability to participate in artistic activity and develop their creative potential,” including Club Contagious Music Club, Malee Music Program, Karrarendi Visual Art Workshops, Southern Youth Theatre Ensemble, Restless Dance Theatre
• "High Beam Festival Program 1998"
• "High Beam Festival Program 2000"
  High Beam Program 2000 reads "High Beam 2000 will he launched with an opening parade and concert that promises to he LOUD. IARGE and LAVISH! Weaving a rhythmical and colourful journey along King William Street through to Elder Park where the entertainment will begin. AS 22% of South Australia’s population have a disability, High Beam 2000 Festival presents an inspiring and unique opportunity for all South Australians to discover the wealth of talent within our midst and from abroad."