Acknowledgement of Disability Community
The research team acknowledges the labour, advoacy, and artistry of the artists and allies who have worked for more than fifty years to make the arts, media, and cultural industries more inclusive for the d/Deaf, Disabled, and Neurodiverse community.
We thank you for dealing with discriminatory systems and insitutions, lack of funding and resources, lack of accessible training, production, presentation, and exhibition oppportunities, and lack of understanding of our crip time, space and methods, to create platforms to support our success today.
We hope that we will continue to follow your example, making and holding space to support the practice and the pride of future generations of d/Deaf, Disabled, and Neurodiverse artists, as we work together to break through the barriers that still exist for our community.
This website may contain stories of discrimination, insitutionalisation, and violence, abuse, neglect, and exploitation of d/Deaf, Disabled, and Neurodivergent people.

Bree Hadley, WeiZen Ho, and Jeremy Hawkes at the Transmission Workshop, led by WeiZen Ho and Joshua Pether, as part of the Last Avant Garde project led by Associate Professor Eddie Paterson, Meeting Place Arts & Disability Forum, 2018.
Read more about this project in Bree Hadley, Eddie Paterson, and Madeleine Little (2022) Quick Trust and Slow Time: Relational Innovations in Disability Performing arts Practice. International Journal of Disability and Social Justice. 2.1. pp. 74-94.
